Skylight Books Podcast Series

ZACHARY MASON READS FROM HIS NEWEST BOOK VOID STAR

Void Star (Farrar, Straus & Giroux)

A riveting, beautifully written, fugue-like novel of AIs, memory, violence, and mortality,

Not far in the future the seas have risen and the central latitudes are emptying, but it’s still a good time to be rich in San Francisco, where weapons drones patrol the skies to keep out the multitudinous poor. Irina isn’t rich, not quite, but she does have an artificial memory that gives her perfect recall and lets her act as a medium between her various employers and their AIs, which are complex to the point of opacity. It’s a good gig, paying enough for the annual visits to the Mayo Clinic that keep her from aging.

Kern has no such access; he’s one of the many refugees in the sprawling drone-built favelas on the city’s periphery, where he lives like a monk, training relentlessly in martial arts, scraping by as a thief and an enforcer. Thales is from a different world entirely—the mathematically inclined scion of a Brazilian political clan, he’s fled to L.A. after the attack that left him crippled and his father dead.

A ragged stranger accosts Thales and demands to know how much he can remember. Kern flees for his life after robbing the wrong mark. Irina finds a secret in the reflection of a laptop’s screen in her employer’s eyeglasses. None are safe as they’re pushed together by subtle forces that stay just out of sight.

Vivid, tumultuous, and propulsive, Void Star is Zachary Mason’s mind-bending follow-up to his bestselling debut, The Lost Books of the Odyssey.

Praise for Void Star

"Void Star is an extraordinary novel. The hallucinatory beauty of the prose is matched only by the book's velocity and mystery, and the story—of mortality, memory, and what it means to be human—holds all the force and power of mythology."—Emily St. John Mandel, author of Station Eleven

"Code becomes flesh in Zachary Mason's sentences. He shows us the near future of technological experience, where death becomes a 'stillness in memory,' and God is a pattern of numbers. This is the best and most beautiful book about computers since Neuromancer." —Michael Clune, author of Gamelife: A Memoir

Zachary Mason is a computer scientist and the author of the New York Times bestselling novel The Lost Books of the Odyssey. He lives in California.

BRIAN MCGREEVY READS FROM HIS NOVEL THE LIGHTS WITH GRACE PARRA

The Lights (Rare Bird Books)

A broken love letter to an ex-boyfriend, The Lights navigates the self-destruction and hopeful redemption of a writer who relocates to Austin, TX, for an MFA program. While there, she immerses herself into a new obsession: Jason, a younger MFA student with dreams of Hollywood screenwriting and the intended audience to the narrator’s twelve steps of AA.

Grappling with mental illness, alcoholism, and her own difficult behavior, her battle boils down to the question: can a person love another while hating herself? 

The Lights is an endeavor in the psyche of a writer and a damaged woman. Against a backdrop of changing cities from New York to Austin to Los Angeles, the narrator must learn the only person she cannot outrun is herself.

Brian McGreevy grew up new Pittsburgh, Pennsylvania, and now lives in Los Angeles. He is the author of Hemlock Grove and the companion book Desire. He is a writer on the TV show The Son based on Philipp Meyer's novel of the same name, and the head writer and executive producer of the Netflix adaptation of Hemlock Grove.

Grace Parra is known for her work on The Nightly Show with Larry Wilmore (2015), Pretty Strong Opinions with Grace Parra (2014) and Planes (2013).

LINDSAY HUNTER READS FROM HER NOVEL EAT ONLY WHEN YOU'RE HUNGRY WITH ROXANE GAY

Eat Only When You're Hungry (Farrar, Straus, Giroux)

A father searches for his addict son while grappling with his own choices as a parent (and as a user of sorts)

Achingly funny and full of feeling, Eat Only When You’re Hungry follows fifty-eight-year-old Greg as he searches for his son, GJ, an addict who has been missing for three weeks. Greg is bored, demoralized, obese, and as dubious of GJ’s desire to be found as he is of his own motivation to go looking. Almost on a whim, Greg embarks on a road trip to central Florida—a noble search for his son, or so he tells himself.

Greg takes us on a tour of highway and roadside, of Taco Bell, KFC, gas-station Slurpees, sticky strip-club floors, pooling sweat, candy wrappers and crumpled panes of cellophane and wrinkled plastic bags tumbling along the interstate. This is the America Greg knows, one he feels closer to than to his youthful idealism, closer even than to his younger second wife. As his journey continues, through drive-thru windows and into the living rooms of his alluring ex-wife and his distant, curmudgeonly father, Greg’s urgent search for GJ slowly recedes into the background, replaced with a painstaking, illuminating, and unavoidable look at Greg’s own mistakes—as a father, as a husband, and as a man.

Brimming with the same visceral regret and joy that leak from the fast food Greg inhales, Eat Only When You’re Hungry is a wild and biting study of addiction, perseverance, and the insurmountable struggle to change. With America’s desolate underbelly serving as her guide, Lindsay Hunter elicits a singular type of sympathy for her characters, using them to challenge our preconceived notions about addiction and to explore the innumerable ways we fail ourselves.

Praise for Eat Only When You're Hungry

"[A] commanding narrative . . . A savage tale of parenthood and squandered hope from an author whose unsparing eye never ceases to subvert the mundane." —Kirkus

"Hunter's absurd Floridian landscapes and darkly tender moments are keen and hilarious, exposing the complexities of addiction and an overweight man with a weak heart but unfailing love." —Booklist

"The frailties of the human body and the human heart are laid bare in Lindsay Hunter’s utterly superb novel Eat Only When You’re Hungry. There is real delicacy, tenderness, and intelligence with which Hunter tackles this portrait of a broken family of people who don’t realize just how broken they are until they are forced to confront the fractures between them and within themselves. With this novel, Hunter establishes herself as an unforgettable voice in American letters. Her work here, as ever, is unparalleled." —Roxane Gay, author of Bad Feminist

"This novel takes us on a road trip with an American Everyman into the heart of American hunger—for freedom, for connection, for junk food, for love. Hunter has a brilliant sense for the perfectly telling image, and her humor is so biting and smart it was almost a surprise, at the end of this engrossing book, to realize how thoroughly she had broken my heart.” —Garth Greenwell, author of What Belongs to You

"Compassionate, claustrophobic, gut-wrenchingly observed, Eat Only When You’re Hungry probes the fine lines between hunger and addiction, addiction and desire. In perfectly nuanced prose, Lindsay Hunter observes the human ability to go on in the face of the unexpected, the unknown, the regretted, and, perhaps most important, the mundane." —Lori Ostlund, author of After the Parade

Lindsay Hunter is the author of the story collections Don’t Kiss Me and Daddy’s and the novel Ugly Girls. Originally from Florida, she now lives in Chicago with her husband, sons, and dogs.

Roxane Gay is the author of the novel An Untamed State, which was a finalist for the Dayton Literary Peace Prize for Fiction; the essay collection Bad Feminist; Ayiti, a multi-genre collection, the collection of stories Difficult Women and the memoir, Hunger. She is at work on a comic book in Marvel’s Black Panther series. Her writing has appeared in Best American Short Stories 2012, the New York Times, the Guardian, and many others. She is a recipient of the PEN Center USA Freedom to Write Award, among other honors. She splits her time between Indiana and Los Angeles. She can be found online at www.roxanegay.com and on Twitter @rgay.

WRITERS AT WORK 20TH ANNIVERSARY READING

Writers At Work--20th Anniversary Reading, Celebrating National Poetry Month featuring Poets At Work and alumnae.

MEMBERS OF POETS AT WORK READ NEW AND PROVOCATIVE POEMS
Yvonne M. Estrada
Dylan Gailey
Brett Guitar Hofer
Ann Pibel
Helen Yeoman
Terry Wolverton

MEMBERS AND ALUMNAE CELEBRATE THE PUBLICATION OF THEIR POETRY COLLECTIONS
Kim Dower — Last Train to the Missing Planet
Eric Howard – Taliban Beach Party
Angela Peñaredondo — All Things Lose Thousands of Times
Sharon Venezio — The Silence of Doorways

Writers At Work: Inspiring, Encouraging and Empowering Writers since 1997 (writersatwork.com)

CECIL CASTELLUCCI AND JOSE PIMIENTA READ THEIR NEW GRAPHIC NOVEL SOUPY LEAVES HOME

Soupy Leaves Home (Dark Horse Books)

Two misfits with no place to call home take a train-hopping journey from the cold heartbreak of their Eastern homes to the sunny promise of California in this Depression-era coming-of- age tale.

When Pearl runs away from her abusive father, she has nowhere to go—until she stumbles upon a disguise that gives her the key to a new identity. Reborn as a boy named Soupy, she hitches her star to Ramshackle, a hobo who takes her under his wing. 

Ramshackle’s kindness and protection go a long way toward helping Soupy heal from her difficult past. But he has his own demons to wrestle with, and he’ll need Soupy just as much as she needs him.

Praise for Soupy Leaves Home:

“Soupy Leaves Home tells the story of a time no longer familiar to us—a time of living the rails and simmering Mulligan Soup, a time of chosen names and secret languages—yet a tale that anyone with a longing heart and a restless spirit can relate to. It transports you magically to a place long gone, but its tale of poverty and survival are still as relevant as they ever were—the characters may be penniless, but they are so emotionally wealthy that this book leaves you filled with warmth, hope, and love.”—Gerard Way

“Castellucci’s heartfelt odyssey is a reckoning with death and identity on the tracks, brought to life by Pimienta’s patient, ever-evolving use of color. Soupy Leaves  Home is for all restless souls hungry to start again.”—Nate Powell (March, Swallow Me Whole)

“A charming and optimistic slice of Americana.”—Hope Larson (Wrinkle in Time, Batgirl)

"I love Cecil Castellucci, she is crazy and cool and full of energy and heart, and so is all of her work. And Soupy Leaves Home may be one of her finest and most effecting works yet!”—Jeff Lemire

“Soupy's journey comes alive through richly color-saturated, usually monochromatic panels that orient readers to a bygone era. Castellucci has created a strong heroine who both defies conventionality and embodies empowerment; as her transformative journey nears its denouement, she makes a resolute decision: 'I have to go and face my things or else I'll never be free' a message still highly relevant to today's world. A compelling graphic offering that explores relevant gender roles and self-identity through a historical lens.”—Kirkus Reviews

“A well-researched and richly illustrated runaway tale that will appeal to fans of escapist fiction and thoughtful readers.”—Anna Murphy, Berkeley Carroll School, Brooklyn (School Library Journal Reviews)

Cecil Castellucci is the author of books and graphic novels for young adults including Boy Proof, The Plain Janes, First Day on Earth, The Year of the Beasts, Tin Star, Stone in the Sky, and the Eisner-nominated Odd Duck. In 2015 she coauthored Moving Target: A Princess Leia Adventure, and in 2016 she worked on Shade, the Changing Girl, an ongoing comic for Gerard Way’s Young Animal imprint at DC Comics. Her picture book Grandma’s Gloves won the California Book Awards Gold Medal. Her short stories have been published in Strange Horizons, YARN, Tor.com, and various anthologies, including Teeth, After, and Interfictions 2. She is the children’s correspondence coordinator for The Rumpus, a two-time MacDowell Fellow, and the founding YA editor at the Los Angeles Review of Books. She lives in Los Angeles.

Jose Pimienta grew up in Mexicali, Mexico, watching a lot of cartoons and listening to as much music as possible. After finishing high school, he studied visual storytelling in Georgia, where he made friends and drank a lot of coffee. Eventually, he headed back to Southern California, where he currently resides. He draws on a regular basis and still listens to as much music as he can. He also enjoys recreational walks and whistling. Sometimes he goes by “Joe.”

KRISTEN RADTKE DISCUSSES HER NEW GRAPHIC MEMOIR IMAGINE WANTING ONLY THIS WITH JORDAN CRANE AND LIBBY FLORES

Imagine Wanting Only This (Pantheon Books)

When Kristen Radtke was in college, the sudden death of a beloved uncle and, not long after his funeral, the sight of an abandoned mining town marked the beginning moments of a lifelong fascination with ruins and with people and places left behind. Over time, this fascination deepened until it triggered a journey around the world in search of ruined places. Now, in this genre-smashing graphic memoir, she leads us through deserted towns in the American Midwest, Italian villas, islands in the Philippines, New York City, and the delicate passageways of the human heart.

At once narrative and factual, historical and personal, Radtke's stunning illustrations and piercing text never shy away from the big questions: Why are we here, and what will we leave behind? 

Praise for Imagine Wanting Only This:
 
“Cities, ambitions, romances, and bodies come to ruin before our eyes, as Kristen Radtke invites us, in her beautifully understated way, to be disturbed, fascinated, and yes, even attracted to that ruin. A remarkable bildungsroman!” —Eula Biss, author of On Immunity
 
“Kristen Radtke leads us through a bleak and beautifully crafted story of heart and heartbreak—creation, connection, decay, and loss. Imagine Wanting Only This is challenging and inspiring.” —Ellen Forney, New York Times bestselling author of Marbles 

“Kristen Radtke’s Imagine Wanting Only This doesn’t tell a single story but a chorus of histories, personal and familial and historical, and invents its own marvelous language for their telling—a language forged from interior thought and visual imagination, bringing together words and illustration in continually surprising and moving ways. The voice in these pages is eloquent in so many ways at once, like a shape that exists in three dimensions rather than two, and it’s utterly singular: visually alive, attentive to details, self-questioning and tender as it surveys variously haunted terrains of heart and landscape. Radtke’s world is so immersive, and so sensitively conjured, that once I entered the sketched chamber of her pages, I didn’t want to leave again—or even pause for breath—until I reached the end.”  —Leslie Jamison, author of The Empathy Exams

"Riveting and glorious. A book of sorrow filtered through intellect. In Kristen Radtke's hands, nonfiction becomes poetry. A tremendous achievement.” —Tom Hart, #1 New York Times bestselling author of Rosalie Lightning

Kristen Radtke is a writer and illustrator based in Brooklyn. She is the managing editor of Sarabande Books and the film and video editor of TriQuarterly magazine. She holds an MFA from the University of Iowa’s Nonfiction Writing Program.

Jordan Crane is an American cartoonist.  He is best known for his graphic novella The Last Lonely Saturday (2000), his graphic novel The Clouds Above(2005) and his ongoing solo anthology comic book series Uptight (2006-present). His comics have received two Ignatz awards, a Xeric grant, an AIGA book design award, and have been included in the The Best American Comics 2012. As editor and publisher, Crane produced the influential comics anthology NON (1997-2000), and the anthology website What Things Do (2010-2016). His illustrations have appeared in The New York Times, The Atlantic, McSweeney’s and elsewhere.  His large format screen printed editions hang in private collections across the world.  Crane lives in Los Angeles, where he currently nearing completion of the graphic novel Keeping Two, to be published in 2018. 

Libby Flores is a 2008 PEN Center USA Emerging Voices Fellow. Her short fiction has appeared in Post Road Magazine, The Open Bar at Tin House, The Rattling Wall, Paper Darts, Bridge Eight, FLASH: The International Short-Short Story Magazine, and The Los Angeles Review of Books. She lives in Los Angeles, but will always be a Texan. Libby is the Director of Literary Programs at PEN Center USA. She can be found at libbyflores.com.

SELFISH LAUNCHES ISSUE FIVE: VOID OF COURSE

Selfish Issue Five: Void of Course

True to its name, “void of course” leaves the familiar for the uncertain, the inconclusive, the esoteric. featuring the work of twenty three contributors, our fifth issue explores the shadow realm, the twelfth house, and the rays of light in between. 

Join us for a panel discussing the importance of feminist art, followed by a good ol’ fashioned party celebrating two years of life and the magazine’s newest issue: Void of Course.

ALESHEA HARRIS AND ALEXANDER BORINSKY READ FROM AND DISCUSS THEIR NEW PLAYS IS GOD IS AND BRIEF CHRONICLE: BOOKS 6-8

Is God Is, Brief Chronicle (Books 6-8) (3 Hole Press)

3 Hole Press is a small press bringing new audiences to new plays in printed formats. To celebrate the publications of its two newest books, 3 Hole Press presents short readings from each play, followed by a conversation with the authors.

Winner of the 2016 Relentless Award from the American Playwriting Foundation, Aleshea Harris’ Is God Is is a classic revenge tale about two sisters that blends tragedy, typography, the Spaghetti Western, hip-hop and Afropunk. In this necessary new work, emotions are laid bare through gaps in language and characters are a window into the canon as well as our own broken times. 

In Brief Chronicle (Books 6–8), Alexander Borinsky delivers a quietly heartbreaking new play that grounds epic themes—unabated longing, violence and imperialism, and the bond between mother and son—in the small ways we hurt and love one another and decide where to go on vacation.

Praise for IS GOD IS

A rigorous new work that unearths our deepest fears about humanity and who we think we are in relation to ourselves and the divine.—Dawn Lundy Martin

Family, as the old tragedians knew, is our first country. Therefore, it’s the earth from which we forge our first weapons, the fields of our first wars, the very turf over which we fight. With Is God Is, Aleshea Harris audaciously scours tragedy down with the rough edge of a rock. To read this merciless play is to get blood in your eye — and in Harris’ sure grip, you’ll recall that blood washes and stains, can run hot or cold, means both violence and family. —Douglas Kearney

Praise for BRIEF CHRONICLE, BOOKS 6-8

Brief Chronicle, Books 6-8 is a remarkable creature of our shattered and shuttered time. Borinsky’s theater examines everything that it encounters—including the various artifices of theater itself, i.e. character, costumes, boxes, supposed emotions (real or imagined), action as it would have its way, place/s, and all the supposed ends and means of the theater making apparatus—with a scrupulous but loving attentiveness. There is no one quite like him writing and making theater today.—Mac Wellman

In this big, small play, people learn who they are as they say things, punctuation makes gaps where lonely spirits and dances live, and stuff gets sticky between tender, selfish hearts. This is a battle cry for doing the daily work of becoming better in America.—Jennie Liu

If the world feels a little unknowable after reading this play, if you feel unknowable to yourself, how do you talk about that, how do you narrate what it was like? Still, I will tell you what I thought about when I finished Alexander Borinsky’s Brief Chronicle, Books 6-8, though it changed when I read it again, and it may be different for you too. Intimacy. The many ways (sometimes strange or uncomfortable) in which it’s possible to know another person. What it means to appear. What it means to live.—Amina Cain

Alexander Borinsky is a playwright, born in Baltimore in 1986.

Aleshea Harris is a playwright, poet and educator who received an MFA from California Institute of the Arts. Her work has been presented at the Costume Shop at American Conservatory Theater, Playfest at Orlando Shakespeare Theater, freeFall Theatre Company, VOXfest at Dartmouth, the Edinburgh Fringe Festival, the Harriet Tubman Center for Social Justice, La Comédie de Saint-Étienne- National Drama Center in France, the Skirball Center, The Theatre @ Boston Court, REDCAT and in the 2015 anthology, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop. Harris is a MacDowell Fellow and winner of the 2016 Relentless Award from the American Playwriting Foundation for Is God Is.

CALARTS MFA STUDENTS READ FROM THEIR WORK

Join us for NEXTWORDS, the annual reading series organized, curated by and featuring graduating MFA students of CalArts' Creative Writing Program.

Erik Alessandro Mondrian is a writer, artist, and scholar who makes work about place, belonging, love, longing, and madness. He holds an MA in Mass Communication & Media Studies from San Diego State University, focusing on virtual worlds as new media, and will be graduating this year from CalArts with an Interschool MFA in VoiceArts & Creative Writing and supplemental concentration in Integrated Media. He lives wherever the dreams take him.

Leann Lo Young Adult/ New Adult Fiction Writer. From Fresno, CA. Raised by her mom and grandma. B.A. in English, Communication, and Classics from Fresno Pacific University. #Ravenclaw

Jesse Garrett VanDenKooy is a composer, graphic designer, computer technician and author of Fae: The Book of Faolan, The World is Among Us, The Midnight Orchestra, Fae: The Book of Keane, and Trout are Selfish: Short Fictions and Transitions. 

Chelsea Dright is a writer, aesthetician, and tricoteuse hailing from Los Angeles. She writes fiction. Her hobbies include resurrecting long-dead literary genres, watching HBO, and discussing the consequences of fictional political systems. She's watched The Empire Strikes Back 847 times and has 16 opinions on it, so don't try her. Her favorite Disney movie is Who Framed Roger Rabbit.

ANNABELLE GURWITCH LAUNCHES HER NEW COLLECTION OF ESSAYS WHEREVER YOU GO, THERE THEY ARE, WITH JONATHAN GOLD

Wherever You Go, There They Are (Blue Rider Press)

There’s an old adage: You can choose your friends, but you can't choose your family. But is that true in the world we live in now? New York Times bestselling author Annabelle Gurwitch, asks this question in her latest collection of essays, Wherever You Go, There They Are, where she writes about her own family of bootleggers, gamblers, and philanderers, as well as the sisterhoods, temporary tribes, communities, and cults who have become surrogates along the way.

“When I stepped into the role of care giving for my aging parents, it was the last thing I ever expected,” explains Gurwitch. “These stories are about the family I tried to run away from and the ones I’ve joined accidentally and on purpose. Writing about family gave me a chance to look at: Who is our tribe? Is it our blood relations? Our friends? Our pets? The people we work with or pray with? What I’ve learned is that no matter how hard you try to get away from your crazy family, you end up in another family just as crazy as the one you tried to leave.”

Gurwitch explores family mythology, her immigrant southern Jewish clan and an inheritance on an ill-fated sliver of sand disappearing due to climate change known as Massacre Island; theater folk, secular humanists, Furries, a UFO cult, how corporations use sisterhood as a recruiting tool, the ladies who brunch at Tel Aviv Gardens Retirement Home in Miami, Florida, and finds common ground with her Syrian Uber driver’s kin.

A timely paean to tribes over tribalism, Wherever You Go, There They Are is inspired by historian Yuval Harari’s Sapiens, Sebastian Junger’s Tribe, Star Trek and her secret desire to be the long lost daughter of Joni Mitchell.

Annabelle Gurwitch delivers a provocative treatise on the importance and insanity of family. This is a must-read for anyone who's ever been even occasionally frustrated by the people they share carbohydrate-laden meals with every year.

Praise for Wherever You Go, There They Are 

Annabelle Gurwitch claims to be related to her nutty family, but I suspect she’s really the secret love child of Nora Ephron and Groucho Marx. She’s an old-fashioned wit for the post-modern age, a curmudgeon with a deep well of empathy and a genuinely good soul. I’m so glad she’s back with another book."— Meghan Daum, New York Times Bestselling author of The Unspeakable

“Annabelle Gurwitch tackles every life passage, with a courageous wit that makes even the darkest moments more bearable. Wherever You Go, There They Are hilariously explores the frustrations, catastrophes, and unforgettable thrills of navigating life with that gaggle of lunatics known as family.”— Heather Havrilesky, Ask Polly advice columnist and author of How to Be a Person in the World

Annabelle Gurwitch is an actress and author of The New York Times bestseller and Thurber Prize finalist I See You Made an Effort. Gurwitch gained a loyal following during her years co-hosting Dinner & a Movie on TBS. Her essays and satire have appeared in The New Yorker, The New York Times, Harpers Bazaar, and The Los Angeles Times as well as numerous years as a commentator on NPR. Gurwitch hosted programs on HBO, and The Planet Green Network, acting credits include Seinfeld, Boston Legal, Dexter, Daddy Day Care and Melvin Goes to Dinner. She is a prominent figure in the atheist and Jewish communities. Gurwitch’s live appearances include The New York Comedy Festival, The Moth, 92nd St Y and arts centers around the country.

Jonathan Gold is a Pulitzer Prize-winning food critic who currently writes for the Los Angeles Times and has previously written for LA Weekly and Gourmet. He is also a regular on KCRW's Good Food radio program.

SCOT SOTHERN READS FROM HIS NOVEL BIGCITY

BigCity (Stalking Horse Press)

Scot Sothern’s profane western satire, BigCity, is a novel with an unforgettable cast, including the wild and lethal Bitch Bantam, pulp writer Slab Pettibone, and his sidekick FuzzyWuzzy the bear, in a tale as moving as it is scandalous. In postbellum America, BigCity nutures the birth of feminism, robber barons, media stardom, and motion pictures. Tall-Tale characters are realized with humor and pathos, sex and violence and nail-biting action. Teeming masses have come this dark megalopolis for a new life and a throw of the dice.

Bitch Bantam is a giant of a woman and a living legend. As a tot, she was pitted in back-alley gaming joints, against fighting rats, curs, cocks and hogs. She was victorious in bloody battle yet illiterate and chained to servitude by white slavers. Now, freed of the bonds of slavery, she harbors a quixotic obsession of becoming a refined, civilized, woman like those she sees twirling parasols through the glittering boulevards of BigCity. When Bitch falls in love with the famous hammer-of- justice wielding feminist, Helen Beck, she fears her violent primal instincts will drive her love away.

Pulp writer, performer, and rootin-tootin cowboy, Slab Pettibone, has no legs. He travels about, hither and yon, saddled to the back-side of his trusty, four-hundred seventy-six-pound, pet bear FuzzyWuzzy. When great love and loss come together Slab is forced to accept his legendary status as all too human. He strives to be the action-packed hero he created on the written page, while FuzzyWuzzy just wants to eat and shit in the woods.

Dooley Paradise, a well-meaning lad with a political bent, orchestrates the daily existence of a self-sufficient orphanage, TumbleHouse. The tatterdemalion tikes are tutored in reading, writing, thievery and solicitation. When TumbleHouse is besieged by a gaggle of crusading dowagers led by famous feminist, Helen Beck, young Dooley becomes a pawn in a no-win scheme of city-wide corruption.

Daddy Smithy is a showbiz whiz. He has put together a vaudeville extravaganza with Slab Pettibone, FuzzyWuzzy, and Bitch Bantam topping the bill. Now Daddy needs financing to tackle the new medium of moving-pictures. When he barters his six-year- old daughter to twisted tobacco tycoon Warner Quackenbush, he sets in motion a chain of violence and revenge.

BigCity is a fantastical adventure and love story examining the dynamics of change and the politics of natural selection.

Praise for Scot Sothern:

“Deliciously strange and compelling, delightfully lurid and fun, Scot Sothern’s debut novel reads like a feral mashup of Cormac McCarthy and William Gibson amped on cornjuice and spiderbite.” – Mark Haskell Smith

“Sothern is not a mere voyeur, he wades deeply into zones most never will and renders his subjects with dignity and compassion. Lowlife is a moving and compelling piece of work.”--Henry Rollins

“This is raw life without filter, unsentimental, unsparing, brutally beautiful.” - Tara Ison, author of BALL

Writer/photographer Scot Sothern, best known for his up-close stories and photographs of street prostitutes in Los Angeles, spent forty years making photographs and drifting from job to job. His first exhibit,Lowlife, opened at the notorious Drkrm Gallery in Los Angeles in 2010 and his first book, Lowlife, was published in the U.K. by Stanley Barker in 2011. Scot’s work has since appeared in numerous online and glossy magazines along with gallery shows in LA, NYC, Miami, and London.  The British Journal of Photography called Lowlife, “The year’s most controversial photobook.”  In 2013 Scot took a two-year gig writing a biweekly column, Nocturnal Submissions, at VICE Magazine. In 2013, Curb Service: A Memoir, was published by Soft Skull Press. In 2016, Streetwalkers, stories and photographs, was published by powerHouse Books. BigCity is his first novel.

CATRIONA WARD DISCUSSES HER NOVEL THE GIRL FROM RAWBLOOD WITH MIKE MIGNOLA AND DEVIN GRIFFITHS

The Girl from Rawblood (Sourcebooks Landmark)

For generations the Villarcas have died mysteriously, and young. Now Iris and her father will finally understand why...

At the turn of England's century, as the wind whistles in the lonely halls of Rawblood, young Iris Villarca is the last of her family's line. They are haunted, through the generations, by "her," a curse passed down through ancient blood that marks each Villarca for certain heartbreak, and death.

Iris forsakes her promise to her father, to remain alone, safe from the world. She dares to fall in love, and the consequences of her choice are immediate and terrifying. As the world falls apart around her, she must take a final journey back to Rawblood where it all began and where it must all end...

From the sun dappled hills of Italy to the biting chill of Victorian dissection halls, The Girl from Rawblood is a lyrical and haunting historical novel of darkness, love, and the ghosts of the past.

Praise for The Girl From Rawblood

“Wade perfectly balances sensory richness with the chills of the uncanny.” — Publishers Weekly, Starred Review

“[an] atmospheric debut.”  — Booklist 

“Brilliant – The Girl From Rawblood is the old-school gothic novel I have been waiting for. While it delivers everything I want from a ‘haunted house/family curse’ story, it is still stunningly original. I have never read anything like it and that’s saying something.” — Mike Mignola, creator of the Hellboy comic book series

“Ward’s layered and skillfully crafted novel weaves elements of classic gothic and horror into a remarkable story populated by unforgettable characters, palpable atmosphere, and rich lyricism. Imagine the darkest and goriest undertones of Edgar Allan Poe, the Brontës, Charles Dickens, and Shirley ­Jackson, and you’ll have an idea of what Ward offers here.”  — Library Journal, Starred Review  

“Elegiac in its prose and haunting in its imagery, The Girl from Rawblood is a precisely and beautifully woven tapestry through which threads of darkness wind their inevitable way. Ward has crafted a sweeping saga of madness in all its forms that will chill you to the bones and draw you into its murky depths.” — Charlie Lovett, New York Times bestselling author of The Bookman’s Tale and First Impressions   

“A story to satisfy the most gothic of hearts. I was hooked on the very first page and The Girl from Rawblood never let me go. Sentence by sentence, Catriona Ward made herself one of my very favorite writers.” — Kelly Link, 2016 Pulitzer Prize Finalist for Get in Trouble

Catriona Ward was born in Washington DC and grew up in the US, Kenya, Madagascar, Yemen and Morocco. She studied English at St Edmund Hall, Oxford followed by the UEA Masters in Creative Writing. After living in New York for 4 years where she trained as an actor, she now works for a human rights foundation and lives in London.

Mike Mignola is best known as the multiple award-winning creator, writer, and artist of B.P.R.D. and Hellboy, but has fostered several other projects like The Amazing Screw-On Head and Baltimore with Christopher Golden. Although he began working as a professional cartoonist in the early 1980s, drawing 'a little bit of everything for just about everybody' - including characters like Batman and Wolverine - he was also a production designer on the Disney film Atlantis: The Lost Empire. Mignola also acted as a visual consultant to Guillermo del Toro on Blade 2 and the film versions of Hellboy, which were broadly adapted by del Toro from the original comic series. Mike Mignola currently lives in southern California with his wife, daughter, and cat.

Devin Griffiths, a former biologist who studied artificial evolution, is an assistant professor of English at the University of Southern California. His work has been featured in ELH, Studies in English Literature, Nineteenth-Century Contexts, Literature Compass, and Book History. He is the author of The Age of Analogy: Science and Literature Between the Darwin’s and The Radical Catalogue. 

JONATHAN LETHEM DISCUSSES HIS BOOK MORE ALIVE AND LESS LONELY, WITH JARETT KOBEK

More Alive and Less Lonely: On Books and Writers (Melville House Publishing)

A collection of bestselling, NBCC prize-winning author Jonathan Lethem’s finest writing on the subject of writers and writing.

A readerly wake-up call from one of America’s finest and most acclaimed working writers. Picking up where his NBCC Award finalist collection The Ecstasy of Influence left off, More Alive and Less Lonely collects more than a decade of Lethem’s finest writing on writing, with new and previously unpublished material, including: impassioned appeals for forgotten writers and overlooked books, razor-sharp essays, and personal accounts of his most extraordinary literary encounters and discoveries.

Only Lethem, with his love of cult favorites and the canon alike, can write with equal insight about the stories of modern masters like Lorrie Moore and Salman Rushdie, graphic novelist Chester Brown, science fiction outlier Philip K. Dick, and classic icons like Moby-Dick.

Edited by novelist Christopher Boucher (Golden Delicious), More Alive and Less Lonely deserves a place on every serious reader’s bookshelf. Lethem’s joyful approach to literature will inspire you to dive back into your favorite books and then point you towards what to read next.

Jonathan Lethem is the New York Times bestselling author of nine novels, including Dissident Gardens, The Fortress of Solitude, and Motherless Brooklyn; three short story collections; and two essay collections, including The Ecstasy of Influence, which was a National Book Critics Circle Award finalist. A recipient of the MacArthur Fellowship and winner of the National Book Critics Circle Award for Fiction, Lethem’s work has appeared in The New Yorker, Harper’s Magazine, Rolling Stone, Esquire, and the New York Times, among other publications.

Editor Christopher Boucher is a professor of English at Boston College, editor of Post Road magazine, and author of the novels How to Keep Your Volkswagen Alive and Golden Delicious, both from Melville House.

Jarett Kobek is a Turkish-American writer living in California. His novella ATTA was called “highly interesting,” by the Times Literary Supplement, has appeared in Spanish translation, been the subject of much academic writing, and was a recent and unexplained bestseller in parts of Canada. Presently, he's working on a book about the Ol' Dirty Bastard's first album for Bloomsbury's 33 1/3 series. He is the author of the novel I Hate the Internet.

SIEL JU READS FROM HER DEBUT NOVEL CAKE TIME WITH GUESTS

Cake Time (Red Hen Press)

Daring yet aimless, smart but slightly strange, Cake Time’s young female protagonist keeps making slippery choices, sliding into the dangerous space where curiosity melds with fear and desires turn into dirty messes. In “How Not to Have an Abortion,” the teenaged narrator looks for a ride from the clinic between her AP exams. In “Easy Target,” the now-college-grad agrees to go to a swingers party with a handsome stranger. A decade later, in “Glow,” she is suddenly confronted by the disturbing and thrilling fact of her lover’s secret daughter. Ultimately, this unflinching novel-in-stories grapples with urgent, timeless questions: why intelligent girls make terrible choices, where to negotiate a private self in an increasingly public world, and how to love madly without losing a sense of self.

Joining us will be Jim Ruland, Victoria Patterson, and Janice Lee.

Victoria Patterson is the author of the novel The Little Brother, which Vanity Fair called “a brutal, deeply empathetic, and emotionally wrenching examination of American male privilege and rape culture.” She is also the author of the novels The Peerless Four and This Vacant Paradise, a 2011 New York Times Book Review Editors’ Choice. Her story collection, Drift, was a finalist for the California Book Award and the Story Prize and was selected as one of the best books of 2009 by The San Francisco Chronicle. She lives in South Pasadena, California with her family and teaches at Antioch University. 

Jim Ruland is the co-author of My Damage with Keith Morris, founding member of Black Flag, Circle Jerks and OFF! (Da Capo 2016) and Giving the Fingerwith Scott Campbell Jr. of Discovery Channel’s Deadliest Catch (Lyons Press 2014). He is also the author of the award-winning novel Forest of Fortune(Tyrus Books 2014) and the short story collection Big Lonesome (Gorsky Press 2005). Jim’s work has appeared in many publications, including The Believer, Esquire, Granta, Hobart, McSweeney’s, Mississippi Review, and Oxford American, and has received awards from Reader’s Digest and the National Endowment for the Arts. He runs the Southern California-based reading series Vermin on the Mount, now in its thirteenth year.

Janice Lee is the author of KEROTAKIS (Dog Horn Press, 2010), Daughter (Jaded Ibis, 2011), Damnation (Penny-Ante Editions, 2013), Reconsolidation(Penny-Ante Editions, 2015), and The Sky Isn’t Blue (Civil Coping Mechanisms, 2016). She is Editor of the #RECURRENT Series for Civil Coping Mechanisms, Founder and Executive Editor of Entropy, Assistant Editor at Fanzine, Contributor at HTMLGIANT, Co-Editor (w/ Maggie Nelson) of SUBLEVEL, the new online literary magazine based in the CalArts MFA Writing Program and CEO/Founder of POTG Design. She can be found online at http://janicel.com.

Praise for Cake Time 

“Cake Time is a delicious indulgence. Treat yourself to its dark, seductive intimacies and savor the gritty sugar of its unsentimental humor.”—Jillian Lauren, New York Times bestselling author of Some Girls: My Life in a Harem, and Everything You Ever Wanted

“Siel Ju writes with refreshing candor about sexual appetite and the treacherous difficulty of finding love. There is cruelty in the search and tenderness and a lot of honest fumbling around. Cake Time is our time—a provocative debut.”—Noy Holland, author of BIRD

“Siel Ju’s Cake Time is sharply observed and wonderfully contemporary: these complex, flawed, and real characters live in our current world, with all its confusions and opportunity to connect—or disconnect. It’s about the perils and pleasures of intimacy, and its heroine feels as alive as you and I. A compelling and unflinching debut.”—Edan Lepucki, author of California

“Siel Ju’s Cake Time is an astonishing debut. Ju’s novel-in-stories is unsettling and fierce and full of loneliness, sadness, and humor. Her voice is so alive, and her candor—particularly about men and sex—is keenly astute, intimate, and startling. The prose is precise and poetic, and Los Angeles vibrates on the page. Wry and heartfelt and uniquely defiant, Cake Time is like a hard slap I didn’t expect or see coming.”—Victoria Patterson, author of The Little Brother and Drift

“Siel Ju’s stories are not boring because they are about not-boring things, like swingers’ parties and organic fashion company beauty pageants and high school sex and breakups and hook ups. Lots and lots of breakups and hook ups. I worried for Siel Ju reading about all these breakups and hook ups. Then I reminded myself these are fictions Siel Ju is telling us, and Siel Ju is fine. We are all fine, even after all these breakups and hook ups.”—Elizabeth Ellen, author of Fast Machine and Bridget Fonda

Siel Ju's novel-in-stories, Cake Time, is the winner of the 2015 Red Hen Press Fiction Manuscript Award and will be published in April 2017. Siel is also the author of two poetry chapbooks. Her stories and poems appear in ZYZZYVA, The Missouri Review (Poem of the Week), The Los Angeles Review, Denver Quarterly, and other places. She gives away a book a month at sielju.com.

JENNY NORDBAK DISCUSSES HER BOOK THE SCARLETT LETTERS

The Scarlett Letters: My Secret Year of Men in an L.A. Dungeon (St. Martins Press)

Jenny Nordbak takes us to a place that few have seen, but millions have fantasized about, revealing how she transformed herself from a USC grad lacking in confidence into an elite professional dominatrix who finds her own voice, power and compassion for others.

On an unorthodox quest to understand her hidden fantasies, Jenny led a double life for two years. By day she was a construction manager, but at night she became Mistress Scarlett. Working at LA s longest-running dungeon, she catered to the secret fetishes of clients ranging from accountants to movie stars. She simultaneously developed a career in the complex and male-dominated world of healthcare construction, while spending her nights as a sex worker, dominating men. Far from the standard-issue powerful men who pay to be helpless, Mistress Scarlett s clientele included men whose fantasies revealed more complex needs, from Tickle Ed to Doggie Dan, from the Treasure Trolls to Ta-Da Ted. The Scarlett Letters explores the spectacularly diverse array of human sexuality and the fascinating cast of characters that the author encountered along the way.

While The Scarlett Letters is a window into this largely unknown world, it also showcases Jenny’s unorthodox quest to better understand herself. Transforming into Mistress Scarlett started with the goal of better understanding her own hidden fantasies, and while achieving that goal it also lead to transformations she hadn’t expected. Mistress Scarlett helped empower Jenny and instill confidence in herself outside the dungeon.

The Scarlett Letters shows us how to find your voice as a woman today, and sheds light on the emotional and physical relationships between men and women.

Jenny Nordbak earned a B.A in Interdisciplinary Archaeology from the University of Southern California. After graduating, she worked in healthcare construction. Jenny's alter ego, Scarlett, is a dominatrix. Jenny spent two years leading a double life, secretly working as a professional dominant at a dungeon in Los Angeles. She lives in Los Angeles with her husband and son.