Skylight Books Podcast Series

Molly Lambert, Geoff Dyer and Tosh Berman discuss "I USED TO BE CHARMING: THE REST OF EVE BABITZ"

Eve Babitz knew everyone, tried everything (at least once), and was never shy about sharing her thoughts on any subject, be it sex, weight loss, drug use, or her ambivalence toward New York City. From the 1970s through the 1990s, Babitz wrote on a wild variety of topics for some of the biggest publications around, from Esquire to Vogue to The New York Times Book Review. I Used to Be Charming brings together this nonfiction work. All previously uncollected, these pieces range from sharp personal essays on body image and the male gaze to playful meditations on everything from ballroom dancing to kissing to perfume. There are breathtaking celebrity profiles, too. In one, Nicolas Cage takes her for a ride in his '67 Stingray and in another she dishes about dragging Jim Morrison to bed before the Doors had even settled on a band name ("Jim was embarrassing because he wasn't cool, but I still loved him," she writes). In another essay, the author ponders her earliest days in the spotlight, posing nude with Marcel Duchamp, and in another, the never-before-published title essay, she writes about the tragic accident that compelled her to leave that spotlight behind forever.

Hanif Abdurraqib, "A FORTUNE FOR YOUR DISASTER"

In A Fortune For Your Disaster, his much-anticipated follow-up to The Crown Ain’t Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It’s a book about a mother’s death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author’s black friends wanted to listen to “Don’t Stop Believin’.” It’s about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor’s dogs—to create a mirror, inside of which every angle presents a new possibility.

Aziza Barnes, "THE BLIND PIG" w/ Yesika Salgado

the blind pig is an afro surrealist excavation of a gender queer blk millennial’s formal introduction to their ancestral point of Mecca and No Return; the American South. In essayistic prose, this book weaves and unbraids the synapses of a blk American falling in and out of time.

Author Aziza Barnes is in conversation with Yesika Salgado, a Los Angeles based Salvadoran poet who writes about her family, her culture, her city, and her brown body.

Liana Finck,"EXCUSE ME" w/ Charlie Hankin

If you’re one of the 310,000 people who follow author Liana Finck on Instagram, you’ve probably seen a few of the following comments before: “Freaking Perfect”; “this rings so true for me I can’t even describe it”; “I'm putting this one on my bathroom mirror”; “WHY IS THIS LITERALLY ME”; “Can I get this tattooed on my body 100 times?” No matter what topic she’s covering—love and intimacy, politics, art, social anxiety,  humanity—Liana’s work contains a precision and thoughtfulness that resonates deeply with those who encounter her work. This fall, Random House is thrilled to share a new book of over 500 of Liana’s most relatable and heartfelt drawings, EXCUSE ME: Cartoons, Complaints, and Notes to Self.

Liana’s thin-penned line drawings have an uncanny ability to communicate life’s absurdities, in a way that feels not only timely and sharp, but accessible and wondrously insightful. Her fans flock to her because they feel seen in her art—she never shies away from showing us life at its most hilarious, uncomfortable, and surreal. EXCUSE ME is divided into a series of distinctive chapters on: Love & Dating; Gender & Other Politics; Animals; Art & Myth-Making; Humanity; Time, Space, and How to Navigate Them; Strangeness, Shyness, Sadness; and Notes to Self. Each chapter is packed with Liana’s signature humor and wit, but also a deep sense of compassion and a profound curiosity in what it means to be a human in this world.

Finck is in conversation with Charlie Hankin, a writer/performer, cartoonist, and animator.

Mike Pearl, "THE DAY IT FINALLY HAPPENS" w/ Brian Merchant

If you live on planet Earth you’re probably scared of the future. How could you not be? Some of the world’s most stable democracies are looking pretty shaky. Technology is invading personal relationships and taking over jobs. Relations among the three superpowers—the US, China, and Russia—are growing more complicated and dangerous. A person watching the news has to wonder: is it safe to go out there or not?

Taking inspiration from his virally popular Vice column “How Scared Should I Be?,” Mike Pearl in The Day It Finally Happens games out many of the “could it really happen?” scenarios we’ve all speculated about, assigning a probability rating, and taking us through how it would unfold. He explores what would likely occur in dozens of possible scenarios—among them the final failure of antibiotics, the loss of the world’s marine life, a complete ban on guns in the US, and even the arrival of aliens—and reports back from the future, providing a clear picture of how the world would look, feel, and even smell in each of these instances.

Pearl is in conversation with Brian Merchant, a journalist, producer, and author, focusing on science & technology.

AJ Dungo, "IN WAVES" w/ Jamie Brisick

In this visually arresting graphic novel, surfer and illustrator AJ Dungo remembers his late partner, her battle with cancer, and their shared love of surfing that brought them strength throughout their time together. With his passion for surfing uniting many narratives, he intertwines his own story with those of some of the great heroes of surf in a rare work of nonfiction that is as moving as it is fascinating.

Dungo is in conversation with Jamie Brisick, author of Becoming Westerly.

Leslie Jamison, "MAKE IT SCREAM, MAKE IT BURN" w/ Chris Kraus

With the virtuosic synthesis of memoir, criticism, and journalism for which she has become known, Leslie Jamison offers us fourteen new essays that are by turns ecstatic, searching, staggering, and wise. In its kaleidoscopic sweep, Make It Scream, Make It Burn creates a profound exploration of the oceanic depths of longing and the reverberations of obsession.

Among Jamison’s subjects are 52 Blue, deemed “the loneliest whale in the world”; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; the haunted landscape of the Sri Lankan Civil War; and an entire museum dedicated to the relics of broken relationships. Jamison follows these examinations to more personal reckonings — with elusive men and ruptured romances, with marriage and maternity — in essays about eloping in Las Vegas, becoming a stepmother, and giving birth.

Jamison is in conversation with Chris Kraus, the author of four novels and three books of art and cultural criticism.

Shea Serrano w/ Mallory Rubin and Jason Concepcion

Movies (And Other Things) is a book about, quite frankly, movies (and other things).

One of the chapters, for example, answers which race Kevin Costner was able to white savior the best, because did you know that he white saviors Mexicans in McFarland, USA, and white saviors Native Americans in Dances with Wolves, and white saviors Black people in Black or White, and white saviors the Cleveland Browns in Draft Day?

Another of the chapters, for a second example, answers what other high school movie characters would be in Regina George's circle of friends if we opened up the Mean Girls universe to include other movies (Johnny Lawrence is temporarily in, Claire from The Breakfast Club is in, Ferris Bueller is out, Isis from Bring It On is out...). Another of the chapters, for a third example, creates a special version of the Academy Awards specifically for rom-coms, the most underrated movie genre of all. And another of the chapters, for a final example, is actually a triple chapter that serves as an NBA-style draft of the very best and most memorable moments in gangster movies.

Many, many things happen in Movies (And Other Things), some of which funny, others of which are sad, a few of which are insightful, and all of which are handled with the type of care and dedication to the smallest details and pockets of pop culture that only a book by Shea Serrano can provide.

Serrano is joined in conversation by his Ringer colleagues Mallory Rubin and Jason Concepcion.

Nick Flynn, "I WILL DESTROY YOU" w/ Kai Carlson-Wee

Beginning with a poem called “Confessional” and ending with a poem titled “Saint Augustine,” Nick Flynn interrogates the potential of art to be redemptive, to remake and reform. But first the maker of art must claim responsibility for his past, his actions, his propensity to destroy others and himself. “Begin by descending,” Augustine says, and the poems delve into the deepest, most defeating parts of the self: addiction, temptation, infidelity, and repressed memory. These are poems of profound self-scrutiny and lyric intensity, jagged and probing. I Will Destroy You is an honest accounting of all that love must transcend and what we must risk for its truth.

Flynn is in conversation with Kai Carlson-Wee, author of Rail.

Nefertiti Austin, "MOTHERHOOD SO WHITE"

When Nefertiti Austin, a single African-American woman, decided she wanted to adopt a Black baby boy out of the foster care system, she was unprepared for the fact there is no place for Black women in the “mommy wars.” Austin set off on her path without the ability to seek guidance from others who looked like her or shared her experience. She soon realized that she would not only have to navigate skepticism from
the adoption community, who deal almost exclusively with white women, but surprisingly, from her own family and friends as well.

Motherhood So White is the story of Nefertiti’s fight to create the family she always knew she was meant to have and the story of motherhood that all American families need now. In this unflinching account of her parenting journey, Nefertiti examines the history of adoption in the African-American community, faces off against stereotypes of single, Black motherhood, and confronts the reality of raising children of color in racially charged, modern-day America.

R. Zamora Linmark, "THE IMPORTANCE OF BEING WILDE AT HEART"

From accomplished poet and author R. Zamora Linmark comes his debut YA novel, The Importance of Being Wilde At Heart (Delacorte Press / On sale August 13, 2019 / $17.99; Ages 12+), about a seventeen-year-old boy's journey through first love and first heartbreak, guided by his personal hero,
Oscar Wilde.

Words have always been more than enough for Ken Z, but when he meets Ran at the mall food court, everything changes. Beautiful, mysterious Ran opens the door to a number of firsts for Ken: first kiss, first love. But as quickly as he enters Ken's life, Ran disappears, and Ken Z is left wondering: Why love at all, if this is where it leads?

Letting it end there would be tragic. So with the help of his best friends, the comfort of his haikus and lists, and even strange, surreal appearances by his hero, Oscar Wilde, Ken will find that love is worth more than the price of heartbreak.

Fariha Róisín, "HOW TO CURE A GHOST" w/ Fatimah Asghar

A poetry compilation recounting a woman’s journey from self-loathing to self-acceptance, confusion to clarity, and bitterness to forgiveness

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín’s poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Róisín is in conversation with Fatimah Asghar, creator of the Emmy-nominated Web series Brown Girls.

Jen Wang, "STARGAZING"

Moon is everything Christine isn't. She’s confident, impulsive, artistic . . . and though they both grew up in the same Chinese-American suburb, Moon is somehow unlike anyone Christine has ever known.

But after Moon moves in next door, these unlikely friends are soon best friends, sharing their favorite music videos and painting their toenails when Christine's strict parents aren't around. Moon even tells Christine her deepest secret: that she has visions, sometimes, of celestial beings who speak to her from the stars. Who reassure her that earth isn't where she really belongs.

Moon's visions have an all-too-earthly root, however, and soon Christine's best friend is in the hospital, fighting for her life. Can Christine be the friend Moon needs, now, when the sky is falling?

Jen Wang draws on her childhood to paint a deeply personal yet wholly relatable friendship story that’s at turns joyful, heart-wrenching, and full of hope.

DRAWING POWER Discussion

Today we find ourselves at the center of a new kind of sexual revolution, one that is focused on amplifying the voices of survivors of sexual assault who have been systematically dismissed, shamed, stifled, and victim-blamed. Motivated by the wave of women who have come forward to tell their stories in recent years and the public exposure of powerful predators, comics creator Diane Noomin (Twisted Sisters anthology) has curated a collection that gives female cartoonists a platform to speak about their own personal experiences with assault, harassment, and rape culture. The result is a truly revolutionary comics anthology: Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival.

Edited by Noomin, Drawing Power includes sixty-three new and personal stories told through the powerful medium of comics. Featuring contributions from a wide-ranging group of international female cartoonists of many ages, sexual identities, and races, Drawing Power offers catharsis, social critique, humor, and disarming honesty about what it means to be a survivor. The comics in this anthology are a collective call for understanding, respect, and, most importantly, change. 

Attica Locke, "HEAVEN, MY HOME"

9-year-old Levi King knew he should have left for home sooner; now he's alone in the darkness of vast Caddo Lake, in a boat whose motor just died. A sudden noise distracts him - and all goes black.

Darren Matthews is trying to emerge from another kind of darkness; after the events of his previous investigation, his marriage is in a precarious state of re-building, and his career and reputation lie in the hands of his mother, who's never exactly had his best interests at heart. Now she holds the key to his freedom, and she's not above a little maternal blackmail to press her advantage.

An unlikely possibility of rescue arrives in the form of a case down Highway 59, in a small lakeside town where the local economy thrives on nostalgia for ante-bellum Texas - and some of the era's racial attitudes still thrive as well. Levi's disappearance has links to Darren's last case, and to a wealthy businesswoman, the boy's grandmother, who seems more concerned about the fate of her business than that of her grandson.

Darren has to battle centuries-old suspicions and prejudices, as well as threats that have been reignited in the current political climate, as he races to find the boy, and to save himself.

Attica Locke proves that the acclaim and awards for Bluebird, Bluebird were justly deserved, in this thrilling new novel about crimes old and new.