Skylight Books Podcast Series

KATHLINE CARR READS FROM HER BOOK MIRACULUM MONSTRUM AND GABRIEL JESIOLOWSKI READS FROM THEIR BOOK AS BURNING LEAVES

Miraculum Monstrum (Red Hen Press)

Miraculum Monstrum is a hybrid narrative about fictitious female artist Tristia Vogel, who experiences a radical physical transformation, beginning with the excrescence of apparent wings. Though her affliction is possibly an anomalous mutation resulting from worldwide ecological upheaval, the bird/woman is co-opted by a religious cult and written as the central figure of their scriptural text. Miraculum Monstrum contains fragmentary verse, scraps of lore, cult propaganda, curatorial commentary and images in a catalog for an exhibit of Vogel's visual artifacts and writings that chronicle this speculative history.

Praise for Miraculum Monstrum

"Enter in: here is that familiar moment when someone on the sidewalk, someone we maybe call schizophrenic, or deranged, yells out to her (our?) demons, or to eternity, to just leave her the fuck alone, and for once you hear it, and for once you agree, and wonder what would happen if everyone yelled out what they really felt, and why don't they, and what's lost in the silence. Enter: here is sadness and resistance and wings--a life (re)created, pieced together from the fragments we all become."--Nick Flynn, author of The Reenactments

"Miraculum Monstrum by Kathline Carr is a remarkably inventive, audacious debut collection that unfolds as poems, stories, fragments, drawings, paintings, mixed media pieces, and quotes to document and illustrate the life of Tristia Vogel, a visual artist who transforms dramatically and traumatically into a bird, and becomes an unintentional prophet. . . . This book is a unique and brilliant contribution to contemporary dystopic literature."--Jan Conn, author of Tomorrow's Bright White Light

"Kathline Carr's Miraculum Monstrum joins ranks with Gabriel García Márquez's story 'A Very Old Man with Enormous Wings' and Remedios Varo's painting Creation of the Birds, among other significant works, in an artistic (oracular) tradition that invokes the artist-figure as bird, art-making as flight. The poetic voice and sheer inventiveness of this book as a response to our current environmental crisis is breathtaking. Its deft word-play tangles like filigree amid the heaviness of sickness. Miraculum Monstrum's architecture, in its interplay of word and image, post-apocalyptic Ovidian myth, documentary fiction, feminist magical realism, taxonomy, and sensuousness, is a tour de force of hybrid poetics."--Shira Dentz, author of door of thin skins

"A visionary's warning, a topographical map of the mind, a manual of survival in the face of apocalyptic odds. Kathline Carr's imagined curatorial chronicle of Tristia Vogel?s metamorphosis is devastating--and transcendent."--Jane Denitz Smith, playwright

"In Miraculum Monstrum, Kathline Carr chronicles the story of Tristia Vogel, an early twenty-first century painter who suffers a mutation that begins with a bony, feather-like protrusion from her scapula. Her condition defies diagnosis, and eventually brings her to full bird-body transformation, persecution and adoration, disaster and the joy of flight. Carr reaches far down and back into our deepest shared stories, of messianic hopes, apocalyptic-climactic disaster, and body-wracking metamorphosis, to move human imagination itself forward toward its own evolution and possible survival. Readers, like the pilgrims who flock to Tristia, will be leveled by a strange kindred impossible beauty in these pages which piece the story together with poems, pieces of Tristia's art, and all manner of records and responses to the story of her life. Miraculum Monstrum is truly visionary, an act of the imagination of mythic scope."--Diane Gilliam, author of Dreadful Wind & Rain

As Burning Leaves (Red Hen Press)

Gabriel will be reading from As Burning Leaves and from an in-progress hybrid work Entry for Exits, a book of interlocking prose poems with a floating essay. This new manuscript looks at trauma, trans* embodiment(s) and strategies for resilience and healing. 

As Burning Leaves offers spaciousness and breath. Both homesick and sick of home, it chronicles a landscape of longing scored with traces of film, contemporary art, and song. Vivid and vital, Jesiolowski's queer insight lends a critical voice to the fleeting: 'wind moves the leaves across the water / they do not gather / do not cling.' A brave and elegant debut.

Praise for As Burning Leaves

[W]hat if there is no ghost realm? asks Gabriel Jesiolowski in the quietly arresting, steadily confident As Burning Leaves. But what if a ghost realm does in fact exist, and we are the ghosts both haunting and haunted who wander those causeways between/fucking & nothingness that lie in the wake of betrayal, violation, abandonment? These poems speak from and into that very realm, sifting memory's restless evidence in a quest for answers to what leads / / devotion / astray. Add to this a harder quest, for belief itself, the belief that somehow, the body ceases grieving. These poems are at once the enactment and the proof of belief's healing power. They stir; they shine. Carl Phillips, author of The Rest of Love, finalist for the National Book Award

The geography of the body changes; its landmarks temporary; its border shifting, in Gabriel Jesiolowski's As Burning Leaves, a cartography of new forms, new ways of being. These poems constitute a healing atlas, a journey of utmost compassion, marked by both formal elegance and artful eloquence. What a remarkable book; it will astonish and enchant you. D. A. Powell, author of Lunch and A Guide for Boys

What Gabriel Jesiolowski is up to in their life their installation art and their photography and their writing too is built from a push and pull between a politics of accumulation that is full of abandoning and giving away. It makes sense then to think of As Burning Leaves as a sort of writing that takes a life and ties many parts of it together with a thin string to make a beautiful package. This is in many ways a book of love poems. But what it loves is all sorts of things, everything from bark to humans to folk songs to steam and smoke. It is a work that is quiet and a work that is attentive and one that is resonant with care and grace. Juliana Spahr, author of This Connection of Everyone With Lungs

From wordless, our bodies. From nameless, our memories. An image, a yearning every landscape, and certain people. The gesture, the wingspan, in quiet, and all across the page. Each scratch and smudge accrues the diary of As Burning Leaves, Gabriel Jesiolowski s wonderful, haunting, elementally human presence! Ralph Angel, author of Neither World, winner of the James Laughlin Award from the Academy of American Poets

Kathline Carr is a visual artist and writer living in North Adams, Massachusetts. She has exhibited her work in New York City, New England, and Canada, and her writing and art appear in various publications and online at www.kathlinecarr.com.

Gabriel Jesiolowski works in a research-based practice that uses text, land, the body, installation, print, and film. They were a 2016 MacDowell writing fellow and have shown their work at The Alice Gallery, Flux Factory and Dumbo Arts Center. Their debut collection of poetry, As Burning Leaves, won the Benjamin Saltman Award. Their current work deals with accumulation and distribution, trauma/healing, and civic projects that tangle justice with beauty. New writing is out from Volt, Territory & Milkweed Zine. They live and work in Los Angeles.

JULIE LYTHCOTT-HAIMS DISCUSSES HER MEMOIR REAL AMERICAN

Real American: A Memoir (Henry Holt & Company)

Julie Lythcott-Haims, the New York Times bestselling author of How to Raise an Adult, has written a different kind of book this time out – a deeply personal, biting and affecting account of her life growing up as a biracial black woman in America in Real American: A Memoir

Bringing a brisk, poetic sensibility to her prose, Lythcott-Haims stirringly evokes her personal battle with the low self-esteem that American racism routinely inflicts on people of color. The only child of an African-American father and a white British mother, she shows indelibly how so-called "micro" aggressions in addition to blunt force insults can puncture a person's inner life with a thousand sharp cuts. Real American expresses also, through Lythcott-Haims’s path to self-acceptance, the healing power of community in overcoming the hurtful isolation of being incessantly  considered "the other" Real American is a fearless and powerful memoir. Lythcott-Haims’s eloquent words deserve to be studied, memorized, and repeated. Here is a book that should be read again and again, and then once more after that.

Praise for Real Americans

“A compelling, incisive and thoughtful examination of race, origin and what it means to be called an American. Engaging, heartfelt and beautifully written, Lythcott-Haims explores the American spectrum of identity with refreshing courage and compassion.” —Bryan Stevenson, New York Times bestselling author of Just Mercy: A Story of Justice and Redemption

“Real American is a courageous, achingly honest meditation on what it means to come to consciousness as a mixed race child and adult in a nation where Black lives weren't meant to matter.” —Michelle Alexander, New York Times bestselling author of The New Jim Crow: Mass Incarceration in the Age of Color Blindness

“Breaks the silence on what it means to grow up mixed-race in America. Her spare but powerful prose has an emotional rawness that will profoundly resonate with all readers and help many feel a little less alone.” ―Heidi W. Durrow, New York Times bestselling author of The Girl Who Fell from the Sky

“A cathartic and bold truth-telling.” ―Danzy Senna, bestselling author of Caucasia and New People

“A powerful, honest book that should be required reading for everyone.” —Anita Amirrezvani, author of The Blood of Flowers and Equal of the Sun

“To write with such an open heart about race and Blackness takes great courage. To do so in prose that is at once elegant and raw takes great talent.” —Ayelet Waldman, bestselling author of Bad Mother and of A Really Good Day

“A true achievement . . . so much more than a personal memoir . . . [Lythcott-Haims] channels the shrewdness of Eula Biss and the compassion of Ta-Nehisi Coates.” ―Lee Daniel Kravetz, international bestselling author of Strange Contagion and Supersurvivors

“Powerful . . . a memoir that [illuminates] the psychic cost of racism to those who are cast as ‘other.’ The journey of self-healing and the empowerment  . . .  is a story of triumph from which all of us can learn.” —Beverly Daniel Tatum, author of Why Are All the Black Kids Sitting Together in the Cafeteria? and Can We Talk About Race?

“Stands for, and stands up for, Americans who are questioned, confronted, disregarded and unnerved by our citizen country . . . Real American will be one of those books that is passed from hand to hand, with passages marked where readers find strong words that speak truth.” ―A.J. Verdelle, author of The Good Negress

“. . . shows once again, plainly and unforgettably, that if you are Black in America, it does not matter who you are, racism will come knocking. Lythcott-Haims . . . . Real American is the story of that insidious harm and of a woman who became alert to the American racism within herself and fought back. . . . not only an excellent, satisfying read but a book that can help us “stay woke”—as we must—to the sometimes stealthy and always life-threatening danger of racism, so that we all can fight back.” —U.S.
Representative Barbara Lee (D-CA)

Julie Lythcott-Haims served as dean of freshmen and undergraduate advising at Stanford University, where she received the Dinkelspiel Award for her contributions to the undergraduate experience. She holds a BA from Stanford, a JD from Harvard Law School, and an MFA in writing from California College of the Arts. She is a member of the San Francisco Writers’ Grotto, and resides in the Bay Area with her husband, their two teenagers, and her mother.

JOHN FREEMAN DISCUSSES FREEMAN'S: THE FUTURE OF NEW WRITING WITH HECTOR TOBAR, GARNETTE CADOGAN, AND DIEGO ENRIQUE OSORNO

Freeman's: The Future of New Writing (Grove Press)

Please join us for an evening with John Freeman and Hector Tobar and two contributors to the new issue of Freeman’s, drawing on recommendations from book editors, critics, translators, and authors from across the globe, Freeman’s: The Future of New Writing includes pieces from a select list of poets, fiction writers, and essayists whose work boldly breaks new ground against a climate of nationalism and siloed thinking, influenced by work from outside their region and genre. Aged twenty-five to seventy, the writers in the issue hail from almost twenty countries and writing in almost as many languages. They are shaping the literary conversation right now and will continue to have an impact for years to come.

Freeman will be joined by Hector Tobar, Garnette Cadogan, Diego Enrique Osorno, two contributors from the issue.

In three issues, the literary anthology from leading editor John Freeman has gained an international following and wide acclaim: "fresh, provocative, engrossing" (BBC.com), "impressively diverse" (O Magazine), "bold, searching" (Minneapolis Star-Tribune). Freeman's: The Future of New Writing departs from the series' progression of themes. This special fourth installment instead introduces a list--to be announced just before publication--of more than twenty-five poets, essayists, novelists, and short story writers from around the world who are shaping the literary conversation right now and will continue to impact it in years to come.

Drawing on recommendations from book editors, critics, translators, and authors from across the globe, Freeman's: The Future of New Writing includes pieces from a select list of writers aged 25 to 70, from nearly twenty countries, and writing in almost as many languages. This will be a new kind of list, and an aesthetic manifesto for our times. Against a climate of nationalism and silo'd thinking, writers remain influenced by work from outside their region, genre, and especially age group. Serious readers, this special issue celebrates, have always read this way too--and Freeman's: The Future of New Writing brings them an exciting view of where writing is going next.

John Freeman was the editor of Granta until 2013. His books include How to Read a Novelist, Tales of Two Cities, and the forthcoming Tales of Two Americas. Maps, his debut collection of poems, is out from Copper Canyon in fall of 2017. He is the executive editor at Literary Huband teaches at the New School and New York University. His work has appeared in the New Yorker, the New York Times, and the Paris Review.

JESSICA BRUDER DISCUSSES HER BOOK NOMADLAND

Nomadland: Surviving America in the Twenty-First Century (W.W. Norton & Company)

In recent years, many Americans have had to face tough new realities in the midst of massive changes in the economy and a widening wealth gap. One particularly hard-hit demographic is senior citizens, a proportion of whom saw their stable middle-class lives disappear in the wake of the Great Recession and suddenly, in their retirement years, found themselves in need of a job in a new economy low on steady manufacturing and retail jobs and high on short-term seasonal labor. As a result, to survive they join an expanding group of modern nomads: men and women who have given up the stability—and costs—of a home life and have hit the road in RVs, campervans, and trailers.

In Nomadland: Surviving America in the Twenty-First Century, award-winning journalist Jessica Bruder delivers a comprehensive and compelling portrait of this set of fighters, idealists, and adventurers trying to carve out a peripatetic existence.

“Millions of Americans are wrestling with the impossibility of a traditional middle-class existence,” writes Bruder. “In the widening gap between credits and debits hangs a question: What parts of this life are you willing to give up, so you can keep on living?” The answer, Bruder finds, can vary tremendously, but for those who abdicate the
comforts of home for life on the road, there is both risk and reward in the undertaking, as well as an affirming side effect: an eclectic community that comes together both online and in person to commiserate over the struggles of living on the road, to tell jokes and share puns (their vans get names like “Vansion,” “Van Go,” “DonoVan,” and “Vantucket”), and to support one another in their alternative lifestyles.

They work for employers seeking them out for low-wage seasonal gigs, from picking fruit to staffing roadside stalls that sell Halloween pumpkins, Christmas trees, or Fourth of July fireworks; scrubbing toilets in National Forest campgrounds; guarding the gates of Texas oil fields and running the rides at theme parks. (Adventureland in Altoona, Iowa, made headlines last year after one workamper, a former pastor in his sixties, was killed in an on-the- job accident.) And some serve the community, by blogging or by arranging places to gather, organizing teach-ins and potluck meals.

To write this affecting book, Bruder immersed herself in this diverse community, buying a van she dubbed “Halen” and driving more than 15,000 miles over the course of two years, meeting modern nomads. She worked alongside them in Amazon’s CamperForce team of low-wage, seasonal workers at the company’s fulfillment centers and at the grueling annual sugar beet harvest in North Dakota. And she followed them through stints of precarious employment in national parks, where they served as campground custodians in exchange for a place to park their houses-on- wheels and a near-minimum wage.

As Bruder discovers, much of the population of Nomadland is made up of resourceful Americans with a strong spirit of independence, and many of them are single women, as well as senior citizens, reflecting some of the hardest-hit members of the middle class. They gather in places like Quartzsite, Arizona, where the land is vast and available, and the local authorities are generally tolerant of long-term campers and their vehicles. But these modern nomads can also be found living in Walmart parking lots, and even on city streets, hoping that no police officer will come knocking.

On her travels Bruder meets a fascinating collective of colorful itinerants, people like Linda, a 65-year- old grandmother who lives in a trailer called “the Squeeze Inn,” and LaVonne, a 67-year- old former journalist who “found her people” among the nomads, “a ragtag bunch of misfits who surrounded me with love and acceptance.”

They all have a story, a clear reason for their transition from middle-class lives to the open road, for living out of a traveling box, for driving and working and persevering in a permanent state of flux in a world where homelessness is frowned upon, if not actually considered criminal behavior.

Elegantly crafted and compassionate in its approach, Nomadland is a singular work of in-depth narrative journalism, a view from the inside of the new American heartland—a land without a physical center, scattered across the country, in nearly constant motion.

Praise for Nomadland

“What photographer Jacob Riis did for the tenement poor in How the Other Half Lives (1890) and what novelist Upton Sinclair did for stockyard workers in The Jungle (1906), journalist Bruder now does for a segment of today’s older Americans forced to eke out a living as migrant workers. . . . [A] powerhouse of a book. . . . Visceral and haunting reporting.”—Booklist, STARRED review

“Excellent. . . . Engaging, highly relevant immersion journalism.”—Kirkus Reviews, STARRED review

“A must-read that is simultaneously hopeless and uplifting and certainly unforgettable.”—Library Journal, STARRED review

“Tracing individuals throughout their journeys from coast to coast, Bruder conveys the phenomenon’s human element, making this sociological study intimate, personal, and entertaining, even as the author critiques the economic factors behind the trend.”—Publishers Weekly

“People who thought the 2008 financial collapse was over a long time ago need to meet the people Jessica Bruder got to know in this scorching, beautifully written, vivid, disturbing (and occasionally wryly funny) book. Nomadland is a testament both to the generosity and creativity of the victims of our modern-medieval economy, hidden in plain sight, and to the blunt-end brutality that put them there. Is this the best the wealthiest nation on earth can do for those who’ve already done so much?”—Rebecca Solnit, author of The Mother of All Questions

“In the early twentieth century, men used to ride the rails in search of work, sharing camps at night. Today, as Bruder brilliantly reports, we have a new class of nomadic workers who travel in their RVs from one short-term job to another. There’s a lot to cringe at here—from low pay and physically exhausting work to constant insecurity. But surprisingly, Nomadland also offers its residents much-needed camaraderie and adventure, which makes this book a joy to read.”—Barbara Ehrenreich, author of Nickel and Dimed

“The campsite as the home of last resort, the RV used not for vacation but for survival: these are the makings of a new dystopia. Nomadland is a smart road book for the new economy, full of conviviality and dark portent.”—Ted Conover, author of Rolling Nowhere and Immersion

Jessica Bruder is an award-winning journalist whose work focuses on subcultures and the dark corners of the economy. She teaches at the Columbia School of Journalism and is the author of Burning Book.

EMILY GEMINDER READS FROM HER DEBUT COLLECTION DEAD GIRLS AND OTHER STORIES WITH BRANDI WELLS

Dead Girls and Other Stories (Dzanc Books)

With lyric artistry and emotional force, Emily Geminder’s debut collection charts a vivid constellation of characters fleeing their own stories. A teenage runaway and her mute brother seek salvation in houses, buses, the backseats of cars. Preteen girls dial up the ghosts of fat girls. A crew of bomber pilots addresses the ash of villagers below. And from India to New York to Phnom Penh, dead girls both real and fantastic appear again and again: as obsession, as threat, as national myth and collective nightmare.

Praise for Dead Girls 

“An eerie convergence of female identities and experiences across time and space. [...] Startling, far-reaching tales of women who haunt and are haunted.”—Kirkus Reviews, starred review

“Geminder’s stories are refreshing, surprising, and evocative.”—Publisher's Weekly

“Geminder showcases an acute sensitivity to worlds both inside and out. There’s real delicacy to the craft but underneath all the skill is a shaking sense of purpose, and a great love of the brokenness and beauty of humanity. This is a substantive, memorable debut.”—Aimee Bender, author of The Color Master and The Particular Sadness of Lemon Cake

“An electrifying read. Written in dreamy prose, these stories take the world we know and turn it inside out, making us question everything we think we know about our places in it. But don’t let the dream-like quality fool you: These stories have teeth. Seductive but fierce, full of keen insights and tenacious questions, Geminder’s fearless and utterly original debut collection will haunt and nourish you.”—Dana Johnson, author of In the Not Quite Dark and Elsewhere, California

“The stories in Geminder’s mesmerizing Dead Girls seamlessly weave gender and geopolitics and the dreamlike worlds of characters struggling to find hope and reason within their near apocalypses. The thread of unease that runs through the collection is insightful, rebellious, and righteous.”—Paul Tremblay, author of A Head Full of Ghosts and Disappearance at Devil’s Rock

“Emily Geminder’s stirring collection explores death-haunted scenarios from unexpected angles. Whether the characters are caught in the currents of Cambodian history or the private mythologies of an American summer, they’re often plunged into moments that dissolve all certainties about identity, consciousness, and the body. Etched with a matter-of-fact lyricism, Dead Girls will haunt you, sure, but that’s barely half the story.”—Jeff Jackson, author of Mira Corpora

Emily Geminder’s short stories, poems, and essays have appeared in AGNI, American Short Fiction, Mississippi Review, New England Review, Prairie Schooner, Tin House Open Bar, Witness, and elsewhere. She is the recipient of an AWP Intro Journals Award and a Glenna Luschei Prairie Schooner Award, and her work was noted in Best American Essays 2016. She has worked as a journalist in New York and Cambodia, and is a Provost’s Fellow in creative writing and literature at the University of Southern California.

Brandi Wells is the author of This Boring Apocalypse (Civil Coping Mechanisms), Please Don’t Be Upset (Tiny Hardcore Press), and Poisonhorse (Dzanc Books). Her writing appears in Denver Quarterly, Sycamore Review, Paper Darts, Folio, Chicago Review and other journals. She has an MFA in creative writing from the University of Alabama, where she served as editor of the Black Warrior Review. 

NINA WEIJERS READS FROM HER DEBUT THE CONSEQUENCES WITH MEREDITH ALLING

The Consequences (DoppelHouse Press)

Dutch author Niña Weijers took the world of European literature by storm in 2014 with her debut novel The Consequences, which has sold over 30,000 copies in Holland and garnered critical praise for its maturity and ambition.

Using deft and captivating prose, Weijers tells the story of Minnie Panis, a young and talented conceptual artist, as she navigates love affairs, her unexpected success in the art world, and her relationship with an emotionally distant mother. Beginning with Minnie’s near-death experience falling through the ice during her ultimate artwork, Weijers takes readers on a rollercoaster ride as Minnie uncovers the truth behind her premature birth. The doctor who saves her life, twice, enters Minnie into his clinic, whose motto All the fish needs is to get lost in the water helps her arrive at the border of life’s ebb, where meaningful art and revelations occur. An intimate, often humorous exploration of the intertwining cycles of death, rebirth and coincidence, The Consequences is a Bildungsroman that echoes far beyond the last page.

Praise for The Consequences

“The Consequences attempts something that's not easy, and succeeds. A person thinks about herself exhaustively, yet doesn’t become a bore. She writes about what she’s doing and you want to know all about it because it’s so vividly told. The temptation not to exist, to disappear from the world you're walking around in, the art you come upon and live with—when you write it down it sounds like heavy going; When you read it it’s light. So read it.” —Cees Nooteboom, Award-winning author of The Following Story and Rituals

“In this novel, tingling with ambition and fascinating ideas, the life and art of the main character revolve around loss, existence and disappearance. A determined tone characterizes this crazy book.” —NRC Handelsblad, 5 stars (Netherlands) 

“The novel grates and creaks, and is loaded with questions, leaps and side paths, but that is one of its charms. Up to the last disturbing sentence the writer holds the reader in her manipulative grip.” —De Groene Amsterdammer (Netherlands)

“Niña Weijers’ remarkable, inventive novel depicts a contemporary conceptual artist at the height of her fame whose blasé art project has unintended consequences. Weijers invokes Kurt Vonnegut in the course of the narrative, and this novel shares Vonnegut’s sense of how things can be simultaneously real and absurd. Movies and books notoriously fail to capture the social and spiritual atmosphere of the contemporary art world, but Weijers nails it. Her book is beautifully written, surprising and often profound.”
—Chris Kraus, author of I Love Dick, and Aliens and Anorexia

Niña Weijers studied literary theory in Amsterdam and Dublin. She has published short stories, essays and articles in various Dutch literary magazines. She is a regular contributor to the weekly magazine De Groene Amsterdammer, and an editor of De Gids.

Her debut novel The Consequences (De consequenties) was first published in Dutch in May 2014. It won the 2014 Anton Wachter Prize for best first novel, the Opzij Feminist Literature Prize, the Lucy B. & C.W. van der Hoogt Prize, and was shortlisted for the Libris Prize and the Golden Boekenuil, the two most important Dutch and Flemish literary awards. So far, it has sold over 30,000 copies, and has been published in five languages.

Meredith Alling is a writer based in Los Angeles. Her debut collection of short stories, Sing the Song, is available from Future Tense Books (futuretensebooks.com). 

EILEEN MYLES DISCUSSES THEIR MEMOIR AFTERGLOW

Afterglow (a dog memoir) (Grove Press)

Prolific and widely renowned poet, novelist, and essayist Eileen Myles is a trailblazer whose decades of literary and artistic work “set a bar for openness, frankness, and variability few lives could ever match” (New York Review of Books). Afterglow (a dog memoir), Myles’ first foray into memoir, paints a kaleidoscopic portrait of a beloved confidant: the pit bull called Rosie.

In 1990, Myles chose Rosie from a litter on the street, and their connection instantly became central to the writer's life and work. During the course of their sixteen years together, Myles was madly devoted to the dog’s wellbeing, especially in her final days. Starting from the emptiness following Rosie’s death, Afterglow launches a heartfelt and fabulist investigation into the true nature of the bond between pet and pet-owner. Through this lens, we witness Myles’s experiences with intimacy and spirituality, celebrity and politics, alcoholism and recovery, fathers and family history, gender, romance, memory, as well as the fantastical myths we invent to get to the heart of grief.

Afterglow joins a grand literary tradition of writers paying homage to a beloved dog—J. R. Ackerley’s My Dog Tulip, Virginia Woolf’s Flush, Mary Oliver’s Dog Songs, Amy Hempel’s stories, as well as Mark Doty’s Dog Years, and even Abigail Thomas’s A Three Dog Life—but as one might suspect, Myles’ entry in the canon subverts both genre and tradition and stands apart as resolutely its own thing. Combining screenplay, monologue, science fiction, and lucid memory, the text is animated with photos, diagrams, drawings, and poems to craft a mosaic of their life together.

Moving from an imaginary talk show where Rosie is interviewed by Myles’s childhood puppet, to a critical reenactment of the night Rosie mated with another pit bull; from lyrical transcriptions of their walks, to Rosie’s enlightened narration from the afterlife, Afterglow illuminates the surreal and familiar aspects of what it means to dedicate your existence to a dog.

Praise for Afterglow

“A rare new breed of dog memoir; think Patti’s Smith’s Just Kids, not John Grogan’s Marley and Me, absinthe not saccharine” –Library Journal (starred review)

“Myles’ work is a perfect example of what happens when you mix raw language with emotion, pets with loss, and sexuality with socioculturalism. . . A captivating look at a poet’s repeated attempt ‘to dig a hole in eternity’ through language.” –Kirkus Reviews (starred review)

“For more than 16 years, Myles was companioned by a pit bull named Rosie until Rosie did what dogs do and left the author to navigate a post-Rosie world, solo. In the after of Rosie, poet Myles . . . . writesthis unconventional, uncontainable, phantasmagoric memoir of dog and owner. . . . Poetic, heartrending, soothing, and funny, this is a mind-expanding contemplation of creation, the act and the noun, and the creatures whose deaths we presume will precede ours but whose lives make our own better beyond reason. To this, readers should bring tissues, pencil and paper, even their dogs.”–Annie Bostrom, Booklist (starred review)

“Myles uses a pastiche approach to explore the bodily, cerebral, and esoteric/religious aspects of the grieving process, all of which is portrayed with meditative poignancy . . . Myles depicts the raw pathos of loss with keen insight.” –Publishers Weekly

“A ravishingly strange and gorgeous book about a dog that’s really about life and everything there is, Eileen Myles’s Afterglow is a truly astonishing creation.”–Helen Macdonald, author of H is for Hawk

Eileen Myles—who prefers to use a gender-neutral pronoun—is the author of more than twenty books, including Chelsea Girls, Cool For You, and most recently, I Must Be Living Twice: New & Selected Poems 1975-2014. Their many honors include a Guggenheim Fellowship in nonfiction, four Lambda Literary Awards, the Clark Prize for Excellence in Art Writing, the Shelley Memorial Award from The Poetry Society of America, Creative Capital’s Literature Award as well as an Andy Warhol Foundation Art Writers’ Grant, and a Foundation for Contemporary Arts grant. They live in Marfa, TX and New York City. Their poems were featured in seasons 2 and 3 of the Emmy-winning show Transparent.

CARI LYNN WITH SAUL SARABIA, ANTOINETTE CARTER, AND TIFFANY JOHNSON DISCUSS BECOMING MS. BURTON

Becoming Ms. Burton (New Press)

Becoming Ms. Burton is one woman's remarkable odyssey from tragedy to prison to recovery--and recognition as a leading figure in the national justice reform movement 

Susan Burton's world changed in an instant when her five-year-old son was killed by a van driving down their street. Consumed by grief and without access to professional help, Susan self-medicated, becoming addicted first to cocaine, then crack. As a resident of South Los Angeles, a black community under siege in the War on Drugs, it was but a matter of time before Susan was arrested. She cycled in and out of prison for over fifteen years; never was she offered therapy or treatment for addiction. On her own, she eventually found a private drug rehabilitation facility. Once clean, Susan dedicated her life to supporting women facing similar struggles. Her organization, A New Way of Life, operates five safe homes in Los Angeles that supply a lifeline to hundreds of formerly incarcerated women and their children--setting them on the track to education and employment rather than returns to prison. Becoming Ms. Burton not only humanizes the deleterious impact of mass incarceration, it also points the way to the kind of structural and policy changes that will offer formerly incarcerated people the possibility of a life of meaning and dignity.

Praise for Becoming Ms. Burton 

"Susan Burton is an angel among us. Her journey is a story of courage, compassion, and conviction. At turns harrowing and inspiring, Becoming Ms. Burton provides a valuable new perspective on the consequences of mass incarceration." -- Howard Schultz, executive chairman, Starbucks Coffee Company 

"Susan Burton's life and work are a testament to the power of second chances and the impact one person can have on the lives of others. Her book is a stirring and moving tour-de-force--a beautiful inspiration for all of us to continue to fight for justice." -- John Legend, actor, singer, and songwriter 

"More than just a memoir, this account provides an intimate glimpse into the problems that plague the U.S. prison system." -- Library Journal 

"Burton has helped thousands of formerly incarcerated and homeless individuals, and now, by telling her story, she continues to advocate for a more humane justice system guided by compassion and dignity." -- Booklist (starred) 

"The book documents Burton's tireless efforts to effect change---first helping individual women, released from prison with few resources, to make a new start, and then snowballing advocacy efforts at the state and national level to reshape how the United States treats those with criminal records." --Publishers Weekly 

"A dramatic, honest, moving narrative of how hard life can get and how one can still overcome seemingly insurmountable adversity to do good in the world." -- Kirkus Reviews 

"Susan Burton is someone who inspires while she educates. Her powerful and compelling memoir is an unforgettable journey and also an extraordinary light for all who are looking for answers on how we must recover, restore, and redeem those who have been incarcerated. This is a must-read." -- Bryan Stevenson, executive director of the Equal Justice Initiative and author of Just Mercy 

" Becoming Ms. Burton eloquently shows why the voices of formerly incarcerated women must be at the center of efforts to reconstruct the criminal legal system. Too often this nation criminalizes the trauma of black women; Susan Burton exposes this terrible truth by sharing her astounding story of redemption. This is critical reading for champions of justice everywhere."-- Monique W. Morris, author of Pushout 

"For almost two decades Susan Burton has been a trailblazing advocate for ending mass incarceration, especially as it relates to poor women of color. Becoming Ms. Burton details her remarkable personal transformation as well as the larger structural changes this country must make in order to achieve racial and economic justice. It is essential reading for anyone who cares about these issues."-- Daryl V. Atkinson, civil and human rights advocate, lawyer, and member of the Leadership Council of the Formerly Incarcerated Convicted People and Families Movement 

"Susan's life story is one our nation desperately needs to hear and understand. This is a story about personal transformation and collective power. It is about one woman's journey to freedom, and in the process helping to free us all."-- Michelle Alexander, author of The New Jim Crow

Co-author of Becoming Ms. Burton, Cari Lynn is a journalist who’s written several books of nonfiction, including The Whistleblower, Leg the Spread, and the historic novel Madam. Cari has written for numerous publications, including O, the Oprah Magazine, Health, the Chicago Tribune, Deadline Hollywood and the Hollywood Reporter. She has taught and guest lectured around the country.  She received an M.A. in Writing from the Johns Hopkins University and a B.A. in Journalism from the University of Maryland. A longtime Chicagoan, she currently lives in Los Angeles.

For over 20 years, Saúl Sarabia has participated in social movements to transform society and has worked to end structural racism and discrimination by developing leaders, changing laws, and teaching. As the director of UCLA School of Law’s Critical Race Studies Program, Saul trained students to fight injustice by partnering with organizations working for social change. Along with challenging racism in the Gulf Coast after Hurricane Katrina, and helping undocumented college students build a voice an a social movement, Saúl and his students worked with Susan Burton to create the UCLA Law-A New Way of Life Legal Re-enty Clinic to assist formerly incarcerated people fighting employment discrimination. Saúl holds both a B.A. and J.D. from UCLA.

The daughter of criminal-justice activist Susan Burton, Antoinette Carter’s life story features heavily in Becoming Ms. Burton.  A South Los Angeles native, Antoinette is a human resources executive at a Fortune 500 company.

Tiffany Johnson first heard about A New Way of Life Re-Entry Project (ANWOL) on the grounds of Central California Women’s Facility while serving a 15-to-life sentence. On April 28, 2010, she walked through the doors of ANWOL to start her new life. Through ANWOL’s guidance and connections, she went on to claim a career and live on her own. In December of 2013, she joined ANWOL’s staff as a full-time community organizer for All of Us or None-Southern California. As of January 2015, Tiffany is now ANWOL’s Associate Director. As a subject matter expert, Tiffany has completed numerous presentations throughout the country and offers a unique perspective on the intricacies of overcoming re-entry barriers after years of incarceration. 
 

MICHELLE TEA DISCUSSES HER BOOK MODERN TAROT

Modern Tarot (HarperElixir)

Literary icon Michelle Tea offers fresh new take on tarot that encourages self-love, personal growth and self-discovery.

With her trademark wisdom and sharp sense of humor, author Michelle Tea shows how tarot offers moments of deep connection during a time when connection is ubiquitous but rarely delves beneath the surface. Based on over 25 years of experience and a deep and abiding love of the cards, Tea’s new book, Modern Tarot brings her charm, authenticity, and knowledge to the tradition of the tarot. Tea brings a fresh approach to the tarot guide infused with her unique insight, dark humor, and pop sensibility. Modern Tarot is a fascinating journey through the cards that teaches how to use this tradition to connect with our higher selves.

Whether you’re a full believer of the cards or a digital-age skeptic-- or a little of both-- the power of tarot is open to everyone. This guide doesn’t ask you to believe in magic or insist upon using tarot as a divination tool. Instead, fiercely insightful descriptions of each of the 78 cards in the tarot system (each illustrated in the charmingly offbeat style of cartoonist Amanda Verwey) and specially designed card-based rituals that can be used with any deck help take readers on a path toward radical growth and self-improvement.

Author, activist, and queer/feminist icon Michelle Tea is the author of five memoirs, including the award-winning Valencia (now a film). Her novels include Mermaid in Chelsea Creek, the first in a Young Adult fantasy trilogy published by McSweeneys. Tea is the Founding Artistic Director of RADAR Productions, a queer-feminist literary non-profit in San Francisco and is the editor of Sister Spit Books, an imprint of City Lights. Her writing has appeared in The Believer, n+1, Buzzfeed, The Bold Italic, Marie Claire, xoJane.com and many other print and web publications.

PEN CENTER USA PRESENTS THE 2018 EMERGING VOICES MEET AND GREET

PEN Center USA Emerging Voices Fellowship Meet and Greet Los Angeles

Join Emerging Voices Fellows, Alumni, and Mentors in Conversation for the 2018 Application Cycle at Skylight Books. PEN Center USA presents summer cocktails, short readings, a fellowship overview and audience Q&A. 

Featuring: Patrick O’Neil, Jian Huang, Mike Padilla, Peter H.Z. Hsu, Kirin Khan and Soleil David

JENNIFER ROMOLINI DISCUSSES HER BOOK WEIRD IN A WORLD THAT'S NOT

Weird in a World That's Not: A Career Guide for Misfits, F*ckups, and Failures (HarperBusiness)

Are you “awkward?” Do you often feel like a spiky misfit at work? Does overthinking, anxiety and crippling self-doubt stand between you and the path to success? Have you taken so many wrong turns that it feels like you’ll never find the way forward, towards a truly rewarding career?

Weird in a World That's Not: A Career Guide for Misfits, F*ckups, and Failures, Jennifer Romolini’s wise, witty, and straight-talking how-to, asserts that being outside-the- norm and achieving real, high-level success are not mutually exclusive, even if the perception of the business world often seems otherwise, even if it seems like only office-politicking extroverts are set up for reward.

In this indispensable guide designed for oddballs, the popular speaker, former editor-in- chief of HelloGiggles, and self-professed weirdo shares essential information about navigating the workforce when you’re unconventional — and retaining your authenticity in the process. Romolini is an outsider who’s been there and done it; she started her career late, climbed the New York media ladder and, in just a few years, went from being a broke, divorced, college dropout to running some of the biggest websites in the world. As her inspiring story demonstrates, outliers are more than capable of excelling in the conventional business world, where weirdness can actually serve as an asset rather than a handicap.

Part memoir, part real-world guide, Weird in a World That's Not provides relatable, practical advice for readers at any stage in their careers. With real-life anecdotes and challenges interwoven throughout, this invaluable manual addresses a range of situations, including:

• Discovering the career that’s right for you
• Acing an initial interview and how to rebound if you don’t get the job;
• Surviving intense office politics;
• Knowing how and when to leave a sh*tty job;
• Becoming a great leader when managing people is often the worst;
• Staying true to who you are while accomplishing all of the above.

Jennifer Romolini is the former editor-in- chief and Vice President of Content at HelloGiggles, a site for millennial women founded by actress Zooey Deschanel. She was previously the editor-in- chief of Yahoo Shine, the deputy editor of Lucky Magazine, and held editorial positions at Time Out New York and Talk Magazine. She lives in Los Angeles, California.

ISRAEL CENTENO READS FROM HIS NEW NOVEL THE CONSPIRACY

The Conspiracy (Phoneme Media)

When leftist revolutionary Sergio's sniper shot misses the President of Venezuela, he's thrown into a sudden tailspin. As he attempts to escape the increasingly militarized regime, he winds up taking residence in a bohemian beachside commune, where he keeps a low profile until Lourdes, his former comrade, the object of his desire, and his possible betrayer, turns up one evening. Pursued by their former trainer in guerrilla warfare on the orders of the newly appointed Minister of the Interior, the two team up with unlikely partners to hatch a new plan for their survival. This poetic thriller, the second in Phoneme Media's City of Asylum imprint, challenges the origin myth of South America's radical left, resulting in its author's exile from Venezuela.

Praise for The Conspiracy 

"A rare voice from Venezuela. In this fever dream of a novel shot through with dark humor, Centeno grapples with the fallout from generations of violence and corruption." —Natasha Wimmer, translator of Roberto Bolaño'sThe Savage Detectives and 2666

"His fleshy, psychologically penetrating work is one of the great undiscovered literary experiences of Latin America." —Aurelio Major, co-founding editor of Granta en Español

"The alleyways and hideaways of Israel Centeno's Venezuela are as real and visceral as the streets of Pasolini's Rome." —Dermot Bolger, author of The Journey Home

Israel Centeno was born in Venezuela in 1958. He has published 14 books, primarily novels but short story and poetry collections as well. He is regarded as on of the most important Venezuelan literary figures of the last fifty years. He has won the Federico García Lorca Award in Spain and the National Council of Culture Award in Venezuela. Since 2011 he has lives in Pittsburgh with his wife and two daughters, as an exiled writer-in-residence at City of Asylum Pittsburgh.

DANIEL RILEY READS FROM HIS NOVEL FLY ME AND ROSECRANS BALDWIN READS FROM HIS NOVEL THE LAST KID LEFT

Fly Me (Little Brown & Company)

The year is 1972 and Suzy Whitman arrives in Sela del Mar, a debaucherous beach town in the shadows of LAX, lured across the country by the desire for danger and acceptance, and the possibility of escaping her past. Full of startling psychological insight, Daniel Riley’s debut novel, Fly Me is a haunting tour de force. Richly evoking the sights and sounds of the era, Riley paints the vivid portrait of a nation on the verge of a new era—and a girl caught between her past and the ever-expanding present.

Suzy casts aside her recent Vassar degree, following her beloved older sister into the borderless adventures of working as a stewardess for Grand Pacific Airlines.  Suzy immerses herself into Southern California culture, meeting the surfers who populate the beaches and the musicians who play in the smoke filled clubs.  There is a dark side to this sun-soaked town and Suzy is soon drawn into a drug-trafficking scheme.  Between the years of 1961 and 1973, there were over 160 planes hijacked over U.S. airspace, and Suzy is forced to confront those who dominated the headlines and terrorized the skies. Smuggling cocaine in her (often unchecked) luggage is a lucrative side business; thrilling and terrifying, heightened even more so by the skyjacking epidemic of the day. That will all change on one fateful evening, where everything Suzy has come to know and love, goes up in smoke.

For readers of Rachel Kushner’s The Flamethrowers, Fly Me is an engaging exploration of being young, navigating expectations and learning to live with your mistakes. Fly Me is an unforgettable novel about family, a young woman on the edge, about drugs and rock ’n’ roll, and the increasingly thin line between freedom and free fall.

Daniel Riley is a Senior Editor at GQ magazine. He grew up in Manhattan Beach, California, and lives in New York City. Fly Me is his first novel.

The Last Kid Left (MCD/Farrar, Straus and Giroux)

When a scandalous small-town crime goes viral, a teen girl takes center stage in the story of a 21st century Puritan witch-hunt.

After a double-murder kicks off a scandal in a New England beach town, a young woman struggles to create a life for herself and escape the lurid interest of a tight-knit community. No doubt one might sense echoes of The Scarlet Letter, one of Baldwin’s favorite works, in The Last Kid on the Left, his eagerly anticipated new novel. Loosely inspired by a true crime in 1930’s New England so shocking that Life magazine devoted an entire spread to the case, Baldwin sets his explosive, searching novel in the present day of Tumblr and sexting. People are haunted equally by the past and the present as the precarious lives of two teens, a small town sheriff, a retired big-city police officer and an aspiring young journalist desperate to make the pages of the New Yorker, all collide in a media firestorm that threatens to swallow them whole.

Rosecrans Baldwin is the author of Paris, I Love You but You're Bringing Me Down and a debut novel, You Lost Me There. His essays and articles have appeared in a variety of publications, including GQ, the New York Times, and the Guardian. He lives in Los Angeles. 

ANNE-CHRISTINE D'ADESKY DISCUSSES HER BOOK THE POX LOVER WITH COUNCILMEMBER LINDSEY HORVATH

The Pox Lover: An Activist's Decade in New York and Paris (University of Wisconsin Press)
www.thepoxlover.com

The Pox Lover is a personal history of the turbulent 1990s in New York City and Paris by a pioneering American AIDS journalist, lesbian activist, and daughter of French-Haitian elites. In an account that is by turns searing, hectic, and funny, Anne-christine d'Adesky remembers "the poxed generation" of AIDS—their lives, their battles, and their determination to find love and make art in the heartbreaking years before lifesaving protease drugs arrived.

D'Adesky takes us through a fast-changing East Village: squatter protests and civil disobedience lead to all-night drag and art-dance parties, the fun-loving Lesbian Avengers organize dyke marches, and the protest group ACT UP stages public funerals. Traveling as a journalist to Paris, an insomniac d'Adesky trolls the Seine, encountering waves of exiles fleeing violence in the Balkans, Haiti, and Rwanda. As the last of the French Nazis stand trial and the new National Front rises in the polls, d'Adesky digs into her aristocratic family's roots in Vichy France and colonial Haiti. This is a testament with a message for every generation: grab at life and love, connect with others, fight for justice, keep despair at bay, and remember.

Praise for The Pox Lover 

“Reminiscent of the luscious lesbian literature of the Parisian past, but propelled into the era of AIDS, ACT UP, and the Lesbian Avengers. D'Adesky's memoir also reveals her family's role in French colonialism, raising compelling questions about privilege, survival, homophobia, and dislocation.”—Sarah Schulman, author of The Cosmopolitans

“A haunting contribution to the record of the AIDS era.”—Laura Flanders, author of Bushwomen: Tales of a Cynical Species

“A necessary book. We need such a chronicle.”—Felice Picano, author of Like People in History

“In a voice both powerful and cool, The Pox Lover takes on a sprawling personal history, deeply aware throughout that it is the politics of anyone's day—and how we respond to it—that shapes a life. Never far from the mad joy of writing, loving, and being alive, even as it investigates our horribly mundane capacity for horror, this book is a masterpiece.”—Michelle Tea, author of Black Wave

Anne-christine d'Adesky is an investigative journalist and documentary filmmaker who reported on the global AIDS epidemic for New York Native, OUT, The Nation, and The Village Voice. She received the first Award of Courage from amfAR, the Foundation for AIDS Research. She was an early member of ACT UP and cofounder of the Lesbian Avengers. Her books include Beyond Shock: Charting the Landscape of Sexual Violence in Post-Quake Haiti, Moving Mountains: The Race to Treat Global AIDS, and a novel set in post-Duvalier Haiti, Under the Bone.

Councilmember Lindsey P. Horvath was elected to the West Hollywood City Council on March 3, 2015. She previously served as a Councilmember for two years from 2009-2011. Councilmember Horvath has a long history of civic and social justice advocacy. She has spearheaded policies to make West Hollywood an “Age-Friendly Community” to better serve residents of all ages. She also champions LGBTQ rights, and has led initiatives to denounce discriminatory legislation against LGBTQ individuals. Councilmember Horvath is also known for her leadership on women’s issues and served as a Global Coordinator for One Billion Rising, a global campaign to end violence against women and girls. Additionally, Councilmember Horvath has worked on a range of transportation and mobility issues. Most recently, she engaged in community advocacy to promote light rail and subway service to West Hollywood and is committed to making West Hollywood both pedestrian- and bicycle-friendly. In addition to her service as an elected official, Councilmember Horvath works as an entertainment advertising executive, and has created award-winning campaigns for both movies and television.

ELIZABETH CRANE READS FROM HER NEW NOVEL TURF

Turf (Counterpoint Press)

Blazing through states, cities, towns, continents, Crane fearlessly pivots from micro to macro, humor to tragedy, past to present, mixing an off-kilter sensibility with a heartbreaking reality, guiding us into the fringed and often fantastical lives of her characters. And that has never been truer than in her new collection, Turf.

The end of the world as seen through a young couple in Brooklyn, who find a baby in a bucket on their front step; a group of geniuses who meet every Wednesday, able to unlock all the secrets of the universe except for the unknowable mystery of love; a woman and her dog walker whose friendship is uprooted by an incident at the park; these are dark, intriguing vistas explored in Crane’s glowing collection. For as places change, and people come and go, these stories in Turf remind us that it is the unchanging nature of the human heart that connects us all.

Praise for Elizabeth Crane:

"The novel flows smoothly, and readers game for offbeat narrative approaches will be well rewarded . . . So much like the relationship they’re borne of, Crane’s deeply realized mother-daughter inventions are therapeutic and ruthless, heartfelt and crushing. A lovely exercise in the wild, soothing wonders of imagination.” —Booklist, Starred Review 

“Poignant and hilarious . . . Crane writes about the relationship between a deceased mother and her daughter as they tell each other’s stories to understand each other.” —Los Angeles Times

“Imagine sitting at a leisurely dinner with two intelligent women, a mother and daughter . . . The format may be experimental, but the emotions the book will stir in readers are moving and heartbreakingly familiar.” —Library Journal

“I cannot remember the last time I simultaneously cried and laughed as hard as I did while reading Elizabeth Crane’s glorious, tender knockout of a novel, The History of Great Things. Wait, yes I can. It was the last time I spoke to my mom about life.” —Amber Tamblyn, author of Dark Sparkler

“A poignant dual narrative . . . Alternating between laugh-out-loud humor and heart-rending melancholy, Crane gives us a mother and daughter who never quite grasp each other’s life stories, but who find truth through unconditional love.” —Bookpage

“Ultimately, The History of Great Things is a story of perception, one well worth reading. It serves as a reminder that what truly matters to each of us is not what actually happens, but how we remember it.”  —The Rumpus 

“An important work, fearless in both structure and vision, with Crane’s razor-edge fusion of intelligence, humor, and emotion informing every chapter. Get ready, world: this one’s going to be huge.” —Jamie Quatro, author of I Want to Show You More 

“Like everything Elizabeth Crane writes, The History of Great Things is wonderful fun to read—smart, insightful, and witty—but it will break your heart, too. It stares down the poignant question so many daughters want to ask: How well did my mother really know me?” —Pamela Erens, author of Eleven Hours and The Virgins

“The Copelands would feel right at home in a Noah Baumbach movie . . . Our narrator is an omniscient ‘We’ who reports the goings-on of the family with the breathless glee of an incurable gossip.”—Entertainment Weekly

“Its style is literary, with an edge: The point of view is wicked, the characters prickly, the language not quite quotable here. I can’t wait to read past the first chapter.”—Los Angeles Times

“Like any good story writer, she had me in the first two paragraphs . . . A treat to read. The characters are crisp and enjoyable; the narrator is smart and witty.”—Iowa Press-Citizen

“This is an irresistible and winsome read. A truly astute tale of love neglected and reclaimed, family resiliency, spiritual inquiries, and personal metamorphoses.” —Booklist, Starred Review

 “Crane delivers a unique and dizzying tale that delves into the emotional life of a family teetering on the brink of everything . . . The beauty in Crane’s novel is her sweep from acid commentary to heartfelt portrayal of real-life loves and losses.” —Kirkus Reviews

“Crane’s novel is filled with deliciously idiosyncratic characters, humorous and distinct narration, and a whole lot of personality. Each character’s emotional growth is just enough to satisfy, without being overbearing . . . Crane’s summer novel has undeniable heart.” —Publishers Weekly

“At last a novel from Elizabeth Crane! With her expert humorist’s eye for detail, she gives us a playful, passionate story of longing, heartbreak, and of the gargantuan human will. You won’t be able to stop reading.” —Deb Olin Unferth, author of Revolution

“Not since The Royal Tenenbaums have I loved a family so much. The Copelands of We Only Know So Much are wonderfully eccentric, hilariously not self-aware and strangely adorable. They seemed so real, I felt like I was reading my own family story.” —Jessica Anya Blau, author of The Summer of Naked Swim Parties and Drinking Closer to Home

“This is the kind of book that inspires a person to see the beauty in the ordinary, to stop concentrating on others’ failings long enough to see their spark and maybe rediscover his or her own.”—Susan Henderson, author of Up from the Blue

“A beautiful, warmhearted, ferociously honest debut that will pull you in with its chorus of true voices and catch you off guard with its playful, restless edginess.” —Patrick Somerville, author of The Cradle and This Bright River

Elizabeth Crane is the author of the novels The History of Great Things and We Only Know So Much and three collections of short stories. Her stories have been featured on NPR’s Selected Shorts. She is a recipient of the Chicago Public Library 21st Century Award, and her work has been adapted for the stage by Chicago’s Steppenwolf Theatre Company. She currently lives in Newburgh, New York