Skylight Books Podcast Series

Poetry Month Celebration

Join us for an evening of poetry with readings from Hannah Dow, Mike Sonksen, F. Douglas Brown, and the poets from Poets at Work. 

UC Irvine MFA Student Reading 2019

Please join us for an evening with UC Irvine MFA students Mason Boyles, Justine Yan, Katherine Damm, and Daniel Levin as they read from their work. 

Sally Wen Mao, "OCULUS" w/ Muriel Leung

Sally Wen Mao’s Oculus explores exile not just as a matter of distance and displacement, but as a migration through time and a reckoning with technology. The title poem follows a girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence speaks in the voice of international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.

Mao is in conversation with Muriel Leung, author of Bone Confetti.

Emily Jungmin Yoon, "A CRUELTY SPECIAL TO OUR SPECIES" w/ Muriel Leung & Morgan Parker

In Emily Jungmin Yoon's arresting and urgently relevant debut collection, A Cruelty Special to Our Species, she confronts the histories of sexual violence against women, focusing in particular on so-called “comfort women,” the majority of whom were Korean and who were forced into sexual labor to serve the Japanese Imperial Army in the Pacific theater of World War II.

In wrenching language, A Cruelty Special to Our Species unforgettably describes the brutalities of war and the fear and sorrow of those whose lives and bodies were swept up by a colonizing power, bringing powerful voice to an oppressed group of people whose histories have often been erased and overlooked. “What is a body in a stolen country?” Yoon asks. “What is right in war?”

In an author's note, Yoon explains that her poetry “does not exist to answer, but rather to continue asking, questions about my immigrant, ESL, Korean, and womanly experiences, or the violent history of twentieth-century Korea.” In taking on poetry about the comfort women,” she writes that "I'd like my poetry to serve to amplify and speak these women's stories, not speak for them.”

Yoon is joined in conversation by Muriel Leung and Morgan Parker.

Tommy Pico, "JUNK" w/ Joseph Osmundson

The third book in Tommy Pico’s Teebs trilogy, Junk is a breakup poem in couplets: ice floe and hot lava, a tribute to Janet Jackson and nacho cheese. In the static that follows the loss of a job or an apartment or a boyfriend, what can you grab onto for orientation? The narrator wonders what happens to the sense of self when the illusion of security has been stripped away. And for an indigenous person, how do these lost markers of identity echo larger cultural losses and erasures in a changing political landscape? In part taking its cue from A.R. Ammons’s Garbage, Teebs names this liminal space “Junk,” in the sense that a junk shop is full of old things waiting for their next use; different items that collectively become indistinct. But can there be a comfort outside the anxiety of utility? An appreciation of “being” for the sake of being? And will there be Chili Cheese Fritos?

Pico is in conversation with Joseph Osmundson, a scientist and writer based in New York City.

Yesika Salgado, "TESORO"

Tesoro is a story of family, survival, and the formative power of the women in Yesika Salgado’s life. It is a telling of the balance between love and perseverance. Tesoro is an unearthing of the sacred connections that make a person whole; the treasure we forever keep with us when we learn from those we love, when we mourn those we’ve lost, and what grows in between.

Kristen Tracy, "HALF_HAZARD" w/ Thomas Sadoski

Half-Hazard is a book of near misses, would-be tragedies, and luck. As Kristen Tracy writes in the title poem, “Dangers here. Perils there. It’ll go how it goes.” The collection follows Tracy’s wide curiosity, from her growing up in a small Mormon farming community to her exodus out into the forbidden world, where she finds snakes, car accidents, adulterers, meteors, and death-marked mice. These wry, observant narratives are accompanied by a ringing lyricism and Tracy’s own knack at noticing what’s so funny about trouble and her natural impulse to want to put all the broken things back together. Full of wrong turns, false loves, quashed beliefs, and a menagerie of animals, Half-Hazard introduces a vibrant new voice in American poetry. One of reslience, faith and joy. 

Tracy is in conversation with Thomas Sadoski, an actor who has acted in a variety of television, film, Broadway and Off-Broadway shows, including Life in Pieces, The Newsroom, and The Slap.

WHAT BOOKS presents Paul Lieber and Bill Mohr

Join us for an evening with two authors from What Books Press. Paul Lieber discusses poetry with fellow writer Bill Mohr. 

Diana Arterian and Allie Rowbottom

Playing Monster :: Seiche is a book-length poem by Diana Arterian that incessantly dodges between two narratives: the speaker's childhood experiences with an abusive father and, as an adult, increasingly aggressive acts made toward her mother by strange men. It is a piece of noir poetics. It is also memoir and documentary. Through tight, spare poems, Arterian's unflinching descriptions of difficult life experiences fight aestheticization, engaging directly with the events as through the poetry of witness.

In 1899, Allie Rowbottom's great-great-great-uncle bought the patent to Jell-O from its inventor for $450. The sale would turn out to be one of the most profitable business deals in American history, and the generations that followed enjoyed immense privilege - but they were also haunted by suicides, cancer, alcoholism, and mysterious ailments. More than 100 years after that deal was struck, Allie's mother Mary was diagnosed with the same incurable cancer, a disease that had also claimed her own mother's life. Determined to combat what she had come to consider the "Jell-O curse" and her looming mortality, Mary began obsessively researching her family's past, determined to understand the origins of her illness and the impact on her life of Jell-O and the traditional American values the company championed. Before she died in 2015, Mary began to send Allie boxes of her research and notes, in the hope that her daughter might write what she could not. Jell-O Girls is the liberation of that story.

Grady Chambers, "NORTH AMERICAN STADIUMS" w/ Elizabeth Metzger

Max Ritvo Poetry Prize winner Grady Chambers brings us North American Stadiums, an assured debut collection about grace—the places we search for it, and the disjunction between what we seek and where we arrive.

“You were supposed to find God here / the signs said.” In these poems, hinterlands demand our close attention; overlooked places of industry become sites for pilgrimage; and history large and small—of a city, of a family, of a shirt—is unearthed. Here is a factory emptying for the day, a snowy road just past border patrol, a baseball game at dusk. Mile signs point us toward Pittsburgh, Syracuse, Salt Lake City, Chicago. And god is not the God expected, but the still moment amid movement: a field “lit like the heart / of the night,” black stars stitched to the yellow sweatshirts of men in a crowd.

A map “bleached / pale by time and weather,” North American Stadiums is a collection at once resolutely unsentimental yet deeply tender, illuminating the historical forces that shape the places we inhabit and how those places, in turn, shape us.

Chambers is joined in conversation by Elizabeth Metzger, Poetry Editor of the Los Angeles Review of Books Quarterly Journal.

Katie Ford, "IF YOU HAVE TO GO"

The poems in Katie Ford’s fourth collection implore their audience—the divine and the human—for attention, for revelation, and, perhaps above all, for companionship. The extraordinary sequence at the heart of this book taps into the radical power of the sonnet form, bending it into a kind of metaphysical and psychological outcry. Beginning in the cramped space of selfhood—in the bedroom, cluttered with doubts, and in the throes of marital loss—these poems edge toward the clarity of “what I can know and admit to knowing.” In song and in silence, Ford inhabits the rooms of anguish and redemption with scouring exactness. This is poetry that “can break open, // it can break your life, it will break you // until you remain.” If You Have to Go is Ford’s most luminous and moving collection.

Fatimah Asghar, "IF THEY COME FOR US" w/ Morgan Parker and Sam Bailey

Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.

Fatimah is joined in conversation by Morgan Parker (There Are More Beautiful Things Than Beyoncé) and Sam Bailey, a writer and director from Chicago.

Jos Charles, "FEELD"

"i care so much abot the whord i cant reed." In feeld, Jos Charles stakes her claim on the language available to speak about trans experience, reckoning with the narratives that have come before by reclaiming the language of the past. In Charles's electrifying transliteration of English--Chaucerian in affect, but revolutionary in effect--what is old is made new again. "gendre is not the tran organe / gendre is yes a hemorage." "did u kno not a monthe goes bye / a tran i kno doesnt dye." The world of feeld is our own, but off-kilter, distinctly queer--making visible what was formerly and forcefully hidden: trauma, liberation, strength, and joy.

Urgent and vital, feeld composes a new and highly inventive lyrical narrative of what it means to live inside a marked body.

Maggie Nelson, "SOMETHING NICE, THEN HOLES" w/ Ali Liebegegott

These days / the world seems to split up / into those who need to dredge / and those who shrug their shoulders / and say, It’s just something / that happened.

While Maggie Nelson refers here to a polluted urban waterway, the Gowanus Canal, these words could just as easily describe Nelson’s incisive approach to desire, heartbreak, and emotional excavation in Something Bright, Then Holes. Whether writing from the debris-strewn shores of a contaminated canal or from the hospital room of a friend, Nelson charts each emotional landscape she encounters with unparalleled precision and empathy. Since its publication in 2007, the collection has proven itself to be both a record of a singular vision in the making as well as a timeless meditation on love, loss, and—perhaps most frightening of all—freedom.

Nelson is joined by Ali Liebegott, author of three books: The Beautifully Worthless, The IHOP Papers, and Cha-Ching!

Poets at Work, NATIONAL POETRY MONTH

Members of Poets At Work read new and enticing poems and will discuss the formal structures that shape them.