Skylight Books Podcast Series

ROXANNE DUNBAR-ORTIZ AND DINA GILIO-WHITAKER DISCUSS THEIR BOOK "ALL THE REAL INDIANS DIED OFF" AND 20 OTHER MYTHS ABOUT NATIVE AMERICANS

“All the Real Indians Died Off” and 20 Other Myths About Native Americans (Beacon Press)

“All the Real Indians Died Off” and 20 Other Myths About Native Americans critically deconstructs persistent myths about American Indians that have taken hold in the United States. Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker tackle a wide range of myths about Native American culture (“Indians Are Naturally Predisposed to Alcoholism”) and history (“Columbus Discovered America”) and trace how they developed. They deftly show how these myths are rooted in the fears and prejudice of European settlers and in the larger political agendas of the settler state aimed at acquiring Indigenous land, and that they can be traced to narratives of erasure and disappearance.

Roxanne Dunbar-Ortiz grew up in rural Oklahoma, the daughter of a tenant farmer and part-Indian mother. She has been active in the international Indigenous movement for more than four decades and is known for her lifelong commitment to national and international social justice issues. After receiving her PhD in history at the University of California at Los Angeles, she taught in the newly established Native American Studies Program at California State University, Hayward, and helped found the Departments of Ethnic Studies and Women’s Studies. Her 1977 book The Great Sioux Nation was the fundamental document at the first international conference on Indigenous peoples of the Americas, held at the United Nations’ headquarters in Geneva. Dunbar-Ortiz is the author or editor of seven other books, including Roots of Resistance: A History of Land Tenure in New Mexico. She lives in San Francisco.

Dina Gilio-Whitaker (Colville Confederated Tribes) is an award-winning journalist and columnist at Indian Country Today Media Network. A writer and researcher in Indigenous studies, she is currently a research associate and associate scholar at the Center for World Indigenous Studies. She lives in San Clemente, CA.

KATE SCHATZ AND MIRIAM KLEIN STAHL PRESENT THEIR BOOK RAD WOMEN WORLDWIDE

Rad Women Worldwide: Artists and Athletes, Pirates And Punks, And  other revolutionaries who shaped history (Ten Speed Press)

From the authors of the New York Times bestselling book Rad American Women A-Z, comes a bold new collection of 40 biographical profiles, each accompanied by a striking illustrated portrait, showcasing extraordinary women from around the world.

In Rad Women Worldwide, writer Kate Schatz and artist Miriam Klein Stahl tell fresh, engaging, and inspiring tales of perseverance and radical success by pairing well researched and riveting biographies with powerful and expressive cut-paper portraits. Featuring an array of diverse figures from Hatshepsut (the great female king who ruled Egypt peacefully for two decades) and Malala Yousafzi (the youngest person to win the Nobel Peace Prize) to Poly Styrene (legendary teenage punk and lead singer of X-Ray Spex) and Liv Arnesen and Ann Bancroft (polar explorers and the first women to cross Antarctica), this progressive and visually arresting book is a compelling addition to women's history.

RAD Facts!

• Rad Women Worldwide tells 40 stories from 31 countries.
• Artist Miriam Klein Stahl created the papercut illustrations in the book using paper, pencil, and an X-Acto knife.
• The book features an additional 250 names of rad women from around the world for readers to continue their own research.
• Rad Women A-Z has been featured everywhere from NPR and MSNBC to Teen Vogue, MTV, Elle, and Buzzfeed. It also won Best Picture Book at the 2016 Northern California Independent Bookseller Association Awards.

Kate Schatz is a feminist writer, educator, editor, and the author of the 33 1/3 book Rid of Me: A Story. Miriam Klein Stahl is an artist, educator, and activist. They are the author and illustrator, respectively, of Rad American Women A-Z and both live in the San Francisco Bay Area. 

ALEXANDER MAKSIK DISCUSSES HIS NEW NOVEL SHELTER IN PLACE, WITH MARISA SILVER

Shelter in Place (Europa Editions)

 

Set in the Pacific Northwest in the jittery, jacked-up early 1990s, Shelter in Place, by one of America’s most thrillingly defiant contemporary authors, is a stylish literary novel about the hereditary nature of mental illness, the fleeting intensity of youth, the obligations of family, and the dramatic consequences of love.

Joseph March, a twenty-one year-old working class kid from Seattle, has just graduated college, has fallen in love with the fiercely independent Tess Wolff, and his future beckons, unencumbered, limitless, magnificent. Joe’s life implodes when he starts to suffer the symptoms of bipolar disorder, and, not long after, his mother kills a man she’s never met with a hammer. Later, spurred on by his mother’s example and her growing fame, Tess enlists Joe in a secret, violent plan that will forever change their lives.

Maksik sings of modern America’s battered soul and of the lacerating emotions that make us human. Magnetic and masterfully told, Shelter in Place is about the things in life we are willing to die for, and those we’re willing to kill for.

Praise for Shelter in Place

“Shelter in Place is a magnificent novel. Alexander Maksik charts the legacy of violence and the limits of justice with grace, power, and clarity.”—Anthony Marra, author of A Constellation of Vital Phenomena

“Unsettling and honest, a remarkably insightful portrait of mental illness, Shelter in Place is elegiac, savage and mournful, a beautifully written novel about the echoes of our actions, of love and its consequences.”—Aminatta Forna, author of The Hired Man

“Shelter In Place is a love story like none I’ve ever read before…Densely ruminative, and bracingly unromantic, the ballad of Tess, Joe, and his parents tests the brutal outer-limits of patriarchy, the bleak realities of untreated mental illness, and the nature of loyalty in a world where every woman is out for herself.  And every man, as well.”—Kate Bolick, author of Spinster: Making a Life of One’s Own 

“An unsettling and beautiful exploration of mental illness, love, violence, family and sexual politics. Maksik’s artful story outruns all sorts of received ideas and cliched narratives...You’ll be haunted by it in the best possible way.”—Katie Roiphe, author of The Violet Hour

“On every page we’re reminded of the paradox of how mysterious, thorny, and delicate family relationships can be.”—Kirkus Reviews

Alexander Maksik is the author of the novels You Deserve Nothing and A Marker to Measure Drift, which was a New York Times Book Review Notable Book of 2013, as well as finalist for both the William Saroyan International Prize for Writing and Le Prix du Meilleur Livre Étranger. His writing has appeared in The Pushcart Prize Anthology, Best American Nonrequired Reading, Harper's, Tin House, Harvard Review, The New York Times Magazine, The Atlantic, and Narrative Magazine, among other publications. He is a contributing editor at Condé Nast Traveler, and his work has been translated into more than a dozen languages. He is the recipient of a Pushcart Prize as well as fellowships from the Truman Capote Literary Trust and The Corporation of Yaddo.

Marisa Silver is the author of the novel Mary Coin, a New York Times bestseller and winner of the Southern California Independent Bookseller’s Award. She is also the author of The God of War (a Los Angeles Times Book Prize finalist); No Direction Home; and two story collections, Alone with You and Babe in Paradise (a New York Times Notable Book and Los Angeles Times Best Book of the Year). Silver’s fiction has won the O. Henry Award and been included in The Best American Short Stories, The O. Henry Prize Stories, and other anthologies. She lives in Los Angeles.

MIKE ROBERTS READS FROM HIS DEBUT NOVEL CANNIBALS IN LOVE

Cannibals in Love (FSG Originals)

It’s strange to even think about, but an entire generation came of age in the world of George W. Bush and his administration. For a decade and a half, tens of millions of young Americans watched their country go to war, slide up to the brink of a depression, and navigate seismic shifts in race, gender, and sexual identity politics…all while trying to go to college, get jobs, and live lives as normally as they could. Now, almost a decade removed from that time comes a debut novel that chronicles one young man’s life in the tumultuous eight years of Bush’s America: Cannibals in Love.

Told in a series of vignettes and based largely on the experiences of the author, Cannibals in Love is a bildungsroman for a generation still grappling with the full effects of the bizarre 2000s. Beginning shortly after the fall of the World Trade Center as the main character is about to graduate from college, the book captures the peculiar blend of lost and carefree aimlessness that comes from watching the generation that preceded yours screw everything up pretty royally. Jumping forward through events both national and personal - from the Beltway sniper to falling in love for the first time – and featuring chapters in all the places twentysomethings go to discover themselves, including New York, Austin, and Portland, Cannibals in Love is a funny, sad, and moving depiction of a new lost generation.

Mike Roberts is a screenwriter whose adaptation of Brad Land’s memoir Goat was produced by James Franco and premiered at the 2016 Sundance Film Festival. Though he began writing Cannibals in Love during a time of personal and professional hardship, it was while writing the novel that his screenplay work began to take off, and he ended up putting the book on hold while he finished his other projects. As a result, the book mirrors the growth and maturation of the author in a sense of literary realtime.

VIET THANH NGUYEN READS FROM HIS NEW COLLECTION OF SHORT STORIES THE REFUGEES

The Refugees (Grove Press)

Viet Thanh Nguyen’s The Sympathizer was one of the most widely and highly praised novels of 2015, the winner not only of the 2016 Pulitzer Prize for Fiction but also the Center for Fiction First Novel Prize, the Edgar Award for Best First Novel, the Andrew Carnegie Medal for Excellence in Fiction, the Asian/Pacific American Award for Literature, and the California Book Award for First Fiction. Nguyen’s next fiction book, The Refugees, is a collection of perfectly formed stories written over a period of twenty years, exploring questions of immigration, identity, love, and family. 

With the coruscating gaze of The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration. 

The second piece of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

NOTE: As with all Skylight Books in-store events, this reading is free and open to the public (first come, first served). But because we're expecting a large crowd at this event, we'll be giving out numbered tickets to the signing line to keep things organized:

• To get a ticket to the signing line, you must purchase a copy of The Refugees here at Skylight Books. Tickets will be available beginning February 7, 2017, the book's publication date.
• For all website orders for this event, be sure to leave a note in the Order Comments field that you would like a ticket and plan to attend the event.
• Can't attend? If you would like a signed book but will not be able to attend, click Signed Copy after adding the book to your cart and we'll do our best to get it signed for you. You  may pick up this book in the store after the event, or have it shipped to you.
• Skylight's Friends with Benefits members get priority signing line tickets (and 20% off this and all other event books each month), so be sure to mention your membership (or join) when you order the book.

Praise for The Refugees

“Precise without being clinical, archly humorous without being condescending, and full of understanding; many of the stories might have been written by a modern Flaubert, if that master had spent time in San Jose or Ho Chi Minh City . . . [Nguyen’s] stories, excellent from start to finish, transcend ethnic boundaries to speak to human universals.”—Kirkus Reviews (starred review)

“Each searing tale in Nguyen’s follow-up to the Pulitzer-winning The Sympathizer is a pressure cooker of unease, simmering with unresolved issues of memory and identity for the Vietnamese whose lives were disrupted by the “American War.” …Nguyen is not here to sympathize…but to challenge the experience of white America as the invisible norm. .” –Publishers Weekly (starred review)

“Nguyen…presents a collection of fluidly modulated yet bracing stories about Vietnamese refugees in the U.S., powerful tales of rupture and loss that detonate successive shock waves. . . . Each intimate, supple, and heartrending story is unique in its particulars even as all are works of piercing clarity, poignant emotional nuance, and searing insights into the trauma of war and the long chill of exile, the assault on identity and the resilience of the self, and the fragility and preciousness of memories.”–Booklist (starred review)

“For Nguyen groupies desperate for future titles (including a Sympathizer sequel), [The] Refugees is a highly gratifying interlude. For short fiction fans of other extraordinary, between-culture collections such as Daniyal Mueenuddin’s In Other Rooms, Other Wonders and Jhumpa Lahiri’s Unaccustomed Earth, Nguyen won’t disappoint.” –Library Journal (starred review)

“A delight . . . The short story is a beautiful affirmation of the supreme importance of art in our daily lives. And Viet Thanh Nguyen drives that point home brilliantly.”—Mekong Review

Viet Thanh Nguyen was born in Vietnam and raised in America. His novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, as well as five other awards. He is also the author of the nonfiction books Nothing Ever Dies and Race and Resistance. The Aerol Arnold Professor of English and American Studies and Ethnicity at the University of Southern California, he lives in Los Angeles.

OTTESSA MOSHFEGH DISCUSSES HER NEW SHORT STORY COLLECTION HOMESICK FOR ANOTHER WORLD, WITH KRISTINE MCKENNA

Homesick for Another World (Penguin Press)

Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. 

And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

Praise for Eileen

"Eileen is anything but generic. Eileen is as vivid and human as they come... Moshfegh, whose novella, ‘McGlue,' was published last year, writes beautiful sentences. One after the other they unwind--playful, shocking, wise, morbid, witty, searingly sharp. The beginning of this novel is so impressive, so controlled yet whimsical, fresh and thrilling, you feel she can do anything... There is that wonderful tension between wanting to slow down and bathe in the language and imagery, and the impulse to race to see what happens, how it happens.”  -New York Times Book Review

“The attention that is now greeting Moshfegh’s first novel is not undeserved. Eileen is a remarkable piece of writing, always dark and surprising, sometimes ugly and occasionally hilarious. Its first-person narrator is one of the strangest, most messed-up, most pathetic—and yet, in her own inimitable way, endearing—misfits I’ve encountered in fiction. Trust me, you have never read anything remotely like Eileen.” -Washington Post 

“Her best work yet . . . What makes Moshfegh an important writer—and I'd even say crucial—is that she is unlike any other author (male, female, Iranian, American, etc.). And this sui generis quality is cemented by the singular savage suburban noir of Eileen . . . Here is art that manages to reject artifice and yet be something wholly new and itself in sheer artistry.” - The Los Angeles Times
 
 “Wonderfully unsettling first novel . . .  When the denouement comes, it’s as shocking as it is thrilling. Part of the pleasure of the book (besides the almost killing tension) is that Eileen is mordantly funny . . . this tale belongs to both the past and future Eileen, a truly original character who is gloriously unlikable, dirty, startling—and as ferociously human as the novel that bears her name.”-San Francisco Chronicle

“Charmingly disturbing. Delightfully dour. Pleasingly perverse. These are some of the oxymorons that ran through my mind as I read Eileen, Ottessa Moshfegh's intense, flavorful, remarkable new novel. ‘Funny awful’ might be another one. I marveled at myself for enjoying the scenes I was witnessing, and wondered what dark magic the author had employed to make me smile at them.” -NPR.ORG

Ottessa Moshfegh received the Plimpton Prize for her stories in the Paris Review, and was granted a creative writing fellowship from the National Endowment of the Arts.  Her novella, McGlue, won the inaugural Fence Modern Prize in Prose and the Believer Book Award. Eileen won her the PEN Hemingway Award for debut fiction. Her newest collection of short-stories, Homesick for Another World, will be published by the Penguin Press in January 2017.  She currently lives in Los Angeles.  

Kristine McKenna is a Los Angeles based writer. Her biography of David Lynch, Life & Work, will be published by Random House in 2017.

ALAN SEPINWALL DISCUSSES HIS BOOK TV: THE BOOK, WITH JON HAMM

TV (The Book) Two Experts Pick The Greatest American Shows of All Time (Grand Central Publishing)

Is The Wire better than Breaking Bad? Is Cheers better than Seinfeld?What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible? 

For twenty years-since they shared a TV column at Tony Soprano's hometown newspaper-critics Alan Sepinwall and Matt Zoller Seitz have been debating these questions and many more, but it all ultimately boils down to this:  What's the greatest TV show ever? 

That debate reaches an epic conclusion in TV (THE BOOK). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all- encompassing scoring system, they've created a Pantheon of top TV shows, each accompanied by essays delving into what made these shows great. From vintage classics like The Twilight Zone and I Love Lucy to modern masterpieces like Mad Men and Friday Night Lights, from huge hits like All in the Family and ER to short-lived favorites like Firefly and Freaks and Geeks, TV (THE BOOK) will bring the triumphs of the small screen together in one amazing compendium. 

Praise for TV (The Book)

“TV (The Book) is going to start fights and I mean that as the highest compliment. In fact, the book is more fun if you disagree with its authors, informed and thoughtful as they are. But bring your best game because they sure did."—Laura Lippman, New York Times bestselling novelist

"What fun to dive into a book that not only inspires but invites debate over your favorite TV shows.  Which ones truly deserve to be in the Pantheon? Which ones did or didn’t make the cut? Any book that celebrates everything from The Sopranos to Rocky and Bullwinkle gets my attention…and deserves yours."—Leonard Maltin, film critic/historian/lifelong TV junkie

“I hate Top Ten lists and am existentially opposed to numerically rating television shows, so this book is my worst nightmare! You should buy it anyway, because Alan and Matt are shrewd, witty and insightful critics, even if they are wrong about Cheers being better than 30 Rock.”—Emily Nussbaum, The New Yorker

“It’s the Golden Age of TV,  yes, but  TV: The Book shows we are also in the Golden Age of  TV criticism. In the same way so many of us made Leonard  Maltin’s Movie Guide or Pauline Kael’s or David Thomson’s  review collections our film bibles, readers will be poring over this magnificent volume for years to come. An essential, provocative and irresistible tome from two of our greatest critics.”—Megan Abbott, best-selling author of The Fever and You Will Know Me

Alan Sepinwall has been writing about television for close to twenty years. Formerly a TV critic for Newark’s Star-Ledger (Tony Soprano’s hometown paper), he currently writes the popular blog What's Alan Watching? on HitFix.com. he is the author of The Revolution was Televised: The Cops, Crooks, Slingers and Slayers Who Changed TV Drama Forever (Touchstones, 2012) which the New York Times’ Michiko Kakutani named one of her 10 Favorite Books of 2012. 

Jon Hamm is an American actor, director, and television producer best known for his nuanced portrayal of the high-powered, philandering advertising executive Don Draper on the AMC's dramatic series Mad Men. His work has earned him numerous accolades, including a Golden Globe Award, Television Critics Association Award and a Critics’ Choice Television Award, as well as multiple Emmy and Screen Actors Guild nominations.

NIGHT OF SILENCED VOICES: A BANNED BOOKS WEEK CELEBRATION, WITH SPECIAL GUESTS STEPH CHA, NATASHIA DEON AND CHRIS TERRY

Night of Silenced Voices: A Banned Books Week Celebration

Join us as we—together with the Banned Books Week Coalition and partner bookstores around the country—celebrate banned books, with a special focus on diversity.  Join the Skylight staff, as well as special guests, forBanned Books Week Open Mic, take part in our Blind Date with A Banned Book sale (15% off) and keep an eye out for Skylight Books Banned Books shelftalkers highlighting some of the most regularly banned/challenged books.

The Banned Books Week Coalition is a national alliance of like minded organizations joined by a commitment to increase awareness of the annual celebration of the freedom to read. The Coalition seeks to engage various communities and inspire participation in Banned Books Week through education, advocacy, and the creation of programming about the problem of book censorship. Our Banned Books Week event on Tuesday, September 27th will be held in conjunction with other similar events hosted at partner bookstores across the country, including Housing Works Bookstore Cafe (NYC),  Book Cellar (Chicago), Politics & Prose (DC), Tattered Cover Book Store (Denver), Powell's Books (PDX), and Books & Books (Miami).

Steph Cha is the author of Follow Her Home, Beware Beware, and Dead Soon Enough. She's the noir editor for the L.A. Review of Books and a regular contributor to the L.A. Times and USA Today. She lives in her native city of Los Angeles with her husband and basset hound.

Natashia Deón is the recipient of a PEN Center US Emerging Voices Fellowship and has been awarded fellowships and residencies at Yale, Bread Loaf, Dickinson House in Belgium, and the Virginia Center for Creative Arts. Named one of 2013’s Most Fascinating People by LA Weekly, she has a MFA from UC Riverside and is the creator of the popular LA-based reading series, Dirty Laundry Lit. A practicing lawyer, she currently teaches law at Trinity Law School. Her debut novel, Grace, was published this past June by Counterpoint Press.

Chris L. Terry’s debut novel Zero Fade (Curbside Splendor) was on the Best of 2013 lists by Kirkus Reviews, Slate Magazine, and the American Library Association. He has taught creative writing everywhere from grade schools to prisons to senior centers, and is currently working on a novel about a mixed-race punk bassist with a black imaginary friend.

JUAN GABRIEL VASQUEZ LAUNCHES HIS NEW NOVEL REPUTATIONS

Reputations (Riverhead Books)

Winner of several of the world’s most prestigious fiction prizes, including the International IMPAC Dublin Literary Award, Spain’s Alfaguara Novel Prize, France’s Roger Caillois Award, and Italy’s Premio von Rezzori, and published in twenty-six countries and counting, Juan Gabriel Vásquez is one of the most celebrated writers alive today.With the support of Anne McLean’s brilliant translation, Vásquez’s arresting prose is on full display as he examines the construction of public identity, the burden of memory, and the intersection of the personal and the political, all within the bounds of this taut, electrifying page-turner, Reputations. 

Javier Mallarino is a living legend. He is his country's most influential political cartoonist, the consciousness of a nation. A man capable of repealing laws, overturning judges' decisions, destroying politicians' careers with his art. His weapons are pen and ink. Those in power fear him and pay him homage. At sixty-five, after four decades of a brilliant career, he's at the height of his powers. But this all changes when he's paid an unexpected visit from a young woman who upends his sense of personal history and forces him to re-evaluate his life and work, questioning his position in the world. 

In Reputations, Juan Gabriel Vasquez examines the weight of the past, how a public persona intersects with private histories, and the burdens and surprises of memory. In this intimate novel, Vasquez plumbs universal experiences to create a masterful story, one that reverberates long after you turn the final page.

Praise for Reputations

"Vasquez, who likely came to your attention with 2010's scathing The Informers and certainly made your reading list with The Sound of Things Falling, the 2014 International IMPAC Dublin Literary Award winner, returns with a reverberant new work about a life suddenly challenged."--Library Journal 

"The narrative escalates, the mystery deepens, and the scope of the story widens with each page. This terrific novel draws on Colombia's tragic history and cycles of violence to tell the story of a troubled man trying to come to grips with the distant forces and events that have shaped his life."--Khaled Hosseini 

"A fine and frightening study of how the past preys upon the present..."--John Banville 

"I felt myself under the spell of a masterful writer. Juan Gabriel Vasquez has many gifts--intelligence, wit, energy, a deep vein of feeling--but he uses them so naturally that soon enough one forgets one's amazement at his talents, and then the strange, beautiful sorcery of his tale takes hold." --Nicole Krauss 

"Juan Gabriel Vasquez is one of the most original new voices of Latin American literature."--Mario Vargas Llosa 

"For anyone who has read the entire works of Gabriel Garcia Marquez and is in search of a new Colombian novelist... a thrilling new discovery."--Colm Toibin

Juan Gabriel Vasquez was born in Bogota in 1973. His books include the 2014 International IMPAC Dublin award winner and national bestseller, The Sound of Things Falling, as well as the award-winning The Informers and The Secret History of Costaguana. Vasquez's books have been published in seventeen languages world-wide, and he is the recipient of the Prix Roger Caillois in France and the Alfaguara Prize in Spain. After sixteen years in France, Belgium, and Spain, he now lives in Bogota.

BRYAN ALLEN FIERRO READS FROM HIS COLLECTION OF STORIES DODGER BLUE WILL FILL YOUR SOUL

Dodger Blue Will Fill Your Soul (University of Arizona Press)

Two brothers bury a statue of Saint Jude for their grieving nana. A Griffith Park astronomer makes his own discovery at an East L.A. wedding. A young man springs his Cherokee-obsessed grandfather from the confines of senility. The common thread? Each is weaving their way through the challenging field of play that is living and loving in Los Angeles.

In Dodger Blue Will Fill Your Soul, Bryan Allen Fierro brings to life the people and places that form the fragile heart of the East Los Angeles community. In the title story, a father’s love of Dodger baseball is matched only by the disconnect he must bridge with his young son. In another story, a young widower remembers his wedding day with his father-in- law. The boys and men in this collection challenge masculine stereotypes, while the girls and women defy gender roles. Hope and faith in their own community defines the characters, and propels them toward an awareness of their own personal responsibility to themselves and to their families, even as they eschew those closest to them in pursuit of a different future.

Dodger Blue Will Fill Your Soul is a tour de force—the first collection of an authentic new voice examining community with humor, hope, and brutal honesty. 

Praise for Dodger Blue Will Fill Your Soul

“Beautifully written and charged with vitality”—Kirkus Reviews

“Bryan Allen Fierro is the real deal. This stunning collection is the harbinger of a bright-shining writing career beginning its run. Highly recommended.”—Luis Alberto Urrea

“Bryan Fierro writes with startling insight and a gifted comic’s instincts about love, family ties, desire, masculinity, poverty, and privilege. His voice is affecting and sincere, alternately elegiac and contemplative, edgy and ironic. These are powerful, memorable stories from a writer who I am certain has many more books to offer us.”—Christine Sneed

"With great charge, Fierro writes the lives of those waiting for their genuine longings to be unearthed and brought to light. Whether funny or nervy or surprisingly affectionate, these stories hit pay dirt every time.”—Manuel Muñoz

“Fierro displays the prowess of a master storyteller. A powerful and evocative debut.”—Don Rearden

Bryan Allen Fierro holds an MFA from Pacific University in Oregon. He grew up in Los Angeles and now splits his time between L.A. and Anchorage, Alaska, where he works as a firefighter and paramedic. Fierro is the recipient of the Poets and Writers Maureen Egen Writers Exchange Award in Fiction.

NGŨGĨ WA THIONG'O DISCUSSES HIS NEW MEMOIR BIRTH OF A DREAM WEAVER

Birth of a Dream Weaver (New Press)

Ngũgĩ wa Thiong’o’s powerful new memoir, Birth of a Dream Weaver, chronicles the period in early 1960s East Africa when he found his voice as a writer and an activist.  Against the vivid backdrop of late-colonial Africa, Ngũgĩ details—with an immediacy both shocking and beautiful—the experience of coming of age in a homeland wounded by white settlerdom. 

A herdsboy and a child laborer, Ngũgĩ wa Thiong’o’s spent his childhood in Kenya until the end of high school. Then, encouraged by his mother, he traveled to Uganda for university. Crossing into Uganda by train, Ngũgĩ is struck by the difference between British-dominated Kenya and the relative independence of Uganda, brought home with him the “incredible sight of black people who did not walk as if they were strangers in their city.” At the Universtiy of Makerere, Ngũgĩ comes to political consciousness as colonial Kenya crumbles and the aftermath of the Mau Mau rebellion, one of the most violent episodes in global history, is felt. 

The perfect entry-point for anyone new to Ngũgĩ’s work, Birth of a Dream Weaver is a rare glimpse into the seminal years of one of the world’s great writers.

Praise for Ngũgĩ wa Thiong’o’s work:

"In his crowded career and his eventful life, Ngũgĩ has enacted, for all to see, the paradigmatic trials and quandaries of a contemporary African writer, caught in sometimes implacable political, social, racial, and linguistic currents."--John Updike, "The New Yorker" 

"Ngũgĩ has dedicated his life to describing, satirising and destabilising the corridors of power. Still living in exile and writing primarily in Gikuyu, Ngũgĩ continues to spin captivating tales."--The Guardian 

"Ngũgĩ has flown over the entire African continent and sniffed out all of the foul stenches rising high into the air: complacency toward despotism, repression of women and ethnic minorities, widespread corruption andundergirding all of thesea neocolonial system in which today's lending banks and multinationals have supplanted yesterday's European overlords."--The New York Times Book Review

One of the leading African writers and scholars at work today, Ngũgĩ wa Thiong’o was born in Limuru, Kenya, in 1938. He is the author of A Grain of Wheat; Weep Not, Child; Petals of Blood; and Birth of a Dream Weaver (The New Press). He is currently distinguished professor in the School of Humanities and the director of the International Center for Writing and Translation at the University of California, Irvine. He has been nominated for the Man Booker International Prize.

TEDDY WAYNE READS FROM HIS LATEST NOVEL LONER

Loner (Simon & Schuster)

From the award-winning author of The Love Song of Jonny Valentine, a propulsive novel about a meek Harvard freshman who becomes dangerously infatuated with a classmate.

 David Federman has never felt appreciated. An academically gifted yet painfully forgettable member of his New Jersey high school class, the withdrawn, mild-mannered freshman arrives at Harvard fully expecting to be embraced by a new tribe of high-achieving peers. But, initially, his social prospects seem unlikely to change, sentencing him to a lifetime of anonymity. Then he meets Veronica Morgan Wells. Struck by her beauty, wit, and sophisticated Manhattan upbringing, David falls feverishly in love. Determined to win her attention and an invite into her glamorous world, he begins compromising his moral standards for this one, great shot at happiness. But both Veronica and David, it turns out, are not exactly as they seem. 

Loner turns the traditional campus novel on its head as it explores gender politics and class. It is a stunning and timely literary achievement from one of the rising stars of American fiction.

Praise for Loner

“Like a novel of manners distorted by a twisted funhouse mirror, Teddy Wayne’s Loner moves with wit and stealth and merciless deliberation towards increasingly brutal psychic terrain. Reading it, I found myself amused and then—with creeping force—afraid, repulsed, and ultimately unwilling to put it down." —Leslie Jamison, New York Times bestselling author of The Empathy Exams and The Gin Closet

 “Teddy Wayne perfectly conjures the mind of a keenly observant, socially ambitious, and utterly heartless college student. Yet no matter what outlandish things David does, I couldn't help but root for him--until the book's gut-punch ending." —Adelle Waldman, New York Times bestselling author of The Love Affairs of Nathaniel P

Teddy Wayne is the author of the novels The Love Song of Jonny Valentine and Kapitoil. A regular contributor to The New York Times, The New Yorker, Vanity Fair, and McSweeney's, he is the recipient of a Whiting Writers' Award and an NEA Creative Writing Fellowship. He has taught at Columbia University, Washington University in St. Louis, and the Yale Writers' Conference. He lives in New York. 

CHRISTOPHER DEWAN READS FROM HIS NEW COLLECTION HOOPTY TIME MACHINES

Hoopty Time Machines: fairy tales for grown ups (Atticus Books)

Who Knew Godzilla Had a Poetic Side?

Hoopty Time Machines. It’s fun to say, isn’t it? Fanciful. Downright playful. Go ahead, try it. Say it out loud. Let it tumble off your tongue:

“Hoopty Time Machines.”

Just mouthing the words takes you to another time, a time when everything still seems possible, a time when you can stay up late with a flashlight under your sheets and disappear into the adventures of a good book.

Christopher DeWan’s Hoopty Time Machines: fairy tales for grown ups is a permission slip to adventure, an escape from the staid, workaday world, a passport to wistful, fabulist places, each one filled with peculiar dreams and wild awakenings. The stories include fairy tale heroines, introspective superheroes, and a whole menagerie of myths and monsters, but at their heart, each one is deeply human, and at least a little bit heartbreaking.

DeWan’s debut collection is “one of the most anticipated small press books of 2016” (John Madera, Big Other) and is coming in September from Atticus Books.

Praise for Hoopty Time Machines:
“Funny, sharp, playful zingers of stories that reach right out to grab a reader."– Aimee Bender, author of The Particular Sadness of Lemon Cake
 
"Hoopty Time Machines is much like a bag of M&M's, in that it's nearly impossible, once you've opened it, not to consume it down to the last morsel, and fast. It is less like a bag of M&M's in that you never know what you'll find beneath the candy coating: a peanut or an amphetamine, a rosary bead or a thumbtack."– Kevin Brockmeier, author of The Illumination
 
"Reading the book is like staring into a spiderwebbed mirror, the perfect vessel by which to understand our fractured, absurdist world. There are hints of Barthelme, Vonnegut, and Calvino to be found here, but make no mistake: DeWan is something gloriously new."– Nathan Ballingrud, author of North American Lake Monsters
 
"An absolute delight from the first page to the last: it's like that scene in Singin' in the Rain, only with ideas instead of puddles."– Ben Loory, author of Stories for Nighttime and Some for the Day
 
“That rare story collection that is both a total blast to read and a complete philosophical package. These abrupt, funny, vigorous stories—involving urban legends, minotaurs, little mermaids, chupacabras, and changelings—contain in their brevity vast depth and import. These are stories to read, reread, and perennially enjoy."– Sharma Shields, author of The Sasquatch Hunter's Almanac

Christopher DeWan has published more than forty short stories in journals including Hobart, Necessary Fiction, Passages North, and wigleaf. His collection of domestic fabulism, Hoopty Time Machines, is one of the "most anticipated small press books of 2016."

Christopher has had TV projects with the Chernin Group and Indomitable Entertainment and collaborated on transmedia properties for Bad Robot, Paramount, Universal, and the Walt Disney Company. His screenwriting has been recognized by CineStory, Final Draft, the PAGE Awards, and Slamdance, and he is recipient of a fellowship from the International Screenwriters' Association (ISA). He teaches with Writing Workshops Los Angeles and the California State Summer School for the Arts, where he is currently chair of creative writing.

TIM MURPHY READS FROM HIS NOVEL CHRISTODORA WITH DARCY COSPER

Christodora (Grove/Atlantic)

In Christodora, Tim Murphy follows the lives of a diverse cast of characters who reside in and around an iconic apartment building in Manhattan’s East Village, the Christodora. Constructed in the 1920s, the Christodora has stood through New York City’s various cultural shifts, from the AIDS epidemic to the Tompkins Square Riots of the 1980s, from the destructive effect of hard drugs to the gentrification of a beloved Manhattan neighborhood. Murphy moves kaleidoscopically through these times and into New York City in the not-too- distant future in this poignant portrait of sex, drugs, art, and activism in this ever-changing city.

On Avenue B in the East Village, the Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions and parents to a young adopted son, Mateo. Their neighbor, Hector, a PuertoRican gay man once celebrated for his work as an AIDS activist, is now a lonely addict who becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protestors of the 1980s give way to the hipsters of the 2000s and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020s, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them, even as ghosts of the past cast a shadow on their future.

A novel of great scope and ambition, Christodora is a closely-observed panoramic novel that powerfully evokes the danger, chaos, and wonder of New York City, as well as the strange and moving ways in which its dwellers’ can intersect.

Praise for Christodora

“[A] vivid account of the AIDS crisis and its aftermath . . . Murphy has written The Bonfire of the Vanities for the age of AIDS, using the same reportorial skills as Tom Wolfe to re-create the changing decades, complete with a pitch-perfect deployment of period detail. Skipping back and forth in time over 40 years, and projecting itself into the near future, the novel achieves a powerful evocation of the plague years.”—Publishers Weekly

“An ambitious social novel informed by an extended perspective on the HIV/AIDS epidemic . . . In his debut novel, Murphy wants to bring [Larry] Kramer’s vision into the 21st century, though he goes about it with more artistry and less polemic . . . The author is expert at inhabiting a variety of mindsets . . . A poignant . . .exploration of a health crisis that hasn’t yet ended.”—Kirkus Reviews

“Murphy, who has long reported on HIV/AIDS, LGBT issues, pop culture, travel, and the arts for a wide range of publications, here travels through New York City from the AIDS-scarred 1980s to the hipster-dominated 2000s to the wealth-drenched 2020s, all by focusing on a single East Village building.”—Library Journal

“An intimate portrait of a bohemian family, Christodora is also a capacious historical novel that vividly recreates the lost world of downtown Manhattan in the eighties—a nuanced portrait of an era in which artists were unwitting agents of gentrification and the bright dawn of gay liberation was brutally interrupted by the AIDS epidemic.”—Jay McInerney  

“A moving portrait of New York in the time of AIDS, Tim Murphy’s honest and insightful writing gives Christodora a particular vibrancy that causes the characters to leap, whole, into the reader’s imagination. This spectacular novel is an important addition to literature that captures New York in all its glory and despair.”—Candace Bushnell

“An exuberant, ambitious, funny, gorgeously written epic, Tim Murphy’s Christodora not only makes us privy to the most intimate secrets and dreams of a group of unforgettable diverse characters, this brilliant tale also sweeps us up into the spirit of our age, from the AIDS crisis to now and even into the future, so that we can see and feel the devastating effects of time as it changes us forever.”—James Hannaham, author of Delicious Foods

Tim Murphy has dedicated the last twenty years to reporting on HIV/AIDS. He’s written on the subject for Out, Advocate, and New York Magazine, where his cover story on the new HIV-prevention pill regimen PrEP was nominated for a GLAAD Media Award for Outstanding Magazine Journalism. He also covers LGBT issues, arts, pop culture, travel, and fashion for publications including the New York Times and Conde Nast Traveler.

MARISA SILVER DISCUSSES HER NEW NOVEL LITTLE NOTHING, WITH SARAH SHUN-LIEN BYNUM

In an unnamed country at the beginning of the last century, a child called Pavla is born to peasant parents. Her arrival, fervently anticipated and conceived in part by gypsy tonics and archaic prescriptions, stuns her parents and brings outrage and scorn from her community. Pavla has been born a dwarf, beautiful in face, but as the years pass, she grows no farther than the edge of her crib. When her parents turn to the treatments of a local charlatan, his terrifying cure opens the floodgates of persecution for Pavla.
Little Nothing unfolds across a lifetime of unimaginable, magical transformation in and out of human form, as an outcast girl becomes a hunted woman whose ultimate survival depends on the most startling transfiguration of them all. Woven throughout is the journey of Danilo, the young man entranced by Pavla, obsessed only with protecting her. Part allegory about the shifting nature of being, part subversive fairy tale of love in all its uncanny guises, Little Nothing spans the beginning of a new century, the disintegration of ancient superstitions, and the adoption of industry and invention. With a cast of remarkable characters, a wholly original story, and extraordinary, page-turning prose, Marisa Silver delivers a novel of sheer electricity.
Praise for Little Nothing
“Silver has created a gorgeously rendered, imaginative, magical yarn.” —Booklist
“Pavla serves to remind readers of the moral of the story, that a good soul can find transcendence in the face of unbearable odds. And in Danilo readers will recognize their own longing for transcendence and meaning as he transforms himself through pain and sorrow into a man of courage and ingenuity." —Publishers Weekly
“In Little Nothing, the wizardly Marisa Silver conjures a pitch-dark tale with empathy and humor. An emotionally suspenseful allegory, the novel reveals how the world's expectations can torque a woman's identity and leave a ferocious ache behind. The novel twisted me up inside. I loved it.” —Lauren Groff, author of Fates and Furies, a National Book Award Finalist
"Little Nothing is a magnificent something, an inventive, unexpected story that seamlessly blends fable and folklore into the lives of characters who remain heart-wrenchingly real. That Silver wrestles with nearly unanswerable questions – What does it mean to occupy a body? What does it mean to be human? How transformative is love? – and still produces an exhilarating page-turner is a testament to her biting, beautiful prose. In addition to being a joy to read, this book challenged and changed me, and I can’t imagine what else anyone would want from a work of art." —Cynthia D’Aprix Sweeney, author of The Nest
Marisa Silver is the author of the novel Mary Coin, a New York Times bestseller and winner of the Southern California Independent Bookseller’s Award. She is also the author of The God of War (a Los Angeles Times Book Prize finalist); No Direction Home; and two story collections, Alone with You and Babe in Paradise (a New York Times Notable Book and Los Angeles Times Best Book of the Year). Silver’s fiction has won the O. Henry Award and been included in The Best American Short Stories, The O. Henry Prize Stories, and other anthologies. She lives in Los Angeles.
Sarah Shun-lien Bynum is the author of two novels, Ms. Hempel Chronicles, a finalist for the 2009 PEN/Faulkner Award, and Madeleine Is Sleeping, a finalist for the 2004 National Book Award and winner of the Janet Heidinger Kafka Prize. Her fiction has appeared in many magazines and anthologies, including the New Yorker, Ploughshares, Tin House, the Georgia Review, and the Best American Short Stories 2004 and 2009. The recipient of a Whiting Writers’ Award and an NEA Fellowship, she was named one of “20 Under 40” fiction writers by the New Yorker. She lives in Los Angeles with her family.