Skylight Books Podcast Series

In powerful, formally inventive essays, The Visible Unseen disrupts the purported cultural divide between arts and science. As both a chemist and an award-winning author, Andrea Chapela zeros in on the literary metaphors buried in the facts and figures of her scientific observations. Through questioning scientific conundrums that lie beyond the limits of human perception, she winds up putting herself under the microscope as well.

While considering the technical definition of glass as a liquid or a solid, Chapela stumbles upon a framework for understanding the in-between-ness of her own life. Turning her focus toward mirrors, she finds metaphors for our cultural obsessions with self-image in the physics and chemistry of reflection. And as she compiles a history of the scientific study of light, she comes to her final conclusion: that the purpose of description--be it scientific or literary--can never be to define reality, only to confirm our perception of it. Lyrical, introspective, and methodical, The Visible Unseen constructs a startling new perspective from which to examine ourselves and the ways we create meaning.

 

Join us for a special bilingual reading and a conversation between Chapela and translator Kelsi Vanada.

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Produced by Nat Freeman & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

María Sánchez is obsessed with what she cannot see. As a field veterinarian following in the footsteps of generations before her, she travels the countryside of Spain bearing witness to a life eroding before her eyes--words, practices, and people slipping away because of depopulation, exploitation of natural resources, inadequate environmental policies, and development encroaching on farmland and villages. Sánchez, the first woman in her family to dedicate herself to what has traditionally been a male-dominated profession, rebuffs the bucolic narrative of rural life often written by--and for consumption by--people in cities, describing the multilayered social complexity of people who are proud, resilient, and often misunderstood.

Sánchez interweaves family stories of three generations with reflections on science and literature. She focuses especially on the often dismissed and undervalued generations of women who have forgone education and independence to work the land and tend to family. In doing so, she asks difficult questions about gender equity and labor. Part memoir and part rural feminist manifesto, Land of Women acknowledges the sacrifices of Sánchez's female ancestors who enabled her to become the woman she is.

Join us for this conversation between Sánchez and translator Curtis Bauer, recorded live on our Crowdcast on May 15, 2022.

 

Moderated by Halley.

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Produced by Nat Freeman, Lance Morgan, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

Inside a luxury housing complex, two misfit teenagers sneak around and get drunk. Franco Andrade, lonely, overweight, and addicted to porn, obsessively fantasizes about seducing his neighbor—an attractive married woman and mother—while Polo dreams about quitting his grueling job as a gardener within the gated community and fleeing his overbearing mother and their narco-controlled village. Each facing the impossibility of getting what he thinks he deserves, Franco and Polo hatch a mindless and macabre scheme.

Written in a chilling torrent of prose by one of our most thrilling new writers, Paradais explores the explosive fragility of Mexican society—with its racist, classist, hyperviolent tendencies—and how the myths, desires, and hardships of teenagers can tear life apart at the seams.

Author Fernanda Melchor discusses their new novel with translator Sophie Hughes.

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Produced by Natalie Freeman, Lance Morgan, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

Near a village high in the Pyrenees, Domènec wanders across a ridge, fancying himself more a poet than a farmer, to “reel off his verses over on this side of the mountain.” He gathers black chanterelles and attends to a troubled cow. And then storm clouds swell, full of electrifying power. Reckless, gleeful, they release their bolts of lightning, one of which strikes Domènec. He dies. The ghosts of seventeenth-century witches gather around him, taking up the chanterelles he’d harvested before going on their merry ways. So begins When I Sing, Mountains Dance, which is as much about the mountains and the mushrooms as it is about the human dramas that unfold in their midst.

 

Join us for this episode as author Irene Solá discusses her novel with translator Mara Faye Lethem.

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Produced by Natalie Freeman, Lance Morgan, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

Disillusioned, wealthy, and addicted to opium, Shadi wakes up one day to apocalyptic earthquakes and a dangerously low stash. Outside, Tehran is crumbling: yuppies flee in bumper-to-bumper traffic as skaters and pretty boys rise up to claim the city as theirs. Cross-dressed to evade hijab laws, Shadi flits between her dysfunctional family and depressed friends--all in search of her next fix.

Mahsa Mohebali's groundbreaking novel about Iranian counterculture is a satirical portrait of the disaster that is contemporary life. Weaving together gritty vernacular and cinematic prose, In Case of Emergency takes a darkly humorous, scathing look at the authoritarian state, global capitalism, and the gender binary.

Translator Mariam Rahmani discusses her work on the novel with Justin Torres.

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Produced by Maddie Gobbo, Lance Morgan, Natalie Freeman, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

Lucas Pereyra, an unemployed writer in his forties, embarks on a day trip from Buenos Aires to Montevideo to pick up fifteen thousand dollars in cash. An advance due to him on his upcoming novel, the small fortune might mean the solution to his problems, most importantly the tension he has with his wife. While she spends her days at work and her nights out on the town-with a lover, perhaps, he doesn't know for sure-Lucas is stuck at home all day staring at the blank page, caring for his son Maiko and fantasizing about the one thing that keeps him going: the woman from Uruguay whom he met at a conference and has been longing to see ever since.

But that woman, Magalí Guerra Zabala, is a free spirit with her own relationship troubles, and the day they spend together in this beautiful city on the beach winds up being nothing like Lucas predicted. The constantly surprising, moving story of this dramatically transformative day in their lives, The Woman from Uruguay is both a gripping narrative and a tender, thought-provoking exploration of the nature of relationships. An international bestseller published in fourteen countries, it is the masterpiece from Pedro Mairal, one of the most original voices in Latin American literature today.

 

Mairal is in conversation with the translator of The Woman from Uruguay, Jennifer Croft.

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Produced by Maddie Gobbo, Lance Morgan, & Michael Kowaleski.

Theme: "I Love All My Friends," an unreleased demo by Fragile Gang.

Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

Publisher Pedro Jiménez and translator Matthew Gleeson get together to discuss the first-ever English translation of José Revueltas's "most accomplished and controversial novel," Earthly Days.

Like Joyce, Revueltas allows the reader to view the inner depths of his characters; like Proust, he meticulously examines memories, thoughts, and feelings; like Dostoyevsky, he focuses his gaze on the darkest passages of the soul; like Sartre, he dwells on the nausea of existence; and like Simone de Beauvoir, he reflects on the possibility of a new woman, leftist and liberated. Revueltas preceded writers of the Latin American boom such as Cort zar, Garc a M rquez, and even Juan Rulfo, authors who achieved the reputation and fame that Revueltas was denied. If one may have differences with his style or ideology, the structure of the book is impeccable. Each chapter is a perfect story, woven together by an Ariadne-like thread that unites all parts. To conceptually define the book, I would have to coin the oxymoronic term "existentialist Marxism," because Revueltas never ceased to be a disciple of Marx; nevertheless, his vision of humanity is brutally negative and ferocious. In a world bereft of God, all that was left for him to describe was our earthly days, "atrocious human life.

Fresh from the enormous success of her debut novel Near to the Wild Heart, Clarice Lispector let loose something stormier with The Chandelier. In a body of work renowned for its potent idiosyncratic genius, The Chandelier in many ways has pride of place. While on one level simply the story of a woman’s life, The Chandelier’s real drama lies in Lispector’s attempt “to find the nucleus made of a single instant … the tenuous triumph and the defeat, perhaps nothing more than breathing.” The Chandelier pushes Lispector’s lifelong quest for that nucleus into deeper territories than any of her other amazing works.

Translator Magdalena Edwards stopped by Skylight to discuss Lispector's seminal work.