Skylight Books Podcast Series

OBJECT LESSONS with Evan Kindley, Rebecca Tuhus-Dubrow, and Anna Leahy

Bloomsbury's Object Lessons is a series of concise, collectable, beautifully designed books about the hidden lives of ordinary things. Each book starts from a specific inspiration: an historical event, a literary passage, a personal narrative, a technological innovation-and from that starting point explores the object of the title, gleaning a singular lesson or multiple lessons along the way. Featuring contributions from writers, artists, scholars, journalists, and others, the emphasis throughout is lucid writing, imagination, and brevity. Object Lessons paints a picture of the world around us, and tells the story of how we got here, one object at a time.

Join us for an evening with three Object Lessons authors: Evan Lindley (Questionnaire), Rebecca Tuhus-Dubrow (Personal Stereo) and Anna Leahy (Tumor). 

Leni Zumas, "RED CLOCKS"

Life, liberty and property: for every embryo.

This is the effect of the Personhood Amendment, passed by a new president with big ideas. Not only does the Personhood Amendment outlaw abortion (and threaten anyone involved in the act with a charge of second-degree murder), it also prohibits in vitro fertilization and adoption by unmarried persons. In Leni Zumas’s Red Clocks, four women in Newville, Oregon, are left to navigate this new landscape: Ro, a biographer desperate to have a baby while writing the untold story of a female polar explorer; Susan, a mother trapped in suburbia with an extremely difficult husband; Mattie, an adopted teenager who finds herself pregnant and unwilling to allow her unborn child to wonder why it wasn’t wanted; and Gin, a forest-dwelling mender whose “witchcraft” somehow weaves its way into each woman’s life.

As the aftershocks of the Personhood Amendment wreak havoc in the small Oregon town, Gin is suddenly arrested for medical malpractice; and, in yet another echo of the past, a modern-day witch hunt ensues. As the trial begins, the town is faced with questions: What is a woman for? Who controls her body? What does it mean to become a mother? What is your place in the world if you choose not to have a child?

In a novel both vividly revolutionary and achingly familiar, Leni Zumas invites the reader to reexamine preconceived notions of power in a society where women’s bodies are controlled by the government. Through the eyes of high school teachers, stay-at-home mothers, aspiring marine biologists, and town misfits, Zumas wondrously paints the story of modern women reckoning with deeply conservative values.

Zumas is in conversation with Porochista Khakpour, author of the memoir Sick.

Sam Graham-Felsen, "GREEN"

Boston, 1992. David Greenfeld is one of the few white kids at the Martin Luther King Middle School. Everybody clowns him, girls ignore him, and his hippie parents won't even buy him a pair of Nikes, let alone transfer him to a private school. Unless he tests into the city's best public high school--which, if practice tests are any indication, isn't likely--he'll be friendless for the foreseeable future.

Nobody's more surprised than Dave when Marlon Wellings sticks up for him in the school cafeteria. Mar's a loner from the public housing project on the corner of Dave's own gentrifying block, and he confounds Dave's assumptions about black culture: He's nerdy and neurotic, a Celtics obsessive whose favorite player is the gawky, white Larry Bird. Together, the two boys are able to resist the contradictory personas forced on them by the outside world, and before long, Mar's coming over to Dave's house every afternoon to watch vintage basketball tapes and plot their hustle to Harvard. But as Dave welcomes his new best friend into his world, he realizes how little he knows about Mar's. Cracks gradually form in their relationship, and Dave starts to become aware of the breaks he's been given--and that Mar has not.

Infectiously funny about the highs and lows of adolescence, and sharply honest in the face of injustice, Sam Graham-Felsen's debut Green is a wildly original take on the struggle to rise in America.

Krista Suh, "DIY RULES FOR A WTF WORLD"

On January 21, 2017, millions of protestors took part in the Women's March, and many of them created a "sea of pink" when they wore knitted pink "pussyhats" in record numbers. The pussyhat swiftly found its place on the cover of TIME and the New Yorker, and it ultimately came to symbolize resistance culture. Creator of the Pussyhat Project, Krista Suh, took an idea and built a worldwide movement and symbol in just two months. But like so many women, Krista spent years letting her fears stop her from learning to live by her own rules. 

Now in DIY Rules for a WTF World, Krista Suh shares the tools, tips, experiences, "rules," and knitting patterns she uses to get creative, get bold, and change the world. From learning how to use your own intuition to decide which rules are right for you to finding your inner-courage to speak up fearlessly; from finding what your passions are (this might surprise you!) to dealing with the squelchers out there, DIY Rules for a WTF World not only inspires you to demolish the patriarchy, but also enables you to create your own rules for living, and even a movement of your own, all with gusto, purpose, and joy. 

Colin Winnette, "THE JOB OF THE WASP"

A new arrival at an isolated school for orphaned boys quickly comes to realize there is something wrong with his new home. He hears chilling whispers in the night, his troubled classmates are violent and hostile, and the Headmaster sends cryptic messages, begging his new charge to confess. As the new boy learns to survive on the edges of this impolite society, he starts to unravel a mystery at the school’s dark heart. And that’s when the corpses start turning up.

A coming-of-age tale, a Gothic ghost story, and a murder mystery all in one, Colin Winnette's The Job of the Wasp is a bloodcurdling and brilliantly subversive novel about paranoia, love, and the nightmare of adolescence.

Winnette is joined in conversation by Amelia Gray, author of Isadora.

Chris McCormick, "DESERT BOYS"

A luminous debut, Chris McCormick's Desert Boys traces the development of towns into cities, of boys into men, and the haunting effects produced when these transformations overlap. Both a bildungsroman and a portrait of a changing place, the book mines the terrain between the desire to escape and the hunger to belong. This series of powerful, intertwining stories illuminates Daley “Kush” Kushner's world—the family, friends, and community that have both formed and constrained him, and his new life in San Francisco. Back home, the desert preys on those who cannot conform: an alfalfa farmer on the outskirts of town; two young girls whose curiosity leads to danger; a black politician who once served as his school’s Confederate mascot; Kush’s mother, an immigrant from Armenia; and Kush himself, introspective and queer.

McCormick is in conversation with Brit Bennett, author of The Mothers.

Susanna Fogel, "NUCLEAR FAMILY"

“Your Grandma Rose Has Some Questions about Your Interracial Relationship”

So starts one of the letters in the dynamic debut novel Nuclear Family: A Tragicomic Novel in Letters by filmmaker and New Yorker contributor Susanna Fogel about a fractured family of New England Jews and their discontents. Told entirely in letters to Julie, a heroine we never meet, we get to know her and her increasingly unique family through their check-ins: their thank-you notes, letters of condolence, family gossip, and good old-fashioned familial passive-aggression.

Tom Gauld, "BAKING WITH KAFKA"

In his inimitable style, British cartoonist Tom Gauld has opened comics to a crossover audience and challenged perceptions of what the medium can be. Noted as a "book-lover's cartoonist," Gauld's weekly strips in The Guardian, Britain's most well-regarded newspaper, stitch together the worlds of literary criticism and pop culture to create brilliantly executed, concise comics. Simultaneously silly and serious, Gauld adds an undeniable lightness to traditionally highbrow themes. From sarcastic panels about the health hazards of being a best-selling writer to a list of magical items for fantasy writers (such as the Amulet of Attraction, which summons mainstream acceptance, Hollywood money, and fresh coffee), Gauld's cartoons are timely and droll--his trademark British humour, impeccable timing, and distinctive visual style sets him apart from the rest. In Baking with Kafka, he proves this with one witty, sly, ridiculous comic after another.

Gauld is in conversation with Mark Frauenfelder, a research director at the Institute for the Future, founding editor of Wired.com, and the author of eight books.

Fran Krause, "THE CREEPS"

Illustrator, animator, teacher, and comic artist Fran Krause has touched a collective nerve with his wildly popular web comic series–and subsequent New York Times best-selling book–Deep Dark Fears. In follow-up The Creeps he brings readers more of the creepy, funny, and idiosyncratic fears they love illustrated in comic form–such as the fear that your pets will tell other animals all your embarrassing secrets, or that someone uses your house while you’re not home–as well as two longer comic short-stories about ghosts.

Santiago Gamboa, "RETURN TO THE DARK VALLEY"

Return to the Dark Valley travels between European cities scarred by terrorism that have turned increasingly xenophobic and Latin American landscapes that carry their own sense of danger enveloped in “new world” promise. 

Written in the sparkling prose and with the masterful suspense that have made Santiago Gamboa an international literary sensation, Return to the Dark Valley is a richly imagined portrait of a turbulent world where liberation is found in perpetual movement and determined exploration.

Scott Esposito, "THE DOUBLES"

Part memoir-through-film, part inquiry into the effect art has on our lives, Scott Esposito's The Doubles is a passionate, exquisitely written examination of 14 films that have made him.

Retelling one film per year, and covering 20 years of Esposito's life from 1996 - 2016, The Doubles shows the development via film of a critical intelligence and a maturing human being. From classic cinema like A Clockwork Orange to cosmological documentaries like A Brief History of Time to offbeat works like Koyaanisqatsi and major contemporary fare like Boyhood, Esposito's book inquires into the possibilities of a medium that has made us all.

Esposito is in conversation with Rebekah Weikel, a writer and editor living in LA.

Karl Geary, "MONTPELIER PARADE"

Montpelier Parade is just across town, but to Sonny it might as well be a different world. Working with his father in the garden of one of its handsome homes one Saturday, he sees a back door easing open and a beautiful woman coming down the path toward him. This is Vera, the sort of person who seems destined to remain forever out of his reach. Hoping to cast off his loneliness and a restless sense of not belonging--at high school, in his part-time job at the butcher shop, and in the increasingly suffocating company of his own family--Sonny drifts into dreams of a different kind of life. A series of intoxicating encounters with Vera lead him to feel he has fallen in love for the first time, but why does her past seem as unknowable as her future? Unfolding over a bright, rain-soaked Dublin spring, Karl Geary's Montpelier Parade is a rich, devastating debut novel about desire, grief, ambition, art, and the choices we must make alone.

Geary is in conversation with JT Petty, an American film director, author, and video game writer.

Clara Parkes, "A STASH OF ONE'S OWN"

A Stash of One’s Own: Knitters on Loving, Living With, and Letting Go of Yarn is an addictive-to-read anthology that celebrates yarn—specifically, the knitter’s reputation for acquiring it in large quantities and storing it away in what’s lovingly referred to as a “stash.”

The stories in Clara Parke's A Stash of One’s Own represent and provide validation for knitters’ wildly varying perspectives on yarn, from holding zero stash, to stash-busting, to stockpiling masses of it—and even including it in estate plans. These tales are for all fiber artists, spinners, dyers, crafters, crocheters, sheep farmers, shop owners, beginning knitters to yarn experts, and everyone who has ever loved a skein too hard to let it go.

Robin Sloan, "SOURDOUGH"

Lois Clary is a software engineer at General Dexterity, a San Francisco robotics company with world-changing ambitions. She codes all day and collapses at night, her human contact limited to the two brothers who run the neighborhood hole-in-the-wall from which she orders dinner every evening. Then, disaster! Visa issues. The brothers close up shop, and fast. But they have one last delivery for Lois: their culture, the sourdough starter used to bake their bread. She must keep it alive, they tell her—feed it daily, play it music, and learn to bake with it.

Lois is no baker, but she could use a roommate, even if it is a needy colony of microorganisms. Soon, not only is she eating her own homemade bread, she’s providing loaves daily to the General Dexterity cafeteria. The company chef urges her to take her product to the farmer’s market, and a whole new world opens up.

Leavened by the same infectious intelligence that made Robin Sloan’s Mr. Penumbra’s 24-Hour Bookstore such a sensation, while taking on even more satisfying challenges, Sourdough marks the triumphant return of a unique and beloved young writer.

Augustus Rose, "THE READYMADE THIEF"

Lee Cuddy is seventeen years old and on the run, alone on the streets of Philadelphia. After taking the fall for a rich friend, Lee reluctantly accepts refuge in the Crystal Castle--a cooperative of homeless kids squatting in an austere, derelict building. But homeless kids are disappearing from the streets in suspicious numbers, and Lee quickly discovers that the secret society's charitable facade is too good to be true. She finds an unexpected ally in Tomi, a young artist and hacker whose knowledge of the Internet's black market is rivaled only by his ability to break into and out of buildings. From abandoned aquariums to highly patrolled museums to the homes of vacationing Philadelphians, Tomi and Lee can always chart a way to the next, perfect hide-out. 

But the harder Lee tries to escape into the unmapped corners of the city, the closer she unwittingly gets to uncovering the disturbing agenda of the very men who pull the strings of the secret society she's hoped to elude, a group of fanatics obsessed with the secrets encoded in the work of early-twentieth-century artist Marcel Duchamp. What these men want is more twisted than anything Lee could've imagined, and they believe Lee holds the key to it all. Augustus Rose's The Readymade Thief heralds the arrival of an astoundingly imaginative and propulsive new voice in fiction for fans of Marisha Pessl and Ernest Cline.

Rose is in conversation with Tom Bissell, author of Apostle: Travel Among the Tombs of the Twelve.