Times Square, 1986: the home of New York’s red light district where strip clubs, porno theatres and petty crime prevails. 

When a chance encounter for Peepbooth worker Roxy Bell leads to the brutal murder of a public access pornographer, the erotic performer and her punk rock ex-partner Nick Zero soon find themselves under fire from criminals, cops, and the city elite, as they begin to untangle a complex web of corruption leading right to city hall.

Like The Naked City, there are eight million stories in The Deuce. This is one of them.

Praise for Peepland 

Gary Phillips has published various crime novels, short stories, edited anthologies, written comics and radio scripts and whatever else he can to forestall his appointment at the crossroads.

Christa Faust a hardboiled crime writer who has worked in the Times Square peep booths, as a professional dominatrix, and in the adult film industry both behind and in front of the cameras. Born and raised in NYC, she is now living as an ex-pat in La La Land. 

A gritty, fast-paced thriller, Safe hurtles readers toward a shocking conclusion that asks the toughest question of all: how far would you go to protect the ones you love?

Ricky 'Ghost' Mendoza, Jr. is trying to be good. In recovery and working as a freelance safecracker for the DEA, the FBI, and any other government agency willing to pay him, Ghost is determined to live clean for the rest of his days. And maybe he could, if the most important person in his life hadn't gotten into serious financial trouble. To fix it, all Ghost has to do is crack a safe and steal drug money from under the noses of the gangs and the Feds without getting caught. Or killed.

Rudy 'Glasses' Reyes runs drugs and cleans up messes for the baddest of bad men. When Ghost hits one of his safes, Glasses must hunt him down or be held accountable. But Glasses is worried about more than just money. The heist puts everything in his life at risk--his livelihood, his freedom, even his family.

Ryan Gattis is the author of Kung Fu High School and All Involved, a novel about the 1992 L.A. riots. He lives in Los Angeles.

A romantic coming-of-age fantasy tale steeped in Indian folklore, perfect for fans of The Star-Touched Queen and The Wrath and the Dawn.

No one is entirely certain what brings the Emperor Sikander to Shalingar. Until now, the idyllic kingdom has been immune to his many violent conquests. To keep the visit friendly, Princess Amrita has offered herself as his bride, sacrificing everything—family, her childhood love, and her freedom—to save her people. But her offer isn't enough.

The palace is soon under siege, and Amrita finds herself a fugitive, utterly alone but for an oracle named Thala, who was kept by Sikander as a slave and managed to escape amid the chaos. With nothing and no one else to turn to, Amrita and Thala are forced to rely on one another. But while Amrita feels responsible for her kingdom and sets out to warn her people, the newly free Thala has no such ties. She encourages Amrita to go on a quest to find the fabled Library of All Things, where it is possible for each of them to reverse their fates. To go back to before Sikander took everything from them. 

Stripped of all that she loves, caught between her rosy past and an unknown future, will Amrita be able to restore what was lost, or does another life—and another love—await?

Praise for The Library of Fates:

"[R]ich, beautiful worldbuilding and thought-provoking questions on the power of experience, stories, and fate..."—Kirkus Reviews

"Khorana's dazzling second book features a sweeping quest, sumptuous romance and complex heroines. This is the kind of book that lingers in your dreams."—Roshani Chokshi, New York Times bestselling author of The Star-Touched Queen

"The Library of Fates transported me to a magical kingdom where troubled oracles, irreverent goddesses, and megalomaniacal kings battle for control of love and fate. With a rich, real mythology and a stunning twist, it's basically everything I ever wanted in a book."—Heidi Heilig, author of The Girl from Everywhere

“I was swept away by this unique, tantalizing tale. The Library of Fates spins a spell that breaks the heart and utterly enchants. An essential addition to any library—magical or not.”—Jessica Khoury, author of the Corpus Trilogy and The Forbidden Wish

Aditi Khorana spent part of her childhood in India, Denmark and New England. She has a degree in International Relations from Brown University and an MA in Global Media and Communications from the Annenberg School for Communication. She has worked as a journalist at ABC News, CNN, and PBS, and most recently as a marketing executive consulting for various Hollywood studios including FOX, Paramount and SONY.  Mirror in the Sky is her first novel. Her second book, Library of Fates, a feminist historical fantasy set in fictional ancient India, about a louche misogynistic dictator overthrowing a tiny, idyllic kingdom and the women who must wrench it back from him is out July, 2017.

In Arbitrary Stupid Goal, Tamara Shopsin takes the reader on a pointillist time-travel trip to the Greenwich Village of her bohemian 1970s childhood, a funky, tight-knit small town in the big city, long before Sex and the City tours and luxury condos. The center of Tamara’s universe is Shopsin’s, her family’s legendary greasy spoon, aka “The Store,” run by her inimitable dad, Kenny—a loquacious, contrary, huge-hearted man who, aside from dishing up New York’s best egg salad on rye, is Village sheriff, philosopher, and fixer all at once. All comers find a place at Shopsin’s table and feast on Kenny’s tall tales and trenchant advice along with the incomparable chili con carne.

Filled with clever illustrations and witty, nostalgic photographs and graphics, and told in a sly, elliptical narrative that is both hilarious and endearing, Arbitrary Stupid Goal is an offbeat memory-book mosaic about the secrets of living an unconventional life, which is becoming a forgotten art.

Praise for Arbitrary Stupid Goal

“Arbitrary Stupid Goal is a completely riveting world—when I looked up from its pages regular life seemed boring and safe and modern like one big iPhone. This book captures not just a lost New York but a whole lost way of life.” —Miranda July

“Tamara Shopsin's illustrations are instantly recognizable: economical, seemingly simple and straightforward, but always working on a few different levels. Tamara the person is similar: quiet but charming and warm and tough and determined. Now it turns out her prose is the same way: funny and playful but revealing, and making us see the world we thought we knew with fresh eyes.” —Christoph Niemann, author of I Lego N.Y.

“Tamara Shopsin’s new memoir is hilarious. Just in like the West Village itself, you zigzag along on a fun adventure, never knowing who you are going to meet. What a fun read!” —Amy Sedaris

“Tamara Shopsin’s memoir is a funny and absorbing portrait of the city in a grubbier, less corporate incarnation. If you believe, as she does—and I do—that New York is, ‘matter-of-fact, the best place on earth,’ then read this book. And if you don’t believe that, after you read this book, you will.” —Roz Chast

"[Shopsin] weaves a marvelous patchwork quilt of stories about a Manhattan that doesn’t exist anymore . . [Arbitrary Stupid Goal is] an artistic ode to a way of life that people now living in New York City might never experience." —Publishers Weekly (Pick of the Week, Starred Review)

"A warm evocation of a quirky life and exuberant times." —Kirkus

"Deeply nostalgic but not at all mawkish, Shopsin’s supremely charming and affecting memoir of growing up in a pre-gentrified Greenwich Village will enchant fans of restaurant lore and postwar New York historyalike. In short, impressionistic chapters illustrated with photos, ephemera, and Shopsin’s own adorably insouciant line drawings, the book conjures a vanished bohemia without any hint of the irritating pedantry that dogs so many of its kind. Shopsin’s parents—familiar to fans of the writer Calvin Trillin and those who’ve seen the documentary I Like Killing Flies—opened Shopsin’s General Store in 1973 and turned it into a restaurant shortly thereafter, one beloved by local weirdos, celebrities, models, artists, and everyone in between. Shopsin, who still works there sometimes, recalls her unconventional childhood and those who shaped it with considerable warmth; she pays special attention to her dad’s late friend, Willy, an outsize personality whom Shopsin cares for in his dotage. Gumball machines, meat slicers, Nazi bunkers, and pancake methodologies all make cameo appearances, much to the reader’s delight.— Eugenia Williamson, Booklist

Tamara Shopsin is a well-known cook at the distinctly New York City eatery Shopsin's, a New York Times and New Yorkerillustrator, and the author of 5 Year Diary and What Is This?, as well as the coauthor of This Equals That and Mumbai New York Scranton. She lives in New York City with her husband.

In honor of Women’s National Book Association’s 2017 centennial anniversary, WNBA/LA is proud to present: Bookwomen Speak: WNBA Centennial Visionaries Series Jade Chang and Natashia Deón In Conversation with Lisa Mecham.

Writer, poet, and literary enthusiast Lisa Mecham will engage critically acclaimed authors Jade Chang (The Wangs vs. The World) and Natashia Deón (Grace) in a discussion on writing, stories, and community and inclusion in literary spaces. All are welcome to attend.

​​ABOUT WOMEN'S NATIONAL BOOK ASSOCIATION, LOS ANGELES CHAPTER: Women's National Book Association, Los Angeles is a nonprofit organization that promotes literacy and supports the role of women in the book community. WNBA/LA brings together individuals with diverse backgrounds to share knowledge of the book industry and to support local reading initiatives. ​www.wnba-books.org/la

Rowan Petty is a conman down on his luck. He's flat broke, living out of cheap hotels, and wondering how it all went wrong. His car quits on him in Reno, and he takes a job there on the bottom rung of a lousy phone scam. When he's not swindling lonely widows, he tries to turn nickels into dimes at the poker table. One snowy night, he crosses paths with a sweet-talking hooker who's tired of the streets, and sparks fly.

When an old friend of his turns up spreading a rumor about two million dollars in army money smuggled out of Afghanistan and stashed in an apartment in Los Angeles, it seems like a chance at the score of a lifetime. So Petty and the hooker head south, and straight into trouble. A wounded vet, a washed-up actor, and Petty's estranged daughter are all players in the dangerous game they find themselves caught up in. For the winner: a fortune. For the loser: a bullet to the head.

Praise for Richard Lange

"Lange writes of the disaffections and bewilderments of ordinary lives with as keen an anger and searing lyricism as anybody out there today. He is Raymond Carver reborn in a hard cityscape. Read him and be amazed." -- T.C. Boyle, author of The Harder They Come

"When you find yourself rooting for the killer in a grisly crime novel, you know you're in the hands of a real writer. Every character feels like flesh and bone."-- Marilyn Stasio, New York Times Book Review

"Lange is incapable of creating a character that isn't memorable. Even the most minor are indelibly sketched.... The zone where literary fiction meets genre fiction is a crowded borderland these days. Lange proves himself comfortable on both sides of the line."-- Antoine Wilson, Los Angeles Times

"Richard Lange is a natural-born storyteller."-- Ron Rash, author of Above the Waterfall

"Make all the comparisons you like-Cormac McCarthy, Dennis Lehane, Martin Scorsese-but Richard Lange is a force of his own, the high standard for crime fiction." -- Benjamin Percy, author of Red Moon, The Wilding, andRefresh, Refresh

"Lange stands out as the greatest young crime writer of his generation, precisely because he doesn't write crime - he writes literature." -- Jerry Stahl, author of Permanent Midnight and Bad Sex on Speed

"The Smack just might be Mr. Lange's best yet, and that's saying something. His Los Angeles tableau of concrete and graffiti and neon is as sharp as razor wire. The characters are authentic down to the bone, the dialogue pitch-perfect believable, the desperation palpable, the situation urgent, the story riveting. Simply put, The Smack wallops you upside the head with its bad-ass-ness."-- Tom Cooper, author of The Marauders

"If Elmore Leonard and Dennis Cooper collaborated on a novel, they might produce something as exciting, harrowing and emotionally powerful as The Smack. Call it a literary thriller or call it thrilling literature--Richard Lange is emerging as the master of a new kind of novel: One that delivers breathless, gripping action while anchored in the authentic troubles of the real world. The Smack arrives like a genuine miracle--that rare thriller that will jack your pulse even as it breaks your heart."-- Adam Sternbergh, author of Shovel Ready

"The Smack is much more than a crime novel. It is a novel about life itself. The secret to great writing isn't just to observe. It's to create a world that readers understand at least as well as they do their own. Richard Lange has accomplished this, and more. His sensitivity and pacing are reminiscent of Raymond Carver, Charles Willeford, and Jim Thompson." -- Gerald Petievich, author of To Live and Die in L.A. and The Sentinel

"It's hard to imagine Richard Lange wasn't, in some previous life, a hustler from Reno with a girlfriend named Tinafey he met on a professional date who goes to LA to steal a fortune from a one-legged soldier home from Afghanistan and a host of other terrifying individuals. The characters are real and satisfying, the relationships will warm your heart and break it at the same time. The Smack is convincing, hectic and terrific fun."-- Joe Ide, author of IQ

Paul Madonna's popular comic, "All Over Coffee" had been running for twelve years in the San Francisco Chronicle when he was evicted from his longtime home and studio in the Mission District, ground-zero in the "tech wars" transforming the city. Suddenly finding himself yet another victim of San Francisco's overheated boomtown housing market, with its soaring prices and rampant evictions, Madonna decided to use his comic as a cathartic public platform to explore the experience, and to capture the complex, highly charged atmosphere of a city—and a life—being forced through a painful transition.

In a series of drawings and stories, Madonna evokes the sense of vertigo induced by being forced from his home, and the roil of emotions that ensue as he enters into the city's brutal competition for a place to live. The line between reality and surreality begins to blur almost immediately, in real life and in his comic. Absurd, maddening, and all-too-poignant, these drawings and stories capture the spirit of not just San Francisco, but a cultural epidemic that has now spread to cities around the world.

Praise for On to the Next Dream:

"For years I've been intrigued and charmed by Paul Madonna's careful and thoughtful drawings of overlooked nooks and by-ways of San Francisco. In his new book he now combines them with manic, delirious, and increasingly paranoid writings as he struggles with the all-consuming City dilemma of gentrification; of who came first, who gets to stay, which wave of usurpers is more 'real' and deserving than the next, and finally, what happens when someone decides it's your turn to go. Beautiful and engaging."—Sandow Birk, visual artist

"Madonna has created a kind of San Francisco Realism, details so absurd, cruel, and beautiful that they can only come from our infuriating home. If Charlie Kaufman squatted in an illegal sublet in Armistead Maupin's mind, this would be the lovely tenant."—Joshua Mohr, author of All This Life

"Paul Madonna's On to the Next Dream is bleak, terrifying, hilarious and lovely."—MariNaomi, author and illustrator of Turning Japanese

"Simply delightful. I really don't like much out there, I really don't, but On to the Next Dream I couldn't put down. It was sharp, clever, honest, and maybe the funniest book on eviction ever written."—New Yorker cartoonist and New York Times bestselling author, Bob Eckstein, Footnotes from the World's Greatest Bookstores

Paul Madonna is a San Francisco-based artist and writer. He is the creator of the comic series "All Over Coffee" and the author of two books, All Over Coffee and Everything is its own reward. His drawings and stories have appeared in numerous books and journals as well as galleries and museums, including the San Francisco Contemporary Jewish Museum and the Oakland Museum of California.

In the epic conclusion to the award-winning Continuum Trilogy, Aero leads a group insurgents from the Second Continuum to overthrow his rival Supreme General Vinick and unite his space colony’s military forces, while Seeker takes on a secret mission back to her home colony to reinforce Earth's defenses and protect the First Continuum against an even greater threat. Meanwhile, Myra’s nightmares have become a reality as the Dark Thing hurtles toward Earth with designs on eradicating the planet’s fledgling populace. The only thing standing in the way are the three Carriers and those who would join them to fight against a second coming of the Doom.

Praise for The United Continuums

"Dystopian done right! Jennifer Brody takes readers on an incredible journey filled with new worlds, life altering decisions, and the human spirit's need to persevere. Fast paced and brilliantly written! Five stars!"—Kelly Anne Blount, USA Today bestselling author

"Wow. Jennifer Brody has done it again, creating another spectacular read that had me on the edge of my seat—I simply couldn't turn the pages fast enough! The United Continuums is a breath-taking and satisfying conclusion to The Continuum Trilogy, packed to the brim with characters of great emotional depth, stunning world-building, and beautiful writing. A must-read for science fiction fans. Brody is now one of my auto-buy authors."—Madeline Dyer, author of the Untamed series

"Jennifer Brody just keeps getting better and better! Packed with non-stop action and a sweeping, intricate world, The United Continuums delivers a satisfying conclusion to a sci-fi adventure that you don't want to miss."—Pintip Dunn, New York Times bestselling author of Forget Tomorrow

Jennifer Brody’s award-winning novel The 13th Continuum sold in a 3-book deal and is being packaged into a feature film. The book is a Gold Medal Winner (Young Adult – Sci-Fi/Fantasy) from the Independent Publisher‘s Moonbeam Children’s Book Awards. Return of the Continuums and The United Continuums complete this epic trilogy. She is a graduate of Harvard University, a creative writing instructor at the Writing Pad, and a volunteer mentor for the Young Storytellers Foundation. After studying film at Harvard University, she began her career in Hollywood. Highlights include working on The Lord of the Rings films and The Golden Compass. Find her online at http://www.jenniferbrody.com/.

Elizabeth Briggs is the New York Times bestselling author of the Future Shock trilogy and the Chasing The Dream series. She graduated from UCLA with a degree in Sociology and has worked for an international law firm, mentored teens in writing, and volunteered with dog rescue groups. Now she's a full-time geek who lives in Los Angeles with her husband and a pack of fluffy dogs. Find her online at www.elizabethbriggs.net.

Xach Fromson is a Los Angeles native who has been obsessed with horror and dark fiction from a very young age. After a brief and ill-advised attempt at being a theater major, he received his BA in Creative Writing from California State University Northridge in 2009. He earned his MFA in Creative Writing from the University of California Riverside’s Palm Desert program. He appeared on stage at Dirty Laundry Lit in February, 2013, and has a short story in the anthology Halloween Tales, out in 2014. He is currently in various stages of working on a ton of projects. Asking him his favorite book will earn you as blank a stare as asking him his favorite wine or whiskey. And once, he slew a dragon. Find him on Facebook or follow him on Twitter @_mythogenesis_.

From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age--a deeply felt meditation on race, sex, family, and country. 

Raised in Pennsylvania, Thandi views the world of her mother's childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor--someone, or something, to love. In arresting and unsettling prose, we watch Thandi's life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman's understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

Praise for What We Lose

"Penetratingly good and written in vivid still life, What We Lose reads like a guided tour through a melancholic Van Gogh exhibit--wonderfully chromatic, transfixing and bursting with emotion. Zinzi Clemmons's debut novel signals the emergence of a voice that refuses to be ignored." --Paul Beatty, author of The Sellout 

"An intimate narrative that often makes another life as believable as your own." --John Edgar Wideman, author of Writing to Save a Life 

"The narrator of What We Lose navigates the many registers of grief, love and injustice, moving between the death of her mother and the birth of her son, as well as an America of blacks and whites and a South Africa of Coloreds. What an intricate mapping of inner and outer geographies! Clemmons's prose is rhythmically exact and acutely moving. No experience is left unexamined or unimagined." --Margo Jefferson, author of Negroland 

"Zinzi Clemmons' first book heralds the work of a new writer with a true and lasting voice--one that is just right for our complicated millennium. Bright and filled with shadows, humor, and trenchant insights into what it means to have a heart divided by different cultures, What We Lose is a win, just right for the ages." --Hilton Als, author of White Girls 

"I love how Zinzi Clemmons complicates identity in What We Lose. Her main character is both South African and American, privileged and outsider, driven by desire and gutted by grief. This is a piercingly beautiful first novel." --Danzy Senna, author of New People 

"It takes a rare, gifted writer to make her readers look at day-to-day aspects of the world around them anew. Zinzi Clemmons is one such writer.What We Lose immerses us in a world of complex ideas and issues with ease. Clemmons imbues each aspect of this novel with clear, nuanced thinking and emotional heft. Part meditation on loss, part examination of identity as it relates to ethnicity, nationality, gender and class, and part intimate look at one woman's coming of age, What We Lose announces a talented new voice in fiction." --Angela Flournoy, author of The Turner House 

"Wise and tender and possessed of a fiercely insightful intimacy, What We Lose is a lyrical ode to the complexities of race, love, illness, parenthood, and the hairline fractures they leave behind. Zinzi Clemmons has gifted the reader a rare and thoughtful emotional topography, a map to the mirror regions of their own heart." --Alexandra Kleeman, author of You Too Can Have a Body Like Mine 

Zinzi Clemmons was raised in Philadelphia by a South African mother and an American father. She is a cofounder and former publisher of Apogee Journal, a contributing editor to Literary Hub, and deputy editor for Phoneme Media. Her writing has appeared in Zoetrope, The Paris Review Daily, Transition, and the Common. She has received fellowships from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. Clemmons lives in Los Angeles with her husband.