Skylight Books Podcast Series

Better Than the Movie, Ep. 7: A HAUNTING IN VENICE / HALLOWE’EN PARTY w/ Natalie Freeman and Allison Smith

It's spooky season, and our LITTLE GREY CELLS are HAUNTED! Former Skylight booksellers Natalie Freeman and Allison Miriam Smith return to the store to join Allan, Tyler, and Justin for the Better Than the Movie crew's most rambunctious (and, let's admit it, CHAOTIC) episode yet. 

This fulsome fivesome discuss Kenneth Branagh's third movie outing as detective Hercule Poirot, A HAUNTING IN VENICE, and its credited source material, HALLOWE'EN PARTY by Agatha Christie, which is a completely different story. It's a SPOILERS-HEAVY discussion, full of digressions and talking over each other. Lots of laughter and fun.

Produced by Justin Remer and Mick Kowaleski. 

Opening music: "Rumination: If I Should Die (Slowed / Instrumental)" by Duck the Piano Wire

Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

Better Than the Movie, Ep. 6: MISERY w/ Mark Rennie

She's his number one fan. The hilarious and well-read Mark Rennie (TWO OLD QUEENS podcast) joins a reduced BTTM crew to discuss MISERY, the Stephen King novel and the Oscar-winning film from screenwriter William Goldman and director Rob Reiner. (And cinematographer Barry Sonnenfeld!!) With a new documentary about King adaptations out in theaters, KING ON SCREEN, the fellas also discuss some other King faves on page and screen.

Produced by Justin Remer and Mick Kowaleski. 
Opening music: "Optimism (Instrumental)" by Duck the Piano Wire
Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band

Better Than the Movie, Ep. 1: CABIN AT THE END OF THE WORLD/KNOCK AT THE CABIN

This episode contains spoilers of both Paul Tremblay's book The Cabin at the End of the World and its 2023 film adaptation, Knock at the Cabin. Proceed with caution!

Welcome to our first new Bookseller Special Series of 2023! Three of Skylight's biggest CinemaHeads, Justin, Tyler, and Allan, will get together once a month to discuss their favorite adaptations from page to screen. For the first episode, they're tackling Paul Tremblay's 2019 insta-classic horror novel Cabin at the End of the World, and M. Night Shyamalan's 2023 adaption, Knock at the Cabin. 

In this episode, they talk about the substantial philosophical and narrative differences in the two projects, the difficulties of communicating interiority on film, and the faithful commitment of Rupert Grint's Boston accent.

Produced and edited by Mick Kowaleski 

Music by Duck the Piano Wire

SKYLIT: Jessica Johns, ”Bad Cree”

It's our first episode in the New Year! Did you miss us? In our 2023 debut episode, Nat Freeman talks to Jessica Johns about her debut novel Bad Cree, hailed by Paul Tremblay as "a mystery and a horror story about grief, but one with defiant hope in its beating heart."

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Produced by Nat Freeman & Mick Kowaleski.

Music by Duck the Piano Wire

SKYLIT: Where Monsters Lurk & Magic Hides

Join us for the final Skylight episode of 2022! In this MONSTER of a finale, Skylight's Nat Freeman talks to the editors and contributors to Where Monsters Lurk & Magic Hides, an anthology of Latine/x genre fiction from both new and established young adult authors. The stories in this anthology span the genre categories of romance, sci-fi & fantasy, and gothic horror. They take place in this world, other worlds, or maybe somewhere in between. Most importantly, the characters on these pages are not stereotypical Latine characters. Rather, they are fleshed-out characters, embarking on amazing adventures, who are unabashedly Latine.

 

Joining Nat in readings and conversation is editor Lauren Davila and contributors K. Victoria Hernandez, Jarrard Raju, Ashley Jean Granillo, Taylor Ramage, and Kai Adia.

 

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Produced by Nat Freeman & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

SKYLIT: ”IT CAME FROM THE CLOSET”

Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes--such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet--spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. It Came from the Closet features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive.

 

Join us for a round-table conversation between editor Joe Vallese and contributors Carrow Narby, Grant Sutton, Laura Maw, Prince Shakur, Sachiko Ragosta, and Tucker Lieberman. It's the perfect queer spooky-conversation that ranges from each writer's initial foray into horror, who the most queer horror character is, and the minute differences between Basket Case and Brain Damage.

 

This conversation is moderated by Nat Freeman. 

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Produced by Nat Freeman & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

LIVE ON CROWDCAST: ”Death in the Mouth” Roundtable

Death in the Mouth is a collection of horror stories and art showcasing BIPOC and ethnically marginalized storytellers from around the world. You’ll read stories featuring grotesque manifestations of dread, the enveloping sludge of grief, and the insectoid itch of deep-seated fear. Embodiments of mania and displacements of faith. Harrowing ecstasy and debilitating hope. Transgressions of the body, the spirit, and the community. Unique and terrifying alien mythology from the future. Quiet, creeping absurdities. Weird urban legends from secondary worlds. In this anthology, Sloane Leong and Cassie Hart bring you an incredible range of stories and illustrations that celebrate the voices of those overlooked to show you the terrifying and exquisite scope of what horror can be.

Join us for this round-table conversation with contributors Leong, Hart, Beatrice Iker, K-Ming Chang, and Karin Lowachee.

The event is moderated by Halley, recorded live on our Crowdcast channel on Saturday, October 1.

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Produced by Nat Freeman, Lance Morgan, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

SKYLIT: Elizabeth Kilcoyne, ”WAKE THE BONES”

The sleepy little farm that Laurel Early grew up on has awakened. The woods are shifting, the soil is dead under her hands, and her bone pile just stood up and walked away.

After dropping out of college, all she wanted was to resume her life as a tobacco hand and taxidermist and try not to think about the boy she can’t help but love. Instead, a devil from her past has returned to court her, as he did her late mother years earlier. Now, Laurel must unravel her mother’s terrifying legacy and tap into her own innate magic before her future and the fate of everyone she loves is doomed.

Elizabeth Kilcoyne’s Wake the Bones is a dark, atmospheric debut about the complicated feelings that arise when the place you call home becomes hostile.

 

Kilcoyne is in conversation with Nat Freeman.

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Produced by Nat Freeman, Lance Morgan, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

LIVE ON CROWDCAST: Catriona Ward, ”SUNDIAL” w/ Caroline Kepnes

All Rob wanted was a normal life. She almost got it, too: a husband, two kids, a nice house in the suburbs. But Rob fears for her oldest daughter, Callie, who collects tiny bones and whispers to imaginary friends. Rob sees a darkness in Callie, one that reminds her too much of the family she left behind.

She decides to take Callie back to her childhood home, to Sundial, deep in the Mojave Desert. And there she will have to make a terrible choice.

Callie is worried about her mother. Rob has begun to look at her strangely, and speaks of past secrets. And Callie fears that only one of them will leave Sundial alive…

The mother and daughter embark on a dark, desert journey to the past in the hopes of redeeming their future.

 

Join us for a conversation between author Catriona Ward and Caroline Kepnes, recorded live on our Crowdcast channel on March 18, 2022.

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Produced by Natalie Freeman, Lance Morgan, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

SKYLIT: Claire Kohda, ”WOMAN, EATING”

Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London - where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated.

Then there are the humans - the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for - perpetual youth, near-invulnerability, immortality – but she is miserable; she is lonely; and she is hungry - always hungry.

As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her - between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans - if she is to find a way to exist in the world. Before any of this, however, she must eat.

Woman, Eating author Claire Kohda discusses her debut novel with Skylight's Nat Freeman.

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Produced by Natalie Freeman, Lance Morgan, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

SKYLIT: Dahlia Schweitzer, "HAUNTED HOMES"

Haunted Homes is a short but groundbreaking study of homes in horror film and television. While haunted houses can be fun and thrilling, Hollywood horror tends to focus on haunted homes, places where the suburban American dream of safety and comfort has turned into a nightmare. From classic movies like The Old Dark House to contemporary works like Hereditary and the Netflix series The Haunting of Hill House, Dahlia Schweitzer explores why haunted homes have become a prime stage for dramatizing anxieties about family, gender, race, and economic collapse. She traces how the haunted home film was intertwined with the expansion of American suburbia, but also explores works like The Witch and The Babadook, which transport the genre to different times and places. This lively and readable study reveals how and why an increasing number of films imagine that home is where the horror is.

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Produced by Maddie Gobbo, Lance Morgan, & Michael Kowaleski

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

SKYLIT: David Leo Rice, "A ROOM IN DODGE CITY, VOL. 2" w/ Brian Evenson

The first book in the Room in Dodge City trilogy brought us a nameless drifter arriving in a bizarre Western town that might encompass all of reality. Now, our drifter considers what happens when drifting on is no longer an option. Focusing on the mysterious workings of The Dodge City Film Industry and the personality cult surrounding Blut Branson, its most legendary director, David Leo Rice's Volume 2 asks hard questions about the nature of art, fame, competition and, ultimately, the ongoing struggle to be born. A mystical inquiry into the sacred and the profane, it expands the universe of the first volume, while exploring yet-stranger territory and laying the foundation for the trilogy’s apocalyptic finale.

Rice is in conversation with fellow writer Brian Evenson.

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Produced by Maddie Gobbo & Michael Kowaleski

Theme: "I Love All My Friends," a new, unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

SKYLIT: Johnny Ray Huston & Bradford Nordeen, "BECAUSE HORROR"

BECAUSE HORROR is a collection of 13 essays (incl. one poem) that mixes critical writing and memoir to explore horror movies and how they haunt memory. Bringing the glee of fandom into cinema scholarship, BECAUSE HORROR promiscuously sways through titles like MESSIAH OF EVIL, PULSE, MANDY, DANTE'S COVE and SCRE4M, with prose that spreads sticky like louche gore over the history of a genre and its mutating sites of broadcast. 

 

Written between August 1 and September 14, 2020, during the Covid-19 lockdown, the chapbook was an exercise in immediacy and a breakneck volley of ideas between Huston and Nordeen who live in San Francisco and Los Angeles, respectively. Huston’s chapters span The Brain that Wouldn’t Die, Tourist Trap, Curtis Harrington’s The Killing Kind, Mandy, Kiyoshi Kurosawa’s Kairo (Pulse) and its TIFF premiere on September 10 of 2001, and a survey of films that lead with the directive, Don’t… Nordeen’s essays broach Deathdream, Blood Diner, Play It As It Lays vs. Messiah of Evil, horror movie posters in the video rental market of the 1990s, what Scre4m looks like on ketamine and an original poem inspired by the gay supernatural soap opera Dante’s Cove. The chapbook features original artwork by Hedi El Kholti, who also penned an afterward, concerning hotel horror. Still lives by Abdi Taslimi.

For over a decade, Johnny Ray Huston was Arts and Entertainment Editor at the San Francisco Bay Guardian. As a writer, artist and curator he has read or shown work at venues including SFMOMA, Yerba Buena Center for the Arts, SF Camerawork, Artists’ Television Access and [2nd Floor Projects]. A book of stories, published by Straight to Hell, is due in 2021.

 

Bradford Nordeen is a writer, curator and founder of the non-profit organization, Dirty Looks Inc. He has written for Frieze, Art in America and Butt Magazine, and is a recipient of the 2018 Creative Capital / Warhol Foundation Arts Writers Grant. His publications include FEVER PITCH, CHECK YOUR VERNACULAR and four issues of the Dirty Looks Volume series (editor).

 

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Produced by Maddie Gobbo & Michael Kowaleski

Theme: "I Love All My Friends," a new, unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

Jeff Jackson, "DESTROY ALL MONSTERS"

An epidemic of violence is sweeping the country: musicians are being murdered onstage in the middle of their sets by members of their audience. Are these random copycat killings, or is something more sinister at work? Has music itself become corrupted in a culture where everything is available, everybody is a "creative," and attention spans have dwindled to nothing? With its cast of ambitious bands, yearning fans, and enigmatic killers, Destroy All Monsters tells a haunted and romantic story of overdue endings and unlikely beginnings that will resonate with anybody who's ever loved rock and roll.

Like a classic vinyl single, Jeff Jackson's novel has two sides, which can be read in either order. At the heart of Side A, "My Dark Ages," is Xenie, a young woman who is repulsed by the violence of the epidemic but who still finds herself drawn deeper into the mystery. Side B, "Kill City," follows an alternate history, featuring familiar characters in surprising roles, and burrows deeper into the methods and motivations of the murderers.

Derek Milman, "SCREAM ALL NIGHT" w/ Naomi Grossman

Dario Heyward knows one thing: He’s never going back to Moldavia Studios, the iconic castle that served as the set, studio, and home to the cast and crew of dozens of cult classic B-horror movies. It’s been three years since Dario’s even seen the place, after getting legally emancipated from his father, the infamous director of Moldavia’s creature features.

But then Dario’s brother invites him home to a mysterious ceremony involving his father and a tribute to his first film—The Curse of the Mummy’s Tongue. Dario swears his homecoming will be a one-time visit. A way for him to get closure on his past—and reunite with Hayley, his first love and costar of Zombie Children of the Harvest Sun, a production fraught with real-life tragedy—and say good-bye for good. But the unthinkable happens—Dario gets sucked back into the twisted world of Moldavia and the horrors, both real and imagined, he’s left there.

With only months to rescue the sinking studio and everyone who has built their lives there, Dario must confront the demons of his past—and the uncertainties of his future. But can he escape the place that’s haunted him his whole life?

Derek Milman's Scream All Night is a darkly hilarious romp about growing up and finding your place in the world.

Milman is joined in conversation by Naomi Grossman, star of American Horror Story.