Skylight Books Podcast Series

Danielle Krysa, "A BIG IMPORTANT ART BOOK (NOW WITH WOMEN)"

Walk into any museum, or open any art book, and you'll probably be left wondering: where are all the women artists? A Big Important Art Book (Now with Women) offers an exciting alternative to this male-dominated art world, showcasing the work of dozens of contemporary women artists alongside creative prompts that will bring out the artist in anyone! 

This beautiful book energizes and empowers women, both artists and amateurs alike, by providing them with projects and galvanizing stories to ignite their creative fires. Each chapter leads with an assignment that taps into the inner artist, pushing the reader to make exciting new work and blaze her own artistic trail. Interviews, images, and stories from contemporary women artists at the top of their game provide added inspiration, and historical spotlights on art "herstory" tie in the work of pioneering women from the past. With a stunning, gift-forward package and just the right amount of pop culture-infused feminism, Danielle Krysa is sure to capture the imaginations of aspiring women artists. 

Nick Zinner/Zachary Lipez/Stacy Wakefield, "131 DIFFERENT THINGS"

When Sam, a bartender in New York, hears that his ex, Vicki, his one true love, has quit AA and is out drinking again, he embarks on a quest to find her. Sam and his sidekick Francis trek from dive bars to gay bars to rocker bars—encountering skinheads, party promoters, underage drug dealers, and dominatrixes—but they are always one step behind Vicki. It begins to seem like 131 Different Things are keeping the lovers apart. Before the night is over, Sam will have to wrestle with what he is really looking for.

Nick Zinner—who plays guitar in the three-time Grammy-nominated band Yeah Yeah Yeahs—provides the visual framework for this inventive novella with his intimate photography. Known for his essays and music writing for Noisey, Vice, and Penthouse, Zachary Lipez brings his pithy, multilayered, and self-deprecating voice to this debut work of fiction. The prose and photography are tied together in a playful taxonomic scheme by editor and art director Stacy Wakefield, the author of the novel The Sunshine Crust Baking Factory. The three artists have collaborated on four previous books, most recently Please Take Me Off the Guest List.

Jeff Jackson, "DESTROY ALL MONSTERS"

An epidemic of violence is sweeping the country: musicians are being murdered onstage in the middle of their sets by members of their audience. Are these random copycat killings, or is something more sinister at work? Has music itself become corrupted in a culture where everything is available, everybody is a "creative," and attention spans have dwindled to nothing? With its cast of ambitious bands, yearning fans, and enigmatic killers, Destroy All Monsters tells a haunted and romantic story of overdue endings and unlikely beginnings that will resonate with anybody who's ever loved rock and roll.

Like a classic vinyl single, Jeff Jackson's novel has two sides, which can be read in either order. At the heart of Side A, "My Dark Ages," is Xenie, a young woman who is repulsed by the violence of the epidemic but who still finds herself drawn deeper into the mystery. Side B, "Kill City," follows an alternate history, featuring familiar characters in surprising roles, and burrows deeper into the methods and motivations of the murderers.

Nadya Tolokonnikova, "READ & RIOT" w/ Shepard Fairey

Feminist artist, political activist, and Pussy Riot founder Nadya Tolokonnikova has written a timely guide to radical protest and provides the words, actions, and inspiration to ignite the power of individuals to passionately resist and proactively plan our way to the change we want to see. In Read & Riot: A Pussy Riot Guide to Activism, the revered international activist draws upon her own hard-won wisdom to share her core principles for opposing leaders and governments that threaten to suppress individual rights and freedoms. Cutting through the pessimism, fear, uncertainty, and hopelessness, Read & Riot is an empowering tool for civil disobedience that encourages us to question the status quo, reject the litany of injustices and refuse to let apathy take hold, and above all, to make political action exciting, to be approached with a sense of humor, and an ultimately make it an integral part of our daily lives.  Fusing punk and positivity to create a culture of protest that inspires and connects us, Read & Riot includes actions, suggestions, and resources for creating an empowered movement of resistance.

Tolokonnikova is in conversation with fellow artist-activist Shepard Fairey.

WHAT BOOKS presents Paul Lieber and Bill Mohr

Join us for an evening with two authors from What Books Press. Paul Lieber discusses poetry with fellow writer Bill Mohr. 

Eileen Truax, "WE BUILT THE WALL"

A Mexican-American lawyer exposes corruption in the US asylum procedure and despotism in the Mexican government.

From a storefront law office in the US border city of El Paso, Texas, one man set out to tear down the great wall of indifference raised between the US and Mexico. Carlos Spector has filed hundreds of political asylum cases on behalf of human rights defenders, journalists, and political dissidents. Though his legal activism has only inched the process forward--98 percent of refugees from Mexico are still denied asylum--his myriad legal cases and the resultant media fallout has increasingly put US immigration policy, the corrupt state of Mexico, and the political basis of immigration, asylum, and deportation decisions on the spot.

Eileen Truax's We Built the Wall is an immersive, engrossing look at the new front in the immigration wars. It follows the gripping stories of people like Saúl Reyes, forced to flee his home after a drug cartel murdered several members of his family, and Delmy Calderón, a forty-two-year-old woman leading an eight-woman hunger strike in an El Paso detention center. Truax tracks the heart-wrenching trials of refugees like Yamil, the husband and father who chose a prison cell over deportation to Mexico, and Rocío Hernández, a nineteen-year-old who spent nearly her entire life in Texas and is now forced to live in a city where narcotraffickers operate with absolute impunity.

Reyna Grande, "A DREAM CALLED HOME" w/ Kirin Khan

When Reyna Grande was nine-years-old, she walked across the US–Mexico border in search of a home, desperate to be reunited with the parents who had left her behind years before for a better life in the City of Angels. What she found instead was an indifferent mother, an abusive, alcoholic father, and a school system that belittled her heritage. With so few resources at her disposal, Reyna finds refuge in words, and it is her love of reading and writing that propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz. Although her acceptance is a triumph, the actual experience of American college life is intimidating and unfamiliar for someone like Reyna, who is now once again estranged from her family and support system. Again, she finds solace in words, holding fast to her vision of becoming a writer, only to discover she knows nothing about what it takes to make a career out of a dream.

Through it all, Reyna is determined to make the impossible possible, going from undocumented immigrant of little means to “a fierce, smart, shimmering light of a writer” (Cheryl Strayed, author of Wild); a National Book Critics Circle Award Finalist “speak[ing] for millions of immigrants whose voices have gone unheard” (Sandra Cisneros, author of The House on Mango Street); and a proud mother of two beautiful children who will never have to know the pain of poverty and neglect. Told in Reyna’s exquisite, heartfelt prose, A Dream Called Home demonstrates how, by daring to pursue her dreams, Reyna was able to build the one thing she had always longed for: a home that would endure.

Grande is in conversation with fellow writer Kirin Khan.

Kwame Alexander, "SWING" w/ Nikki Giovanni & Wendy Calhoun

When America is not so beautiful, or right, or just, it can be hard to know what to do. In Kwame Alexander's Swing, best friends Walt and Noah decide to use their voices to grow more good in the world, but first they've got to find cool.

Walt is convinced junior year is their year, and he has a plan to help them woo the girls of their dreams and become amazing athletes. Never mind that he and Noah failed to make the high school baseball team yet again, and Noah's love interest since third grade, Sam, has him firmly in the friend zone. Noah soon finds himself navigating the worlds of jazz, batting cages, the strange advice of Walt's Dairy Queen-employed cousin, as well as Walt's own perceptions of what is actually cool. Status quo seems inevitable until Noah stumbles on a stash of old love letters. Each page contains the words he's always wanted to say to Sam, and he begins secretly creating artwork using the lines that speak his heart. But when his private artwork becomes public, Noah has a decision to make: continue his life in the dugout and possibly lose the girl forever, or take a swing and make his voice heard?

At the same time, numerous American flags are being left around town. While some think it's a harmless prank and others see it as a form of peaceful protest, Noah can't shake the feeling something bigger is happening to his community. Especially after he witnesses events that hint divides and prejudices run deeper than he realized. As the personal and social tensions increase around them, Noah and Walt must decide what is really true when it comes to love, friendship, sacrifice, and fate.

Alexander is in conversation with poet, activist, mother, and professor Nikki Giovanni alongside writer/producer Wendy Calhoun.

Walter Mosley, "JOHN WOMAN"

 John Woman recounts the transformation of an unassuming boy named Cornelius Jones into John Woman, an unconventional history professor—while the legacy of a hideous crime lurks in the shadows.

At twelve years old, Cornelius, the son of an Italian-American woman and an older black man from Mississippi named Herman, secretly takes over his father’s job at a silent film theater in New York’s East Village. Five years later, as Herman lives out his last days, he shares his wisdom with his son, explaining that the person who controls the narrative of history controls their own fate. After his father dies and his mother disappears, Cornelius sets about reinventing himself—as Professor John Woman, a man who will spread Herman’s teachings into the classrooms of his unorthodox southwestern university and beyond. But there are other individuals who are attempting to influence the narrative of John Woman, and who might know something about the facts of his hidden past.

Lydia Kiesling, "THE GOLDEN STATE" w/ Edan Lepucki

In Lydia Kiesling's razor-sharp debut novel, The Golden State, we accompany Daphne, a young mother on the edge of a breakdown, as she flees her sensible but strained life in San Francisco for the high desert of Altavista with her toddler, Honey. Bucking under the weight of being a single parent--her Turkish husband is unable to return to the United States because of a "processing error"--Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity.

But clarity proves elusive. Over the next ten days Daphne is anxious, she behaves a little erratically, she drinks too much. She wanders the town looking for anyone and anything to punctuate the long hours alone with the baby. Among others, she meets Cindy, a neighbor who is active in a secessionist movement, and befriends the elderly Alice, who has traveled to Altavista as she approaches the end of her life. When her relationships with these women culminate in a dangerous standoff, Daphne must reconcile her inner narrative with the reality of a deeply divided world.

Kiesling is in conversation with Edan Lepucki, the bestselling author of novels California and Woman No. 17.

Shabnam Samuel, "A FRACTURED LIFE"

Abandoned by her parents as a three-year-old, and ultimately leaving her home country India for a new life in America as a young mother of a three-year-old son, this is not only an immigrant's story, but a poignant and powerful memoir that is at first, one of sadness and continuing adversity, but ultimately one of strength, purpose, and the universal triumph of hope. It is a story of dislocation, disruption, and despair, and brings focus to the silencing of girlhood and womanhood and how with time, love, and support we can work our way out of that silence. Shabnam Samuel was twenty seven when she moved to the US, carrying with her a troubled marriage, an almost estranged husband, and a three-year-old son. Hoping to create a fresh start from everything that was holding her down, it took Shabnam twenty-five years of trials and tribulations to finally find her voice, her strength, and her place in this world. A Fractured Life is her story.

Peter Gadol, "THE STRANGER GAME"

The word ‘follow’ seems to have lost its meaning in the digital age. Now, when someone is following you on Instagram or Twitter, it’s hardly cause for alarm. But Peter Gadol begs an eerie question in his sixth novel, The Stranger Game: What if those ‘following’ you on social media brought back the literal meaning of the word… What if they started following you in real life?

In the age of social media, humanity is, at large, lonely. This includes Rebecca and her boyfriend, Ezra, a fan of the viral sensation “the stranger game"; The games, in which players literally follow strangers in their day-to-day lives has swept the nation and disappearances – including Ezra’s – are reported as players drift aimlessly from subject to subject. Hoping to find him, Rebecca tried the game and meets Carey. As their relationship and game play deepen, Rebecca uncovers an unsettling subculture that has infiltrated her world. Playing the stranger game may lead her closer to Ezra, but also further from the life she once lived.

Riddled with Patricia Highsmith-like anxiety and the alienation of Paul Auster, The Stranger Game is a haunting tale of literary suspense about a viral game spinning perilously – and criminally – out of control.

WNBA/LA: National Reading Group Month

WNBA/LA celebrates National Reading Group Month with a special Women in Media panel, featuring Gretchen Bonaduce (Surviving Agent Orange), Laura Dave (Hello Sunshin), and Robinne Lee (The Idea of You), with moderator Ezina Le Blanc.

Heather Havrilesky, "WHAT IF THIS WERE ENOUGH?" w/ Ann Friedman

Why do our modern lives feel more difficult despite the world’s promises of limitless opportunity? When things go wrong, why do we always blame ourselves? We live in a time of extreme delusion, disorientation, and dishonestly — yet despite our uncertainties, anxieties, and resentments, we’re nevertheless instructed to sweep all hesitations or doubts under the rug and continue to fearlessly conquer the future.

How did we get here? And more importantly — can we imagine a different way of living?

In What if this Were Enough?, Heather Havrilesky examines just how we’ve landed in this bewildering spot in our collective history — how traditions of forced cheer and optimism, along with our fixation on success and constant improvement have been ingested and metabolized to become a warped filter through which we see ourselves and others.

Havrilesky is in conversation with journalist and cultural critic Ann Friedman.

Anne-Marie Kinney, "COLDWATER CANYON" w/ Anthony Miller

Shep has been dealt a bad hand in life. Halfheartedly raised by a cold grandmother and chronically ill following his deployment in Desert Storm, he self-medicates with alcohol and daydreams of salvation at the hands of women—ultimately landing on one woman in particular: Lila, the young actress he believes is his daughter despite all evidence to the contrary. As Shep navigates the mystically rendered streets and strip malls of the San Fernando Valley with his only companion, his dog Lionel, he takes increasingly desperate measures to insinuate himself into her life. Anne-Marie Kinney’s precise and considered prose examines the insistence on reshaping the past through the lens of one’s own trauma and conceived desires as a means of moving forward. Why do we so often look for solace and redemption through others, pushing ourselves to do anything for them, even when it harms everyone involved?

Kinney is in conversation with writer, critic, and independent scholar Anthony Miller.