
Enjoy recent author events, interviews, and bookseller series. Visit our website to learn more: www.skylightbooks.com
Episodes

Tuesday Jan 21, 2014
Santa Monica Review Launch Party
Tuesday Jan 21, 2014
Tuesday Jan 21, 2014
Join us tonight for a reading from the latest issue of Santa Monica Review, one of Southern California's most revered literary journals. SMR editor Andrew Tonkovich will be introducing three of the contributors to the 2013 fall issue.
Andrew Nicholls began writing for radio, stage, syndicated cartoonists and TV in high school in Ontario, Canada. In his twenties he staffed The Tonight Show for six years, four of them as Johnny Carson's head writer and, with his writing partner Darrell Vickers, has created or staffed over 100 sitcoms, children's and animated series, thanks to which he has a 2005 memoir, Valuable Lessons, about failed television. He has recent humor in McSweeney's Internet Tendency and Los Angeles Review of Books and short fiction upcoming in Black Clock, Kugelmass and the teacher's resource site Literature For Life.
g. c. cunningham, a UCLA graduate, lives in Los Angeles, sometimes working in film post-production, other times in Birmingham, Alabama, state of origin. His fiction is printed in Bat City Review, Cutbank, Denver Quarterly, Fiction International, Portland Review, Texas Review and Western Humanities Review. Google him for selections online at Eclectica, Fringe, Potomac Review and McSweeney's. "My First Marine Corps Essay" won 2nd place in Fringe's 2012 flash fiction contest judged by Steve Almond.
Ryan Ridgeis the author of the story collection Hunters & Gamblers, the poetry collection Ox, as well as the chapbooks Hey, it's American and 22nd Century Man. His work has appeared in Tin House, McSweeney's Small Chair, The Southern California Review, The Mississippi Review, The Los Angeles Review, Hobart, Consequence, and elsewhere. Managing editor at Juked Magazine, he writes and teaches in Southern California.

Tuesday Jan 21, 2014
Patricia Engel
Tuesday Jan 21, 2014
Tuesday Jan 21, 2014
Join us as Patricia Engel reads from her debut novel It's Not Love, It's Just Paris, a vibrant, wistful narrative about an American girl in Paris, who navigates the intoxicating and treacherous complexities of independence, friendship, and romance.
Lita del Cielo, the daughter of two Colombian orphans who arrived in America with nothing and made a fortune with their Latin food empire, has been granted one year to pursue her studies in Paris before she must return to work in the family business. She moves into a gently crumbling Left Bank mansion known as “The House of Stars,” where a spirited but bedridden Countess Séraphine rents out rooms to young women visiting Paris to work, study, and, unofficially, to find love.
Cautious and guarded, Lita keeps a cool distance from the other girls, who seem at once boldly adult and impulsively naïve, who both intimidate and fascinate her. Then Lita meets Cato, and the contours of her world shift. Charming, enigmatic, and weak with illness, Cato is the son of a notorious right-wing politician. As Cato and Lita retreat to their own world, they soon find it difficult to keep the outside world from closing in on theirs. Ultimately Lita must decide whether to stay in France with Cato or return home to fulfill her immigrant family’s dreams for her future.
Praise for Patricia Engel:
“With unsparing psychological precision . . . Engel has fashioned . . . an arresting voice: immediate, unsentimental, and disarmingly direct.”–Michiko Kakutani, The New York Times

Monday Jan 20, 2014
Michael Woodworth Fuller
Monday Jan 20, 2014
Monday Jan 20, 2014
Combining scintillating prose and poetry, Legacy examines the effects of war on soliders, their families and their communities and looks at the affirmation required for the human spirit to transcend despair. It is a book about the legacy of war for those who remain. Legacy is sure to remain with you long after you've closed the final page.
Praise for Legacy:
"Fuller pretty much eschews literary rules and conventions and, rather cleverly and clandestinely, stitches into his tightly-wound nightmarish narrative all of the essential elements of the classic novel form: a plot that rushes forward ruthlessly; a deep and richly purified character study of a man inundated in a tsunami of existentialism -- ending in a bone-crushing Cri de Coeur; and a commanding, pitiless consciousness that gnaws on the broken carcass of the reader's assumptions, if not his flesh, long after the book has been read."--Warren John Deacon, writer, director, teacher
"When you read this book, be prepared to be challenged. You will be challenged with word choice and you will be challenged to pay attention to every line. You can never drop your guard. This is not a light book."--Barb Cowles, writer, editor, publisher
Michael Woodworth Fuller is a diverse writer, having written poems, dramas, historical non-fiction, film and television. He wrote for the Promo Department at CBS-TV, particularly for Mission Impossible, Hogan's Heroes, The Andy Griffith Show, andGomer Pyle. He free-lanced for television with Alan J. Levitt and scripted several independent films, prominent among themPeace for a Gunfighter. In poetry, Michael has two published poems in the Library of American Poets, "Darryl" and"Firewood." While spending most of his time on Legacy, he wrote ISOMATA: The Place and its People, a history of the Idyllwild School of Music and the Arts, now known as Idyllwild Arts. Forthcoming after Legacy is Five!, a volume of short stories also to be published by Event Horizon Press.

Wednesday Jan 15, 2014
William Friedkin
Wednesday Jan 15, 2014
Wednesday Jan 15, 2014
With such seminal movies as The Exorcist and The French Connection, Academy Award–winning director William Friedkin earned his place in the pantheon of great filmmakers. A maverick from the start, Friedkin joined other young directors such as Francis Ford Coppola and Peter Bogdanovich in ushering in Hollywood’s second Golden Age in the 1970s. His long-awaited memoir, The Friedkin Connection, provides a candid portrait of an extraordinary life and career, offers a window into the rarified world of Hollywood and reveals all of the decisions—technical, artistic, and business—he confronted in crafting his distinctive and landmark films.
The Friedkin Connection takes readers on a journey through the numerous chance encounters and unplanned occurrences that led a young man from a poor urban neighborhood to success in one of the most competitive industries and art forms in the world. With keen wit and intellect, Friedkin proves as gifted a storyteller on the page as he is on the screen, taking readers from the streets of Chicago to the executive suites of Hollywood, from star-studded movie sets to the precision of the editing room.
Readers get delicious behind-the-scenes accounts of the making of all of Friedkin’s film, from the casting of The French Connection (Friedkin considered everyone from Jackie Gleason to journalist Jimmy Breslin for the role of Popeye, before settling on Gene Hackman) and the painstaking process of filming the famous chase scene on the subway and on the streets of New York City, to the dramas that ensued during the filming of The Exorcist (how Friedkin happened upon the now-famous “Tubular Bells” score after firing two composers; how Mercedes McCambridge went about creating the voice of the demon—and how she probably ruined Linda Blair’s chances at winning the Oscar). These accounts read like page-turners, but they also reveal a filmmaker at the height of his craft, a true artist who learned as he went along and wasn’t afraid of taking risks.
Still an influential filmmaker—his acclaimed 2011 movie, Killer Joe, starred Matthew McConaughey—William Friedkin has much to say about the world of movie making and his place in it. As fast-paced and thrilling as his acclaimed movies, The Friedkin Connection is a wonderfully cinematic look at an artist and an industry that has transformed who we are—and how we see ourselves.
“Friedkin’s book does the unthinkable: It relates the behind-the-scenes stories of his triumphs like The French Connection andThe Exorcist, but also sees Friedkin take responsibility (brutally so) for his wrong calls, like Sorcerer and Cruising. In doing so, he captures the gut-wrenching shifts of a filmmaker’s life — the bizarre whipsaw from success to disaster.”
—Peter Bart, Variety
“Enthralling. . . . Hardcore film geeks will salivate over this time capsule from a grateful and still-brilliant legend.” —Booklist
“For aspiring directors, a glimpse into the school of hard knocks, but there’s plenty of good stuff, lean and well-written, for civilian film fans, too.” —Kirkus Reviews

Wednesday Jan 15, 2014
Rebecca Solnit
Wednesday Jan 15, 2014
Wednesday Jan 15, 2014
Rebecca Solnit is an award-winning author whose distinctive voice has earned her much praise; the San Francisco Chronicle described her as “who Susan Sontag might have become if Sontag had never forsaken California for Manhattan.” Her exquisite new book, THE FARAWAY NEARBY, is set in motion with a gift of one hundred pounds of ripening apricots, which come from a neglected tree her mother could no longer attend to. The story of the fruit serves as a gateway for Solnit to relate intimate details about her own life, from the history of her complicated and tempestuous relationship with her mother, now suffering from memory loss, to an unexpected invitation to visit Iceland, to her own medical emergency.
An exploration of the way we make our lives out of stories, the book is a powerful call to reinvent memoir. Solnit does so by redefining the self, braiding together a story that is as much about how the self extends into the world through empathy and imagination and the stories that sustained her as it is about her own life during a difficult year. THE FARAWAY NEARBY speaks to storytelling structures and is formally inventive itself: the book is fitted together like a Russian doll, with stories within stories and chapter titles that repeat. Stitching together the entire narrative is a fourteenth chapter that runs like a connecting thread throughout the whole book.
Solnit relates a story of the T’ang Dynasty artist Wu Dazoi in which he is imprisoned by the Emperor and escapes through his own painting. Stories, she writes, are like this magical painting – containing entire worlds for a reader to disappear into. Her personal stories serve both as doorways into other narratives which she immersed herself in during this time (from fairy tales to Mary Shelley’s Frankenstein), and as entry points into the lives of others, from the young Che Guevara learning empathy among the leprosy-afflicted to an Arctic traveler who survived by eating her frozen children and a blues musician who cured himself of drinking by the stories he told.
A fitting companion to her much-loved A Field Guide to Getting Lost, THE FARAWAY NEARBY is a dazzling book about the magic and power of storytelling, the imaginative essence of empathy, and the forces that bring us together and keep us distant.
Rebecca Solnit is the author of twelve books, including A Paradise Built in Hell, A Field Guide to Getting Lost, Wanderlust,and River of Shadows, which won the National Book Critics Circle Award and Mark Lynton History Prize. The recipient of a Lannan Literary Award, she lives in San Francisco.
Visit www.rebeccasolnit.com

Monday Oct 21, 2013
Brett Martin
Monday Oct 21, 2013
Monday Oct 21, 2013
A riveting and revealing look at the shows that helped cable television drama emerge as the signature art form of the twenty-first century.
In the late 1990s and early 2000s, the landscape of television began an
unprecedented transformation. While the networks continued to chase the
lowest common denominator, a wave of new shows, first on premium cable
channels like HBO and then basic cable networks like FX and AMC,
dramatically stretched television's narrative inventiveness, emotional
resonance, and artistic ambition. No longer necessarily concerned with
creating always-likable characters, plots that wrapped up neatly every
episode, or subjects that were deemed safe and appropriate, shows such
as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more
tackled issues of life and death, love and sexuality, addiction, race,
violence, and existential boredom. Just as the Big Novel had in the
1960s and the subversive films of New Hollywood had in 1970s, television
shows became the place to go to see stories of the triumph and
betrayals of the American Dream at the beginning of the twenty-first
century.
This revolution happened at the hands of a new breed of
auteur: the all-powerful writer-show runner. These were men nearly as
complicated, idiosyncratic, and "difficult" as the conflicted
protagonists that defined the genre. Given the chance to make art in a
maligned medium, they fell upon the opportunity with unchecked ambition.
Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV but also a cultural watershed. Difficult Men features extensive interviews with all the major players, including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), Matthew Weiner and Jon Hamm (Mad Men), David Milch (NYPD Blue, Deadwood), and Alan Ball (Six Feet Under), in addition to dozens of other writers, directors, studio executives, actors, production assistants, makeup artists, script supervisors, and so on. Martin takes us behind the scenes of our favorite shows, delivering never-before-heard story after story and revealing how cable TV has distinguished itself dramatically from the networks, emerging from the shadow of film to become a truly significant and influential part of our culture.
Praise for Difficult Men:
Brett Martin has been reporting and writing non-fiction for more than fifteen years. He’s contributed to Vanity Fair, Gourmet, Bon Appetit, The New York Times, The New Yorker, Esquire, Food and Wine, Details, Men’s Journal and O: The Oprah Magazine, and is a frequent contributor to This American Life. He is currently a Contributor to GQ.

Monday Oct 21, 2013
Chuck Klosterman
Monday Oct 21, 2013
Monday Oct 21, 2013
From New York Times bestselling author, "one of America's top cultural
critics" (Entertainment Weekly), and "The Ethicist" for The New York
Times Magazine, comes a new book of all original pieces on villains and
villainy.
Chuck Klosterman has walked into the darkness. As a boy, he related to
the cultural figures who represented goodness--but as an adult, he found
himself unconsciously aligning with their enemies. This was not because
he necessarily liked what they were doing; it was because they were
doing it on purpose (and they were doing it better). They wanted to be
evil. And what, exactly, was that supposed to mean? When we classify
someone as a bad person, what are we really saying (and why are we so
obsessed with saying it)? In I Wear the Black Hat, Klosterman
questions the very nature of how modern people understand the concept of
villainy. What was so Machiavellian about Machiavelli? Why don't we see
Batman the same way we see Bernhard Goetz? Who's more worthy of our
vitriol--Bill Clinton or Don Henley? What was O.J. Simpson's
second-worst decision? And why is Klosterman still obsessed with some
kid he knew for one week in 1985?
Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero (seemingly the only kind of hero America still creates). I Wear the Black Hat
is the rare example of serious criticism that's instantly accessible
and really, really funny. Klosterman is the only writer doing whatever
it is he's doing.

Monday Oct 07, 2013
Gabriel Roth
Monday Oct 07, 2013
Monday Oct 07, 2013
You will not want to miss this event! Gabriel Roth has delivered a debut novel that, to many, signals the arrival of the next New Big Thing.
Eric Muller has been trying to hack the girlfriend problem for half his life. As a teenage geek, he discovered his gift for programming computers-but his attempts to understand women only confirm that he's better at writing code than connecting with human beings. Brilliant, neurotic, and lonely, Eric spends high school in the solitary glow of a screen.
By his early twenties, Eric's talent has made him a Silicon
Valley millionaire. He can coax girls into bed with ironic remarks and
carefully timed intimacies, but hiding behind wit and empathy gets
lonely, and he fears that love will always be out of reach.
So when
Eric falls for the beautiful, fiercely opinionated Maya Marcom, and she
miraculously falls for him too, he's in new territory. But the more he
learns about his perfect girlfriend's unresolved past, the further
Eric's obsessive mind spirals into confusion and doubt. Can he reconcile
his need for order and logic with the mystery and chaos of love?
This brilliant debut ushers Eric Muller-flawed, funny, irresistibly endearing-into the pantheon of unlikely heroes. With an unblinking eye for the absurdities and horrors of contemporary life, Gabriel Roth gives us a hilarious and heartbreaking meditation on self consciousness, memory, and love.
Praise for The Unknowns:
"What a funny, moving, brilliantly cut gem of a novel. An ever-shifting Venn diagram of love and logic, The Unknowns floored me." --author of Panorama City, Antoine Wilson
"The Unknowns feels at first like a very great and very funny coming-of-age novel, about a high-school loser destined for Internet riches. But then suddenly you realize you're reading something much more powerful: a beautiful and painful story about the dangers of learning too much-and about how little we can ever really know about other people."--author of The Last Policeman, Ben H. Winters
"The Unknowns is so staggeringly funny and smart that its depths and sorrows, when they came, took my breath away."--author of Dare Me, Megan Abbott
"Gabriel Roth's first novel is a warmly wry coming-of-age story and a darkly funny-and darkly resonant-satire of one effervescent moment in San Francisco's abusive relationship with technology. If Peter Thiel had backed a character from Infinite Jest, he would have gone on to look something like Eric Muller. A tender, comic debut from one of the coder-novelists of the future."--author of A Sense of Direction, Gideon Lewis-Kraus
Gabriel Roth was born and raised in London and educated at Brown University and at San Francisco State University, from which he received a Master of Fine Arts in creative writing. For several years he was employed as a reporter and editor at the San Francisco Bay Guardian. He now works as a writer and software developer and lives with his family in Brooklyn, New York. THE UNKNOWNS is his first novel.

Monday Oct 07, 2013
EMERGING VOICES FELLOWSHIP MEET AND GREET
Monday Oct 07, 2013
Monday Oct 07, 2013
PEN Center USA will present an Emerging Voices Fellowship panel of current and former Emerging Voices Fellows and mentors for the benefit of interested applicants. PEN Center USA's mission is to stimulate and maintain interest in the written word, to foster a vital literary culture, and to defend freedom of expression domestically and internationally.

Monday Sep 30, 2013
Tao Lin on Taipei
Monday Sep 30, 2013
Monday Sep 30, 2013
"Tao Lin [is] an excellent writer of avant-garde fiction. His new novel is his most mature work, and follows a young New York writer to Taipei, where he must reconcile his family's roots with the haze of MDMA, texts and tweets that he's been living in. Mr. Lin has refined his deadpan prose style here into an icy, cynical, but ultimately thrilling and unique literary voice."--New York Observer
"With Taipei Tao Lin becomes the most interesting prose stylist of his generation." --Bret Easton EllisTao Lin is the author of the novels Richard Yates and Eeeee Eee Eeee, the novella Shoplifting from American Apparel, the story collection Bed, and the poetry collections cognitive-behavioral therapy and you are a little bit happier than i am. He is the founder and editor of the literary press Muumuu House. His work has been translated to twelve languages and he lives in Manhattan.
THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS JUNE 20, 2013.
COPIES OF THE BOOK FROM THIS EVENT CAN BE PURCHASED HERE:
http://www.skylightbooks.com/book/9780307950178

Monday Sep 30, 2013
SUSIE NORRIS & SUSAN HEEGER
Monday Sep 30, 2013
Monday Sep 30, 2013
HAND-CRAFTED CANDY BARS (Chronicle Books)
The beloved candy bars of childhood have grown up, but there is no need to go to the French Laundry to get your fix. Candy bar devotees Susie Norris and Susan Heeger show how to reinvent candy bars as they should be--thick and layered with nougat, crisp with toffee, and coated with fine chocolate. Familiar candy-store bars and other nostalgic favorites are re-created using the freshest ingredients, right down to the peanut-laden caramel and chocolate-drenched cookie crunch. A mix-and-match flavor chart inspires anyone with a sweet tooth to dream up custom treats of their own, such as covering marshmallows with molten chocolate. From the basics of candy making to tips on dressing up these luscious indulgences as elegant desserts, Hand-Crafted Candy Bars evokes the sweet memory of youth with simple, scrumptious sophistication.
THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS ON JUNE 18, 2013.
COPIES OF THE BOOK FROM THIS EVENT CAN BE PURCHASED HERE: http://www.skylightbooks.com/book/9781452109657

Monday Sep 23, 2013
ROB YARDUMIAN
Monday Sep 23, 2013
Monday Sep 23, 2013
It's the summer of 1995, and in the heat of the hills above Los Angeles, Riley Oliver is trying to find redemption in rock 'n' roll. Fifteen years have passed since his band flamed out at CBGB, and Riley sees the life his former guitarist Will Turner has built -- successful producing career, the lovely Lena for a wife, a gated home -- and he wants some of that luck for himself. Jumping the fence, Riley brings the shadows of the past back to Will, and long-buried conflicts darken the sunny Southern California scene. Lena herself is restless in this creative world; she has been living in the background of the music industry far too long, and this summer becomes one of longing and self-discovery for her and for her uninvited guest.
The Sound of Songs Across the Water traces creation and betrayal, joining and fissure at a time when lovers still made mixtapes to show they cared. Rob Yardumian's language vibrates like a string under the pressure of fingertips, sliding and reckless as he tells the story of bittersweet inspiration and the pain of bringing art to life.

Monday Sep 09, 2013
ELIZABETH ROSS
Monday Sep 09, 2013
Monday Sep 09, 2013
Join us for the launch of this young adult novel!
"With resonant period detail, elegant narration, and a layered exploration of class and friendship, this provocative novel is rife with satisfaction."--Booklist
ELIZABETH ROSS studied French at the University of Glasgow in Scotland, and between semesters she worked in Paris and Brittany. She lives in Los Angeles. When she isn't writing, she edits feature films.
THIS READING WAS RECORDED LIVE AT SKYLIGHT BOOKS JUNE 15, 2013
COPIES OF THE BOOK FROM THIS EVENT CAN BE PURCHASED HERE: http://www.skylightbooks.com/book/9780385741460

Monday Sep 09, 2013
DAGMARA DOMINCZYK
Monday Sep 09, 2013
Monday Sep 09, 2013
When Anna and her parents emigrate to the United States in the 1980s, they settle in Brooklyn among immigrants of every stripe, yet Anna never quite feels that she belongs. Then, at the age of twelve, she spends a summer in Kielce, Poland, with her grandmother. She quickly develops a close friendship with beautiful Justyna and awkward Kamila. With each passing summer when Anna returns, they renew that bond.
Over a decade later, when they have each gone their separate ways — Anna, an actress in New York; Kamila, a divorcee in Michigan, and Justyna, a wife and mother in Poland — a shocking murder pulls them together again in the place where their friendship first began.
“The Lullaby of Polish Girls is a striking and vivid debut novel, absolutely buzzing with energy. Dagmara Dominczyk's freshly observed story about the intertwined lives of three friends is both sexy and sensitive, with a raw, openhearted center. Dominczyk's love for her complicated characters is apparent from the first page to the last, and by the novel's end, the reader cares for them just as deeply.”
— Emma Straub, author of Laura Lamont’s Life in Pictures
Dagmara Dominczyk was born in Poland and immigrated to New York City at the age of seven. She has acted in numerous films, TV series, and plays. Most recently she appeared in the motion picture Higher Ground and on Broadway in Golden Boy. She is married to the actor Patrick Wilson, with whom she has two sons. She lives in New Jersey.

Monday Sep 09, 2013
LGBT Writers Who Inspire Us
Monday Sep 09, 2013
Monday Sep 09, 2013
On the
eve of LGBT Pride Weekend, Skylight hosts its second annual "LGBT
Writers Who Inspired Us." Writers Bernard Cooper, Eduardo Santiago,
Myriam Gurba, Alexis Fancher, Trebor Healy read the works of LGBT
literary giants Reynaldo Arenas, Susan Sontag, Tom Spanbauer and more!
Curated by Noel Alumit.