Enjoy recent author events, interviews, and bookseller series. Visit our website to learn more: www.skylightbooks.com
Episodes
Wednesday May 11, 2022
ARTS ANNEX: Shala Miller, ”TENDER NOTED”
Wednesday May 11, 2022
Wednesday May 11, 2022
Produced by Natalie Freeman, Lance Morgan, & Michael Kowaleski.
Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.
Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.
Tuesday Feb 08, 2022
SKYLIT: Sasha Fletcher, ”BE HERE TO LOVE ME AT THE END OF THE WORLD”
Tuesday Feb 08, 2022
Tuesday Feb 08, 2022
In a surreal, funny, and heart-breaking version of reality, Sasha Fletcher’s highly anticipated first novel occupies that rare register that manages to speak to an increasingly incomprehensible world.
Produced by Natalie Freeman, Lance Morgan, & Michael Kowaleski.
Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.
Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.
Monday Aug 30, 2021
SKYLIT: NYU Poetry Program Reading
Monday Aug 30, 2021
Monday Aug 30, 2021
Produced by Maddie Gobbo, Lance Morgan, & Michael Kowaleski.
Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.
Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.
Thursday May 24, 2018
LUCY IVES READS FROM HER NOVEL IMPOSSIBLE VIEWS OF THE WORLD WITH AMINA CAIN
Thursday May 24, 2018
Thursday May 24, 2018
(Podcast editor's note: The Q&A segment for this event took place off-mic for the most part and, despite our best efforts, the audio is difficult to hear at times.)
A witty, urbane, and sometimes shocking debut novel, set in a hallowed New York museum, in which a co-worker’s disappearance and a mysterious map change a life forever
Stella Krakus, a curator at Manhattan’s renowned Central Museum of Art, is having the roughest week in approximately ever. Her soon-to-be ex-husband (the perfectly awful Whit Ghiscolmbe) is stalking her, a workplace romance with “a fascinating, hyper-rational narcissist” is in freefall, and a beloved colleague, Paul, has gone missing. Strange things are afoot: CeMArt’s current exhibit is sponsored by a Belgian multinational that wants to take over the world’s water supply, she unwittingly stars in a viral video that’s making the rounds, and her mother–the imperious, impossibly glamorous Caro–wants to have lunch. It’s almost more than she can overanalyze.
But the appearance of a mysterious map, depicting a 19th-century utopian settlement, sends Stella–a dogged expert in American graphics and fluidomanie (don’t ask)–on an all-consuming research mission. As she teases out the links between a haunting poem, several unusual novels, a counterfeiting scheme, and one of the museum’s colorful early benefactors, she discovers the unbearable secret that Paul’s been keeping, and charts a course out of the chaos of her own life. Pulsing with neurotic humor and dagger-sharp prose, Impossible Views of the World is a dazzling debut novel about how to make it through your early thirties with your brain and heart intact.
Praise for Impossible Views of the World
“An art historical mystery that will interest fans of Donna Tartt’s The Goldfinch, with a narrator equal parts intellectual, ironic, and cool…Scintillating…A diversion and a pleasure, this novel leaves you feeling smarter and hipper than you were before.” — Kirkus Reviews (starred)
“Stella is like Hannah Horvath from Girls—smart, with an equal tendency toward snark and introspection—living in From the Mixed-Up Files of Mrs. Basil E. Frankweiler. The novel sends up the museum world, with pretentious art folks courting corporate dollars and the usual office politics, but maintains a sense of something larger, even magical, working in the background.”—Booklist
“The charm and energy of Impossible Views of the World rest in Ives’s uncanny eye for the subtle tells of romance, the idiosyncrasies of the NYC young, and the details of 19th-century furniture and art…A clever curatorial mystery, a love-gone-wrong rom-com or a sharp-witted story of a young New York woman, Impossible Views of the World is way more fun than a rainy afternoon in the American Objects wing of a cavernous museum.” —Shelf Awareness
“[A] smart and singular debut novel…Ives maximizes her story’s humor with subtlety; a line here and there is enough to call attention to the absurdity of, for instance, the museum’s corporate benefactor’s attempt to secure the world’s water rights. She also isn’t afraid to make her heroine unlikable, which works in the novel’s favor…odd and thoroughly satisfying.” — Publishers Weekly
“I first knew Lucy Ives’s work as a poet, and to have her prose is a gift, too. The detailed novel she’s built with such authenticity, wit, and feeling is remarkable for its vitality, insights, and lyrical view of a changing world.” — Hilton Als, Pulitzer Prize-winning author of White Girls
“This book was written by a rampaging, mirthful genius. It stands before me like a runestone, magical, mysterious—an esoteric juggernaut masquerading as a ‘debut novel.’ During the days I spent reading it, I said goodbye to all else.” — Elizabeth McKenzie, author of The Portable Veblen
“There are abundant pleasures to be found in Lucy Ives’s debut novel about art curation, corporate control, and utopia (among many other subjects and digressions), but the best is the poetic, elegant intelligence of its narration, vocalized by Stella Krakus, whose every sentence wryly climbs from the ridiculous to the sublime.” — Teddy Wayne, author of Loner and The Love Song of Jonny Valentine
“Lucy Ives, a deeply smart and painstakingly elegant writer, wins the prize with this intricate, droll, stylish book—at once a mystery novel, a romantic comedy, a tricky essay on aesthetics, an exposé of art-world foibles, and a diary of emotional distress. With sharp phrases, uncanny plot-turns, and mise-en-abymes galore, this mesmerizing tale radiates the haute irreality of Last Year at Marienbad and the dreamy claustrophobia of The Mixed-Up Files of Mrs. Basil E. Frankweiler, this time for adults only.” —Wayne Koestenbaum, author of My 1980s and Other Essays
Lucy Ives is the author of several books of poetry and short prose, including The Hermit and the novella nineties. Her writing has appeared in Artforum, Lapham’s Quarterly, and at newyorker.com. For five years she was an editor with the online magazine Triple Canopy. A graduate of Harvard and the Iowa Writers’ Workshop, she holds a Ph.D. in comparative literature from New York University. She teaches at the Pratt Institute and is currently editing a collection of writings by the artist Madeline Gins.
Amina Cain is the author of the short story collection Creature, out with Dorothy, a Publishing Project. Her stories and essays have appeared in BOMB, n+1, The Paris Review Daily, and Full Stop, among other places. She lives in Los Angeles
Wednesday May 16, 2018
JARETT KOBEK READS FROM HIS NOVEL THE FUTURE WON'T BE LONG WITH JAMES ST. JAMES
Wednesday May 16, 2018
Wednesday May 16, 2018
Jarett Kobek published his first novel, I Hate the Internet, last year with a small indie publisher and it immediately took on cult status. Kobek received a rave review from Dwight Garner in The New York Times, who described the novel “as a glimpse at a lively mind at full boil.” Jonathan Lethem declared Kobek “as riotous as Houellebecq,” and Bret Easton Ellis was photographed reading it in bed. Viking is thrilled to be publishing Kobek’s brilliant and epic follow-up novel, The Future Won't Be Long, a provocative, ecstatic story of friendship, sex, art, and ambition in the twilight days of New York City’s East Village (1986-1996).
The Future Won't Be Long centers on Adeline—featured years later in I Hate the Internet—a wealthy art student in New York City who chances upon a young man from the Midwest known only as Baby in a shady East Village squat. The two begin a fiery friendship which propels them through a decade of New York life punctuated by the deaths of Warhol, Basquiat, Wojnarowicz, by the Tompkins Square Park riots, and by the rise of club kid culture. Adeline is fiercely protective of Baby, but he soon takes over his own education. Once just a kid off the bus from Wisconsin, Baby soon finds himself at the center of the club kid social scene, cavorting with Michael Alig and James St. James at The Tunnel, Limelight, and Alig’s infamous “Outlaw Party” at a midtown McDonald’s. As Adeline and Baby both develop into the artists they never expected to become, Kobek pays tribute to the last gasps of the gritty, drug-fueled scene of the East Village as gentrifiers begin to trickle in. Kobek, himself a graduate of NYU, writes with a native’s sensitivity to New York, especially about those who come here with hope and those who come to escape their pasts. Riotously funny and wise, The Future Won't Be Long is a euphoric, propulsive novel coursing with a rare vitality, an elegy to New York and to the relationships that have the power to change—and save—our lives.
Jarett Kobek is a Turkish American writer living in California. He is the author of the novel I Hate the Internet (2016) and the novella Atta (2011)
James St. James who was once dubbed a "celebutante" by Newsweek magazine, now leads a quiet, sedate existence in Los Angeles, far from the madness that he writes about.
Tuesday Apr 17, 2018
CHRISTA FAUST AND GARY PHILLIPS READ FROM THEIR COMIC PEEPLAND
Tuesday Apr 17, 2018
Tuesday Apr 17, 2018
Times Square, 1986: the home of New York’s red light district where strip clubs, porno theatres and petty crime prevails.
When a chance encounter for Peepbooth worker Roxy Bell leads to the brutal murder of a public access pornographer, the erotic performer and her punk rock ex-partner Nick Zero soon find themselves under fire from criminals, cops, and the city elite, as they begin to untangle a complex web of corruption leading right to city hall.
Like The Naked City, there are eight million stories in The Deuce. This is one of them.
Praise for Peepland
"Don’t let the bright lights in PEEPLAND’s pages fool you into thinking this story is sweet. This graphic novel is rife with pain, suffering and death. There are some moments of rightful justice, tender warmth, and laugh-out-loud humor. PEEPLAND is a story that I would not hesitate to call beautiful. However, it’s not for the faint of heart. This story is surprisingly honest, realistic and harsh in how it handles the fate of its characters. Writers Christa Faust and Gary Phillips, along with artist Andrea Camerini, craft a beautiful work of art together. So, cash in your token and sit down. You’re about to read something you won’t forget."--Mya Nunnelly, Comicverse
Gary Phillips has published various crime novels, short stories, edited anthologies, written comics and radio scripts and whatever else he can to forestall his appointment at the crossroads.
Christa Faust a hardboiled crime writer who has worked in the Times Square peep booths, as a professional dominatrix, and in the adult film industry both behind and in front of the cameras. Born and raised in NYC, she is now living as an ex-pat in La La Land.