Skylight Books Podcast Series

COLE COHEN reads from her debut memoir HEAD CASE: MY BRAIN AND OTHER WONDERS

Head Case: My Brain and Other Wonders (Henry Holt & Company)

 A spirited, wry, and utterly original memoir about one woman's struggle to make her way and set up a life after doctors discover a hole the size of a lemon in her brain.

The summer before she was set to head out-of-state to pursue her MFA, twenty-six-year-old Cole Cohen submitted herself to a battery of tests. For as long as she could remember, she'd struggled with a series of learning disabilities that made it nearly impossible to judge time and space--standing at a cross walk, she couldn't tell you if an oncoming car would arrive in ten seconds or thirty; if you asked her to let you know when ten minutes had passed, she might notify you in a minute or an hour. These symptoms had always kept her from getting a driver's license, which she wanted to have for grad school. Instead of leaving the doctor's office with permission to drive, she left with a shocking diagnosis--doctors had found a large hole in her brain responsible for her life-long struggles. Because there aren't established tools to rely on in the wake of this unprecedented and mysterious diagnosis, Cole and her doctors and family create them, and discover firsthand how best to navigate the unique world that Cole lives in. Told without an ounce of self-pity and plenty of charm and wit, Head Case is ultimately a story of triumph, as we watch this passionate, loveable, and unsinkable young woman chart a path for herself.

Praise for Head Case

“Head Case is hilarious, moving, thought-provoking: it will change the way you think about what it means to move through the world, no matter the shape of your own human brain.  Cole Cohen's brain is unusual, and her voice is indelible: this is a wonderful book by a wonderful writer.  I can't wait to see what she writes next.”—Elizabeth McCracken

"Terrifically readable, while still being piercing and honest about different kinds of struggle, some familiar, some utterly her own. Besides that, Cole Cohen's also really funny. And unafraid of being bleak. And funny/bleak. I so enjoyed being carried along by Cohen's voice."—Aimee Bender, author of The Particular Sadness of Lemon Cake

"Rich with yearning and ache, conveying a scrunched sense of claustrophobia and imagery of cinematic quality. . .The author also delivers flashes of humor to add levity to the proceedings. A beautifully wrenching memoir as piercing as smelling salts."--Kirkus (starred review)"

"Head Case is funny, touching, acerbic, and emotional; it vividly evokes the world as she experiences it and leaves you feeling you have met an exceptional, tough, indomitable character. " --Susan Orlean

"I'm delighted and inspired by Cole Cohen's Head Case, an account of herself that shines throughout with her particular brand of perseverance, humor, hard-won clarity and wisdom." --Maggie Nelson, author of The Art of Cruelty

"Cole Cohen writes with poignant clarity about her life of continual disorientation--the result of a hole in her parietal lobe. I laud her persistence, her humor, her gracious prose, and most of all, her honesty - and, as the mother of a child likewise afflicted with an "invisible disability," I am grateful for this revelatory memoir. Cohen's challenges are as universal as their cause is unique, and Head Case, so raw and artful both, is an important book. Bravo!"--Robin Black, author of If I Loved You, I Would Tell You This

"Cole Cohen writes with clarity, humor and honesty about her own unique brain, but Head Case is also about the very human journey of learning to navigate the big world from inside one's one mind. This is a fascinating and brave memoir."--Ramona Ausubel, author of No One is Here Except All of Us and A Guide to Being Born

Cole Cohen graduated from the California Institute of the Arts MFA program in Writing and Critical Studies in 2009. She was a finalist for the Bakeless Prize and the Association of Writers & Writing Programs prize in Nonfiction and she has been a Yaddo Fellow. She currently lives in Santa Barbara, California where she works as the Events and Program Coordinator for UC Santa Barbara's Interdisciplinary Humanities Center.

MARIO BELLATIN discusses his new novel JACOB THE MUTANT, together with DAVID SHOOK AND JACOB STEINBERG

Jacob The Mutant (Phoneme Media)

 Conceived of as a set of fragmentary manuscripts from an unpublished Joseph Roth novel, Mario Bellatin's Jacob the Mutant is a novella in a perpetual state of transformation--a story about a man named Jacob, an ersatz rabbi and the owner of a roadside tavern. But when reality shifts, so does Jacob, mutating into another person entirely, while the novella mutates into another story. Cleverly translated by Jacob Steinberg, this Phoneme Media edition of a new novel by one of Mexico's most notorious and celebrated writers includes a translator's afterword and explanatory maps by illustrator Zsu Szkurka.

Praise for Mario Bellatin:

"Everyone talks about inventing their own language, but Mario Bellatin actually does it." --Francisco Goldman

Mexican writer Mario Bellatin has published dozens of novels with major and minor publishing houses throughout Latin America, Europe, and the United States, including Shiki Nagaoka: A Nose for Fiction, published in 2014 by Phoneme Media. A Practicing Sufi, Bellatin has won many international prizes, including, most recently, Cuba's 2015 José María Arguedas Prize.

David Shook has translated Mario Bellatin's Shiki Nagaoka: A Nose for Fiction, and The Large Glass: Three Autobiographies, forthcoming from Phoneme Media in December. He and Bellatin have collaborated to make films on three continents. Shook's own poetry has been nominated for the Forward Prize and long-listed for the International Dylan Thomas Prize. 

Jacob Steinberg was born in Stony Brook, New York, in 1989. A poet, translator, and critic, his publications includeMagulladón and Ante ti se arrodilla mi silencio. As a translator he has worked with Sam Pink, Luna Miguel, and Mario Bellatin, among others. Scrambler Books released his first English-language collection, Before You Kneels My Silence, as well as the first volume of his translations of contemporary Argentine poet Cecilia Pavón. He currently lives in New York.

COLIN WINNETTE discusses his new novel HAINTS STAY, together with KAROLINA WACLAWIAK

Haints Stay (Two Dollar Radio)

 From a rising star in the indie lit world comes a striking new Acid Western in the tradition of Jim Jarmusch’s Dead Man or Kelly Reichardt’s Meek’s Cutoff. 

Brooke and Sugar are killers. Bird is the boy who mysteriously woke beside them between towns. The story follows the middling bounty hunters after they’ve been chased from town, and Bird, each in pursuit of their own brand of belonging and justice. It features gunfights, cannibalism, barroom piano, a transgender birth, a wagon train, a stampede, and the tenuous rise of the West’s first one-armed gunslinger. 

Haunting, surreal, and possessing an unsettling humor, Haints Stay will ensure Winnette’s growing reputation as an imaginative stylist and one of the most striking voices of his generation. 

Praise for Haints Stay

“The unexpectedness of Colin Winnette’s fiction is nothing less than thrilling. Haints Stay is a solid, layered work of genre-defying beauty.”—The Lit Pub

“Haints Stay puts to mind the very best contemporary novels of the old West, including those by powerhouses like Charles Portis, Patrick DeWitt, Robert Coover, Oakley Hall, E.L. Doctorow and Sheriff Cormac McCarthy himself, not to mention Thomas McGuane’s classic screenplays for The Missouri Breaks and Tom Horn. But Colin Winnette has his own dark and delightful and surprising agenda. Be wary. He might be the new law in town." —Sam Lipsyte

“Life is nasty, brutish, and short in this noir-tinged Western... that falls somewhat uncomfortably between ‘Deadwood’ and The Crying Game. It sounds like a cross between Daniel Woodrell and Elmore Leonard right up until Winnette flips the script.”—Kirkus Reviews

“If the Western genre could be thought of as a pile of old stones, Haints Stay is a particular piece of lovely spit-shined agate at the top, gleaming in invitation, and under its glow the others are changed.” —Amelia Gray

“Funny, brutal and haunting, Haints Stay takes the traditional Western, turns it inside out, eviscerates it, skins it, and then wears it as a duster. This is the kind of book that would make Zane Grey not only roll over in his grave but rise undead from the ground with both barrels blazing.”—Brian Evenson

“From his curiously harrowing Animal Collection to the glorious guts of Fondly, I trust wherever Colin Winnette’s imagination sees fit to take me. And now — with Haints Stay — we venture to the lawless old West for a story stitched out of animal skins and language that glimmers like blood diamonds. This is a dangerous novel; let’s read it and risk our lives together.”—Saeed Jones

“Before the novel ends, there’s cannibalism, an amputation, a bloody jailhouse shoot-out, a surprise birth, and the slaughter of a town’s entire population. [A] portrait of the frontier as a place where desperation and death were always near at hand.”—Publishers Weekly

“I loved it. Loved it! Haints Stay had me from the very first line—the visceral ante upped and crescendoing nearly every page. Humor, gore, that wonderful unsettling feel you get when you’re reading a book that excites you and kind of scares you as well?,Yes, please.”—Lindsay Hunter

Colin Winnette is the author of several books, including the SPD bestseller Coyote, and Fondly, listed among Salon's "best books of 2013." His writing has appeared in the Believer, the American Reader, McSweeney's, and 9th Letter, among other places. His prizes include the NOS Book Contest (for Coyote) and Sonora Review's Short Short Fiction Prize. He was a finalist for Gulf Coast Magazine's Donald Barthelme Prize for short prose and the Cleveland State University Poetry Center's First Book Award. He conducts a semi-regular interview series for Electric Literature and is an associate editor of Pank magazine. He lives in San Francisco.

Karolina Waclawiak received her BFA in Screenwriting from USC School of Cinematic Arts and her MFA in Fiction from Columbia University. Her first novel, How To Get Into The Twin Palms, was published by Two Dollar Radio in 2012. Her work has appeared in the New York Times, Los Angeles Times, The Rumpus, and The Believer (where she is also an editor). She lives in Los Angeles.

JESSICA HOPPER discusses her book THE FIRST COLLECTION OF CRITICISM BY A LIVING FEMALE ROCK CRITIC

The First Collection of Criticism by a Living Female Rock Critic (Featherproof Books)

Jessica Hopper's music criticism has earned her a reputation as one of the firebrands of the form, a keen observer and fearless critic not just of music, but the culture around it, revealing new truths that often challenge us to consider what it is to be a fan. 

With this premiere volume, spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why the New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful and humorous writing, this book serves as a document of the last 20 years of American music making and the shifting landscape of music consumption.

Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music, the ideas in songs and albums, how fantasies of artists become complicated by real life, and just what happens when you follow that obsession into muddy festival fields, dank basements, corporate offices or court records.

Jessica Hopper is a music and culture critic whose work regularly appears in GQ, Rolling Stone, The Village Voice, and theChicago Tribune. She is a senior editor at The Pitchfork Review and the music editor at Rookie. Her essays have appeared inBest Music Writing for 2004, 2005, 2007, 2010, and 2011. Hopper was the longtime music consultant for This American Life. Her book, The Girls' Guide to Rocking, was named one of 2009's Notable Books For Young Readers by the American Library Association. She lives in Chicago with her husband and young sons. 

MARIAN PALAIA reads from her debut novel THE GIVEN WORLD

The Given World (Simon & Schuster)

 Spanning over twenty-five years of a radically shifting cultural landscape, The Given World is a major debut novel about war's effects on those left behind, by an author who is "strong, soulful, and deeply gifted" (Lorrie Moore, "New York Times" bestselling author of Birds of America). 

In 1968, when Riley is thirteen, her brother Mick goes missing in Vietnam. Her family shattered, Riley finds refuge in isolation and drugs until she falls in love with a boy from the reservation, but he, too, is on his way to the war. Riley takes off as well, in search of Mick, or of a way to be in the world without him. She travels from Montana to San Francisco and from there to Vietnam. Among the scarred angels she meets along the way are Primo, a half-blind vet with a secret he can't keep; Lu, a cab-driving addict with an artist's eye; Phuong, a Saigon barmaid, Riley's conscience and confidante; and Grace, a banjo-playing girl on a train, carrying her grandmother's ashes in a tin box. All are part of a lost generation, coming of age too quickly as they struggle to reassemble lives disordered by pain and loss. At center stage is Riley, a masterpiece of vulnerability and tenacity, wondering if she'll ever have the courage to return to her parents' farm, to its ghosts and memories--resident in a place she has surrendered, surely, the right to call home.

Praise for The Given World:

In The Given World, Marian Palaia has assembled a collection of restive seekers and beautifully told their stories of love and lovelessness, home and homelessness, with an emphasis on both makeshift and enduring ideas of family. It has been a long time since a first book contained this much wisdom and knowledge of the world. She has a great ear for dialogue, a feel for dramatic confrontation, and a keen understanding of when background suddenly becomes foreground. She is a strong, soulful, and deeply gifted writer--Lorrie Moore, author of Bark

"The Given World is astonishing in every regard: the voice, the range of characters, the charismatic, colloquial dialogue, the ability to summon, through telling detail, geographically diverse worlds that are far flung, but still cohere. Vietnam, counter-cultural San Francisco, the Vietnam War draft's resonance on a Montana reservation, all give evocative shape and texture to an historical era. It's edgy, often cutting, humorous, and impassioned.--Rob Nixon

From the moment I met Riley I was drawn into her world, which is really ours, America in the last century as it careened into this one. I found this novel as thrilling and surprising as a ride on a vintage motorcycle, along the winding, sometimes hair-raising but always arresting ride that is Riley's life. It is a trip I will always remember.--Jesse Lee Kercheval, author ofMy Life as a Silent Movie

"Marian Palaia has imaginatively engaged the Vietnam War these many decades later and transformed it into a brilliant and complex narrative able to transcend that war, all wars, all politics, all eras and illuminate the great and eternally enduring human quest for self, for an identity, for a place in the universe. The Given World is a splendid first novel by an exciting new artist."--Robert Olen Butler, winner of the Pulitzer Prize

"Marian Palaia is a writer of remarkable talent. In Riley, she has captured Vietnam's long shadow with prose that cuts straight to the bone. Readers who enjoyed Jennifer Egan's The Invisible Circus will love The Given World.--Suzanne Rindell, author of The Other Typist

"Not all the American casualties of Vietnam went to war. In stunning, gorgeous prose, in precise, prismatic detail, Palaia begins with that rupture and works her way deep into the aftermath -- its impact on one person, on one family, on one country. Riveting and revelatory."--Karen Joy Fowler, author of We Are All Completely Beside Ourselves

"Some rare books give you the sense that a writer has been walking around with a story for years, storing it up, ruminating on it. This is one of those books. I'm grateful for the slow and patient emergence of these words on the page. No sentence is wasted. However long The Given World took, it was worth every minute."--Peter Orner, author of The Last Car Over the Sagamore Bridge

"Marian Palaia is a writer of startling grace and sensuous lyricism--reading her, you feel as if you've never heard language this beautiful and this true."--Jonis Agee, author of The River Wife

Marian Palaia was born in Riverside, California, and grew up there and in Washington, DC. She lives in San Francisco and has also lived in Montana, Hong Kong, Ho Chi Minh City, and Nepal, where she was a Peace Corps volunteer. She is a graduate of the MFA program at the University of Wisconsin-Madison, where she received the 2012 Milofsky Prize. She was a 2012-2013 John Steinbeck Fellow at San Jose State University and is a recipient of the Elizabeth George Foundation Fellowship. Her work has been published in The Virginia Quarterly Review and TriQuarterly. Marian has also been a truck driver, a bartender, and a logger.

DIANA WAGMAN reads from her newest novel LIFE #6

Life #6 (Ig Publishing)

 Best-selling and critically acclaimed author Diana Wagman brings us another suspenseful tale about a woman facing death.

Fiona's marriage is crumbling, and she has recently been diagnosed with breast cancer. Caught up in a wave of memories as she faces her own mortality, Fiona recalls the five previous times in her life that she nearly died, including a fateful boat trip thirty years ago with her former boyfriend, Luc. She flees her life, struggling marriage, and cancer treatment to rendezvous with Luc, in the process reliving the harrowing boat trip the two of them shared three decades earlier, which permanently altered their lives. Now that Fiona desperately needs Luc to save her, will he be the man she remembers? Or will she discover heartbreak again?

An adventurous, emotionally complex tale inspired by Diana Wagman's own experience at sea, Life #6 explores the folly of youth, what happens to us when we're pushed to the brink, the regrets of love lost, and what it really means to love, as well as the many ways we die and are renewed throughout our lives.

Diana Wagman is the author of five novels, most recently Life #6.  Her second novel, Spontaneous, won the 2001 USA Pen West Award for Fiction.  Her fourth novel, The Care & Feeding of Exotic Pets, won a Barnes & Noble Discover New Writers award.    Her short stories and essays have appeared in Salon, Black Clock,Conjunctions, and elsehwere and as part of the n+1 anthology MFA vs NYC. She is an occasional contributor to the LA Times.

JOHN WATERS reads from and discusses CARSICK: JOHN WATERS HITCHHIKES ACROSS AMERICA

Carsick: John Waters Hitchhikes Across America (Farrar Strauss Giroux)

Skylight Books is over the moon excited to welcome one of our favorite directors, writers and all-around cultural icons,John Waters for the launch of the paperback edition of Carsick: John Waters Hitchhikes Across America, his wild and wonderful memoir about what happened (and what might've happened) while hitchhiking across this great nation of ours.

NOTE: As with all Skylight Books events, this reading is free and open to the public (first come, first served).  But because we're expecting a large crowd at this event, we'll be giving out numbered tickets to the signing line to keep things organized.  To get a ticket to the signing line, you must purchase a paperback copy of Carsick: John Waters Hitchhikes Across America here at Skylight Books.  Tickets will be available starting May 12, 2015, the official release date for the paperback version of Carsick.  They will be available in-store, or you can order on our website and leave a note in the "Order Comments" field.  We will also hold a ticket for you if you order and pay for a book over the phone.  In addition to books, John Waters will sign memorabila and will pose for photographs with individual attendees. Thank you!

From acclaimed filmmaker and cult artist, John Waters, comes a cross-country hitchhiking journey with America's most beloved weirdo.

John Waters is putting his life on the line. Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I'm Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash? 

Before he leaves for this bizarre adventure, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road? His real-life rides include a gentle eighty-one-year-old farmer who is convinced Waters is a hobo, an indie band on tour, and the perverse filmmaker's unexpected hero: a young, sandy-haired Republican in a Corvette. 

Laced with subversive humor and warm intelligence, Carsick is an unforgettable vacation with a wickedly funny companion--and a celebration of America's weird, astonishing, and generous citizenry.

Praise for Carsick:

“Waters idiosyncratically cuts to the core of American diversity, finding the good (and bad) in any situation with biting wit…Waters devotees take note: this is required reading.” –Publishers Weekly, starred review

“Waters has made a funny engaging and—of course—occasionally outrageous book . . . All in all a cool trip and a delightful book." - Jonathan Yardley, Washington Post

“Fantastical and plush . . . Carsick becomes a portrait not just of America’s desolate freeway nodes — though they’re brilliantly evoked — but of American fame itself.”  – NY Times Book Review
 
“Travel—uh, hitchhiking—book of the year?" —Ray Olson, Booklist
 
"A flavorful book, with the same cheeky sentimentality we experienced in Water's memoir Role Models plus a Divine-sized dose of kitsch. John Waters fans like me will be ecstatic." —Annie Coreno, Publishers Weekly

“Waters gives full rein to his trash roots with fictional creations that rival anything he’s ever put on screen…Waters, in short, discovers Middle America, somewhere safely between his imaginary world of trash and the glitz of high culture.” –Norman Powers, New York Journal of Books
 
“A good helping of unbridled lewdness is surely to be expected, and no doubt cherished, from the man known as the king of filth and the pope of trash.”—Geoff Nicholson, San Francisco Chronicle
 
“Waters doesn’t bore us with theories as to why the open road has become so much less open; he allows his nasty nostalgic fantasies to hint at the abandon so absent from our lives.”— Michael Andor Brodeur
 
“Waters offers readers an outlandish glimpse into his mind in vintage Waters fashion…the book is also an homage to a lost American pastime of getting into cars with strangers.”—Justin Snow, Metro Weekly
 
“The book, a kind of ode to America, fits with Mr. Waters’s belief that New York is no longer the creative center of the universe” M.H. Miller, New York Observer
 
“The novellas read like short stories that could be made into films… Funny and shocking…yet fans of the filmmaker’s work will likely be more amused than shocked.”—Gary M. Kramer, Frontiers

John Waters is an American filmmaker, actor, writer, and visual artist best known for his cult films, including Hairspray, Pink Flamingos, and Cecil B. DeMented. He is also the author of a memoir, Role Models. He lives in Baltimore, Maryland.

KIT REED discusses her new novel WHERE, together with SCOTT O'CONNOR

Where (Tor Books)

 In a coastal town on the Outer Carolina Banks, David Ribault and Merrill Poulnot are trying to revive their stale relationship. Meanwhile, a slick developer claiming to be related to a historic town hero, Rawson Steele, has come to town and is buying up property. Steele makes a romantic advance on Merrill and an unusual 5am appointment outside of town with David. But Steele is a no-show, and at the time of the appointment everyone in the town disappears, removed entirely from our space and time to a featureless isolated village - including Merrill and her young son.

Born into a Navy family, Kit Reed moved so often as a kid that she never settled down in one place, and she doesn't know whether that's a good thing or not. It's a very good thing in its relationship to, Where, in which the entire population of a small island vanishes.

As a kid she spent two years in the tidelands of South Carolina-- in Beaufort and on Parris Island, both landmarks on the Inland Waterway. Her fiction covers territory variously labeled speculative fiction/science fiction/literary fiction, with stops at stations in between that include horror, dystopian SF, psychothrillers and black comedy, making her "transgenred."

Recent novels are Son of Destruction and, from Tor, Enclave, The Baby Merchant and the ALA award-winning Thinner Than Thou. Her stories appear in venues ranging from Asimov's SF and The Magazine of Fantasy and Science Fiction to The Yale Review, The Kenyon Review and The Norton Anthology. Her newest collection is The Story Until Now: A Great Big Book of Stories, from the Wesleyan University Press. She was twice nominated for the Shirley Jackson Award and the Tiptree Award. A Guggenheim fellow, Reed is Resident Writer at Wesleyan University, and serves on the board of The Authors League Fund.

Scott O’Connor is the author of the novella Among Wolves, and the novels Untouchable and Half World, which is now out in paperback. Additional work has appeared in Zyzzyva, The Rattling Wall, and The Los Angeles Review of Books, and has been nominated for the 2015 Sunday Times/EFG Short Story Prize. He lives with his family in Los Angeles.

UC IRVINE MFA STUDENTS read from their work 2015

Please join the UC Irvine MFA Programs in Writing Reading Series on Saturday, May 9 at 5 pm in Skylight Books for their third event of the spring 2015 quarter. The reading will feature poets Nicholas Reiner and Lynn Wang and fiction writers Jill Kato and Jennifer Milton. Please come and enjoy the work of these emerging voices. 

For more information on the UC Irvine Programs in Writing and the MFA Reading Series, you may check out their website at: http://www.humanities.uci.

MICHAELANGELO MATOS discusses his book THE UNDERGROUND IS MASSIVE: HOW ELECTRONIC DANCE MUSIC CONQUERED AMERICA, together with SIMON REYNOLDS

The Underground is Massive: How Electronic Dance Music Conquered America (Dey Street Books)

 Ask any millennial: electronic dance music (EDM) is this decade’s rock and roll. Rolling Stone has called EDM the “defining youth culture of the 2010s” but—like hippie culture in the 60s or punk rock in the 70s—it’s about more than music. In The Underground Is Massive: How Electronic Dance Music Conquered America, author and music journalist Michaelangelo Matos chronicles the history of EDM and its meteoric rise from drug-fueled warehouse raves to an estimated $6.2 billion business.

The first comprehensive history on the EDM movement in the United States, The Underground Is Massive examines the U.S. electronic dance scene from its beginnings in Detroit and Chicago with acts like Frankie Knuckles and the Belleville Three to its current apex, where performers like Daft Punk and Skrillex sell out arenas all over the world.

In the face of such a massive history, Matos expertly explains how and why EDM has evolved from an underground scene to dominating mainstream youth culture today. He discusses dance music’s rise in tandem with the Internet, exploring the idea that ravers and EDM fanatics were partially responsible for powering the information revolution of the new millennium. He also delves into the scene’s relationship with illegal drugs, from cocaine to Ecstasy to nitrous oxide, and links the changes in EDM fans’ drugs of choice to the evolution of the music.

Based on hundreds of exclusive interviews as well as a score of vintage fanzines, mailing list archives and out-of-print books and magazines, The Underground Is Massive joins the ranks of the classic music histories like Please Kill Me and Can't Stop Won't Stop.  It tells the bizarre yet fascinating story of a drug-fueled, misfit music subculture that turned pop culture on its ear by remixing the relationship between music, sound, drugs and money in ways that fans, and the industry, could not have predicted.

Praise for The Underground Is Massive

“An EDM bible.”—Chloe Maassen, Insomniac.com

“Matos is the perfect person to create a book of this magnitude.”—Mike Walkusky, EDM.com

“We're excited about this book. Matos...has long been one of the few U.S. music journalists who consistently write about electronic dance music with intelligence and insight.”—Andy Hermann, LA Weekly

Michaelangelo Matos attended his first rave in 1993 and began writing professionally about electronic dance music a few years later. A regular contributor to Rolling Stone, NPR, Red Bull  Music Academy Magazine, Wondering Sound, and Beatport, he is the author of an acclaimed volume on Prince’s Sign ‘O’ the Times for Continuum’s 33 1/3 monograph series. He lives in Brooklyn.

Simon Reynolds is the author of seven books about pop culture, including the rave chronicle Energy Flash,  the postpunk history Rip It Up and Start Again and Retromania: Pop Culture’s Addiction to Its Own Past. Born in London but these days living in LA, he’s currently writing a book about glam rock. In addition to writing for magazines including The New York Times, The Guardian, Pitchfork and The Wire, Reynolds also maintains a bunch of blogs centered around Blissblog http://blissout.blogspot.com/

CATIE DISABATO reads from her debut novel THE GHOST NETWORK

The Ghost Network (Melville House)

 When Molly Metropolis, the world’s hottest pop star, goes missing, two young women launch a desperate search across the underbelly of Chicago to find her. Using Molly’s songs and journals to uncover clues to her whereabouts, her personal assistant and a journalist join forces to determine if Molly’s been kidnapped, gone into hiding, or worse.

Catie Disabato’s debut novel, The Ghost Network is the story of the young women’s quest to find Molly, which leads them to a secret side of Chicago, as they make their way through a half-completed subway system and the secret, subterranean headquarters of an intellectual sect. As they race to locate her and end up in grave danger, they find themselves falling in love, in a witty, haunting story of larger-than-life fantasies—of young love, sex, pop music, transportation, and personal reinvention.

Suspenseful and wildly original, The Ghost Network has already been hailed by The Millions as one of the “Most Anticipated Books of 2015,” and by The Masters Review as one of “Fifteen Books We’re Looking Forward to This Year.”

Praise for The Ghost Network:

“The writing throughout is so crystalline, the dialogue so acerbically funny and the characters so engaging as to make the pages seem as though they’re turning themselves.”—Kirkus Reviews, starred review

“One of the most entertaining books I’ve read in years.”—Christopher Boucher, author of How to Keep Your Volkswagen Alive

"Brilliant, daring, and masterful. . . Impossible to put down."--Edan Lepucki, New York Times bestselling author of California

Catie Disabato is a columnist for Full Stop. She’s written criticism and commentary for This Recording, The Millions, and The Rumpus, and her short fiction was recently featured on Joyland. After growing up in Chicago and graduating from Oberlin College, she now lives in L.A. and works in public relations.

HEYDAY BOOKS presents LATITUDES: AN ANGELENO’S ATLAS

LAtitudes: An Angelenos Atlas (Heyday Books)

Please join us as select contributors of LAtitudes present here at Skylight.

The contributors presenting are:

Charles Hood
David Ulin
Lynell George
Teddy Varno
Josh Sides
Cindi Alvitre
Rosten Woo
Michael Jaime-Becerra
Nathan Masters
Sylvia Sukop
Josh Kun
Laura Pulido
Wendy Gilmartin
Jen Hofer
Jason Brown
Andy Wilcox
David Deis
Glen Creason

ANDREW ROE reads from his debut novel THE MIRACLE GIRL

The Miracle Girl(Algonquin Books of Chapel Hill)

The crowds keep coming. More and more every day it seems . . . drawn by rumor and whisper and desperate wish. Somehow they heard about the little girl on Shaker Street. They come to see eight-year-old Anabelle Vincent, who lies in a comalike state--unable to move or speak. They come because a visitor experienced what seemed like a miracle and believed it was because of Anabelle. Word spread. There were more visitors. More miracles. But is there a connection? And does it matter? Set against the backdrop of the approaching millennium--with all its buzz about reckoning and doom--this impressive debut novel is narrated by Anabelle herself; by her devoted mother, who cares for her child while struggling to make sense of the media frenzy surrounding her; by Anabelle's estranged father, who is dealing with the guilt of his actions; and by the people who come seeking the child's help, her guidance, and her healing. Yet it tells a larger cultural story about the human yearning for the miraculous to be true, about how becoming a believer--in something, anything, even if you don't understand it--can sustain you.

Praise forThe Miracle Girl:

"To believe or not to believe--that is the question facing all who are touched by the comatose 'miracle girl' at the swirling center ofAndrew Roe'sdazzling debut. But more than an exploration of the mysteries of faith, it's also the unforgettable story of one family's struggle against tragedy. The result is an uplifting miracle of a book." --Will Allison, author ofLong Drive Home

"InThe Miracle Girl, we're reminded that the desire for miracles always connotes dissatisfaction, even as it articulates a hope. Roe deftly explores this paradox . . . [and] examines the strange responsibility of being believed in. A stunning, confident debut." --Peter Rock, author ofThe Shelter Cycle

"An incisive and insightful critique of America, investigating where we put our faith and why . . . It's a novel about what it means to be human, to be lost or broken, a little or a lot, and to seek connection and hope and maybe even transcendence in the world around us." --Doug Dorst, author ofS. andAlive in Necropolis

Born and raised in the Los Angeles suburb of Whittier, California,Andrew Roehas had his fiction published inTin House, One Story,theSun, Glimmer Train, The Cincinnati Review, Slice, Pank, Avery Anthology, Gigantic, Freight Stories, Failbetter,theGood Men Project,and other literary magazines, as well as the anthologiesWhere Love Is Foundand24 Bar Blues.His nonfiction has appeared in theNew York Times, San Francisco Chronicle,Salon.com,SF Weekly, San Francisco Bay Guardian,and elsewhere.

An alumnus of the Squaw Valley Community of Writers andTin HouseWriters Workshop, he has received scholarships from the Getty Foundation and the San Francisco Foundation. Three of his short stories were performed by actors as part of the New Short Fiction Series, LAs longest running spoken word series. Dan Chaon selected his story Job History for the Wigleaf Top 50 Very Short Fictions of 2012, and he has been nominated for the Pushcart Prize multiple times, including aOne Storynomination for his story Americas Finest City.

He earned a bachelor of arts degree in English/creative writing from San Diego State University, and a master of arts degree in literature from San Francisco State University. For over twenty years, he has worked as a writer and editor in the publishing and software industries. A member of PEN Center USA, he currently lives in Oceanside, California, with his wife and three children.

JACQUELINE SUSKIN discusses her book GO AHEAD & LIKE IT, together with MANDY KAHN

Go Ahead & Like It (Ten Speed Press)

An artistic, smart self-help book that prompts and inspires readers to write lists of things they like--a simple yet profound way to collect and remember the good in daily life. 

This scrapbook-style art book is an invitation to write lists of things you like: small things that bring delight, intriguing things that excite, and meaningful things that make every day special. It's a how-to guide, writing prompt, model for self-discovery, and beautiful inspiration for daily gratitude, with poet Jacqueline Suskin's personal lists intertwined with photographs, illustrations, and instruction. It's a self-help book for people who might not be drawn to standard self-help, and it's creative thinking for people who might not identify themselves as creative thinkers (What does it mean to "like" something in today's digital age, anyways?). Above all, it presents a simple, dependable method to notice the good that's all around us--even in a traffic jam or waiting in line--so we can inhabit our world more fully and smile more in the process.

Jacqueline Suskin is best known through her work with Poem Store, a public performance project in which she composes custom verses on a manual typewriter in exchange for donations. She and her typewriter have been featured on the front page of the Los Angeles Times, in the New York Times, at SFMoMA, and at Los Angeles Contemporary, bringing poetry to the general public in an intimate, immediate, and accessible way.

Mandy Kahn is author of the poetry collection Math, Heaven, Time and is co-author of the nonfiction book Collage Culture: Examining the 21st Century's Identity Crisis. She collaborates with composers to create works that feature poetry in tandem with classical music and has had readings and signings at Colette (Paris), Motto (Berlin), Shoreditch House (London), Davies Symphony Hall (San Francisco), Printed Matter (New York) and Art Center College of Design (Pasadena).

SARAH TOMLINSON reads from her new memoir GOOD GIRL

Good Girl (Gallery Books)

 Told with raw, rugged honesty, this heartrending memoir from journalist Sarah Tomlinson recounts her unconventional upbringing and coming-of-age as colored by her complicated relationship with her father. 

Sarah Tomlinson was born on January 29, 1976, in a farmhouse in Freedom, Maine. After two years of attempted family life in Boston, her father's gambling addiction and broken promises led her mother to pool her resources with five other families to buy 100 acres of land in Maine and reunite with her college boyfriend. Sarah would spend the majority of her childhood on "The Land" with infrequent, but coveted, visits from her father, who--as a hitchhiking, acid-dropping, wannabe mystic turned taxi driver--was nothing short of a rock star in her eyes. 

Propelled out of her bohemian upbringing to seek the big life she equated with her father, Sarah entered college at fifteen, where a school shooting further complicated her quest for a sense of safety. While establishing herself as a journalist and rock critic on both coasts, Sarah's father continued to swerve in and out of her life, building and re-breaking their relationship, and fracturing Sarah's confidence and sense of self. In this unforgettable memoir, Sarah conveys the dark comedy in her quest to repair the heart her father broke. 

Bittersweet, honest, and ultimately redemptive, Good Girl takes an insightful look into what happens when the people we love unconditionally are the people who disappoint us the most, and how time, introspection, and acceptance can help us heal.""

Praise for Good Girl:

“A compelling, insight-laden memoir documenting the devastating impact of a father’s undependable love on a daughter.  Tomlinson’s lucid depiction of her DIY backwoods girlhood and punk teen years, precocious entry to college, tempestuous love life and literary ambitions, her excesses and failures and successes—portrays a young woman whose emotional life is a shimmering, shifting sea whose currents are shaped by a geologic formation a the bottom, the charming bohemian fantastist that was her father.”–Janet Fitch, New York Times bestselling author of White Oleander

“Tomlinson is a clear-eyed, compassionate writer, and she brings an emotional rigor to this book that is rare and beautiful.” –Edan Lepucki, bestselling author of California

“Good Girl is a father-daughter story unlike any other I’ve read before. Tomlinson’s prose is vivid and compelling, bringing you right along with her as she travels from her rural hometown to the big city in search of fulfillment, clarity, and—hopefully—a sense of peace in her relationship with the man who made her who she is.”–Jill Soloway, creator of the 2015 Golden Globe-winning television show “Transparent” and author of Tiny Ladies in Shiny Pants

“Shot from the heart, Tomlinson's memoir of her dance around her enigmatic and elusive father resonated deeply with me, as it will with anyone who has yearned for a parent's love and their own place in the world.”–Wendy Lawless, New York Times bestselling author of Chanel Bonfire

“Sarah Tomlinson's Good Girl courageously explores the central journey of every woman's life: from wanting the love of Daddy -- and the men who stand in for him -- to learning how to love herself.”–Tracy McMillan, television writer and author of the soon to be released Multiple Listings;  I Love You and I'm Leaving You Anyway, and Why You're Not Married...Yet

“With great poignance and vulnerability, Tomlinson turns a frank, funny, and honest gaze on one girl’s struggle to redefine ‘good’ on her own terms.”–Jillian Lauren, New York Times bestselling author of Some Girls: My Life in a Harem

Sarah Tomlinson has more than a decade of experience as a journalist, music critic, writer, and editor. She has ghostwritten ten books (with two more in the works), including two uncredited New York Times-bestsellers. 

She has turned her passion for music, literature, and pop culture trends into cutting-edge coverage and cultural criticism. Her personal essays have appeared, or are forthcoming, in publications including Marie Claire, MORE, Salon.com, The Huffington Post and The Los Angeles Review of Books. Her fiction has appeared on Vol. 1 Brooklyn. Her articles and music reviews have appeared in publications including The Los Angeles Times, The Boston Globe, Boston magazine, Spin.com,Billboard.com, Alternative Press, Swindle, Preen, Rockpile, The OC Weekly, and The Willamette Week, and she wrote a weekly local music column, “Notes,” for The Boston Phoenix.  She has written bios for bands on Virgin, Red Ink/Columbia, and MySpace Records and contributed to the electronic press kits for artists on Warner Bros. Records.

Sarah currently splits her time between Los Angeles and Brooklyn. She writes journalism, novels, memoirs, screenplays, TV pilots, personal essays, short stories and online dating profiles for her friends. She has read at Los Angeles literary happenings including Sit ‘n Spin, Vermin on the Mount, Tongue and Groove and Little Birds. Her favorite band is T. Rex.